Stephane Grappelli plays Prokofiev in the otherwise disappointing rock version of Peter and the Wolf masterminded by Jack Lancaster and Robin Lumley.
Author: Don
Cops, a guinea pig and a zither
Here’s a ghost story — sorta — by James Thurber
The Night the Ghost Got in
The ghost that got into our house on the night of November 17, 1915, raised such a hullabaloo of misunderstandings that I am sorry I didn’t just let it keep on walking, and go to bed. Its advent caused my mother to throw a shoe through a window of the house next door and ended up with my grandfather shooting a patrolman. I am sorry, therefore, as I have said, that I ever paid any attention to the footsteps.
They began about a quarter past one o’clock in the morning, a rhythmic, quick-cadenced walking around the dining-room table. My mother was asleep in one room upstairs, my brother Herman in another; grandfather was in the attic, in the old walnut bed which, as you will remember, once fell on my father. I had just stepped out of the bathtub and was busily rubbing myself with a towel when I heard the steps. They were the steps of a man walking rapidly around the dining-room table downstairs. The light from the bathroom shone down the back steps, which dropped directly into the dining-room; I could see the faint shine of plates on the plate-rail; I couldn’t see the table. The steps kept going round and round the table; at regular intervals a board creaked, when it was trod upon. I supposed at first that it was my father or my brother Roy, who had gone to Indianapolis but were expected home at any time. I suspected next that it was a burglar. It did not enter my mind until later that it was a ghost.
Tune of the day #47
Something a bit different for Halloween. Joe McDonald knew some really weird chicks.
Today’s quote
It’s a simple concept. Web platforms force people to pay money to avoid the ads—so the more annoying they are, the more money they make.
They used to call it extortion—pay now to avoid pain later. And it always works like a charm.
Tune of the day #46
Michael Chapdelaine was the only guitarist to win both the fingerpicking championship at Winfield and the the Guitar Foundation of America International Classical Guitar Competition.
Just wondering
Tune of the day #45
Caution: this tune is a dangerously tenacious earworm. Think before you click.
Tune of the day #44
A classical disc jockey once commented that, no matter what one’s taste in music is, everyone likes Dvořák. So far I haven’t come across anyone who doesn’t.
Tune of the day #43
What happens when you turn an avant-garde composer with an engineering degree loose on a player piano? There’s a discussion of the piece here (advisory: math). The sonorities are interesting, but can this really be called music?
Tune of the day #42
Back in ancient times the local freak radio station often played this along with The Velvet Underground and Harry Partch. Years later I heard bits and pieces of it behind Peter Jones’ narration in the original radio version of The Hitchhiker’s Guide to the Galaxy, so it was a natural choice for tune #42.
Tune of the day #41
There are some historical background and the lyrics you don’t hear here, but the music stands on its own.
Tune of the day #40
Some of this later turned up in Ive’s Three Places in New England. That scandalized an acquaintance, who didn’t believe that humor belonged in music. See also Dr. Boli.
War, values and pianos
During the Civil War, a Union general and his troops marched into Holly Springs, Mississippi, with the intention of destroying the little Confederate town. Looking at a beautiful mansion, the general walked in, saw a fine grand in the parlor, and began playing. Upon hearing the music, a beautiful young woman descended the long staircase. After a few minutes of conversation, the pair discovered that they had both studied in New York with the same teacher. The very next day, he again came to her home and they played duets. On taking his leave he said, “You and your piano take the credit for saving Holly Springs.”
I am amused by present-day politicians who mourn the death of what they call “family values.” I would tell them to call for the return of the piano in the home. Before the endless proliferation of canned music, mothers played for family and friends a variety of music, from hymns to sentimental popular songs, while feet moved to the current dance craze, and many a romance began near a piano. There may even have been flashes of radiant beauty when mother played the first movement of the Moonlight Sonata. D. H. Lawrence describes almost unbearable nostalgia for a mother playing to her child in his magnificent poem “Piano”:
Softly in the dusk, a woman is singing to me;
Taking me back down the vista of years, till I see
A child sitting under the piano, in the boom of the tingling strings
And pressing the small, poised feet of a mother who smiles as she sings.
Tune of the day #39
The most musically interesting competition at Winfield is the fingerpicking championship. Don Ross has won it twice.
Tune of the day #38
Most of the offerings on OverClocked Remix fall in the twilight zone of better-than-amateur but not-quite-professional, and are often in styles I dislike. Occasionally something surprises me, like this goofy Final Fantasy fantasia.
Tune of the day #37
Blistering fusion, featuring Kido Natsuki, another candidate for the title of best guitarist no one has heard of.
Tune of the day #36
Stravinsky originally wrote this as a song for soprano and piano in 1907. In 1933 he arranged it for violin and woodwind ensemble, as heard here.
Tune of the day #35
If Robert Fripp were a Klezmer musician, and Tony Levin played tuba, King Crimson might have sounded something like this.
Tune of the day #34
Orientalism? Cultural appropriation? Who cares? It’s fun, and that is enough.
Tune of the day #33
Modern Renaissance music, featuring Brian Gulland on lead bassoon and hysterical laughter.
