There’s about three and a half hours of Halloween left here, so let’s have a spooky tune. Here’s the opening theme of Ghost Hound, “Poltergeist” by Mayumi Kojima, I have no idea what the lyrics say, but the music tells you all you need to know.
Author: Don
190/365
Monica and Tony.
Music and marathons
I’m not terribly impressed with Ghost Hound — yet, anyway — but I do like the opening song, “Poltergeist,” by Mayumi Kojima. A few days ago I came across something listed as “Ghost Hound OP album.” It turned to be Kojima’s “A Musical Biography 2001-2007,” and it’s not standard J-pop. Most of the songs fall somewhere between novelty jazz and rock, with touches of rockabilly, surf guitar and the top 40 of an earlier era. To be painfully honest, on some of the tunes I enjoy the band and the arrangements more than her singing, but she earns points for an idiosyncratic repertoire. “Poltergeist” is Kojima at the darker, rockier end of her range; here’s something more playful, “???????!,” or “The Last Shot.”
*****
It’s an obvious point, but perhaps worth making anyway. Some series should be marathoned, while others are best appreciated one or two episodes at a time. For most series, of course, it doesn’t much matter. I’ve watched a dozen episodes of Cardcaptor Sakura in one sitting, and also watched one per evening for weeks, and enjoyed it equally both ways. However, something like the Divergence Eve/Misaki Chronicles saga demands to viewed in one or two long sittings (if you can get past the bizarre character designs ((Kei’s and Yuri’s busts are as large as I find attractive; bigger than that just looks grotesque.)) and the mystifying first episode. The series’ creators perhaps expected too much of the casual viewer and the professional reviewer). Don’t put the first disc in your player late in the evening if you need to work the next day. Seirei no Moribito is another to marathon, as is Baccano!. I’ve held off watching the second half of SnM until all of it is available and I have six uninterrupted hours available to spend on it (maybe Thursday, finally).
Lightweight comedies and farces, on the other hand, are best viewed one or two episodes at a time, else they become cloying and the formulae become too obvious. Galaxy Angel A and Z, Animal Yokocho, Kerero Gunsou, Muteki Kanban Musume, Sayonara Zetsubo Sensei, etc., are all best taken in small doses. Also, some of the more thoughtful episodic series benefit from being watched one episode at a time, with time to reflect between viewings. I can’t imagine wanting to marathon Mushishi, for instance, or Kino’s Journey.
*****
A bit of good news via Anime on DVD: Martian Successor Nadesico is being reissued as a “perfect collection.” It’s due out January 1.
*****
Mickey Mouse Feio. (Via Cartoon Brew.)
*****
What exactly is Aria?
189/365
Red, blue and white.
188/365
Plastic.
187/365
Virginia creeper.
Have you seen me?
After a four-month hiatus, the fifth episode of Master of Epic has finally been translated. This time, the topic is “skill.” In first skit, a young woman learns to sew to impress her crush, and overdoes it. It’s mildly humorous. There’s also a housewife at a flea market, another brief bit with Chuu and Bukotsu in which Chuu does something uncharacterstically cute, an illustration of good and bad luck involving a cannon, and another lengthy installment of the intermittently amusing Diaros Island saga. And that’s it. Yawn. There seems to be something missing — five things, actually, one blue, one yellow, one pink, one green and one black.
In other words, skip this installment and hope that it takes less than six months for the next to be subtitled. The previews promise that the Waragecha Five will have two skits then.
Just wondering: does “larufa kuina vashiina” mean anything?
*****
I watched the most recently subbed episodes of Moyashimon, Sketchbook and Minami-ke, and there isn’t much to say about them that I haven’t already said. All three remain on my watch list. The first continues weird, the second weightless and the third funny. My only problem with the last this time was that there was too much of Kana and not enough of Chiaki.
For the heck of it, I made a few avatars. These are all 80 pixels square, suitable for gravatars, which are now part of the WordPress armory. Right-click to save to your disc — you know the drill.
Yeast (Moyashimon)
Penicillin (Moyashimon)
Black mold (Moyashimon)
Chuu (Master of Epic)
P-chan (Sketchbook)
Aloft
I spent some time this evening at the Wichita Asian Festival and took a few pictures. Pictured above is a moment from the Japanese folk dance “Soran Bushi.” Note the traditional footwear. There are more pictures on my other weblog.
186/365
From the archives
185/365
Sketchy notes
Both Wonderduck and Astro have declared their love for Sketchbook full color’S, so I watched the first few episodes. Initially I was put off by the main character. In the first episode Sora seems not just painfully but pathologically shy and sensitive. However, the subsequent episodes emphasize her otherworldliness, and she seems less like a mental case and more like Osaka’s artistic cousin. Also, however strange she is, she not the only eccentric around:
I doubt that I’ll ever like Sketchbook as much as Mr. Duck does, but it is on my watch list. Slight though the series is, it’s appealingly whimsical, and it’s refreshing after noisier, busier shows.
Sketchbook earns bonus points for being 100% fanservice-free. It’s an anime in which high school girls wear knee-length skirts. (But it loses a point for the pointless apostrophe-capital “S” in the title.)
*****
I’m ambivalent about Minami-ke. It does feature potentially the best comic character since Osaka, and the first two episodes are funnier than Lucky Star and Hayate no Gotoku combined. Chiaki is a very bright, very deadpan grade-school student. She steals the show as Ruri did Nadesico. She has a mischievous streak, and her hyper high school sister Kana is an easy target. The two live with their older sister, apparently without parents or other guardians.
Funny though it is, Minami-ke makes me a bit uneasy. The first episode is largely about kissing, which Kana wants to demonstrate to Chiaki. The second concerns panties. What will the third feature, bra sizes? I’m not sure I want to find out. (Note that there isn’t any actual fanservice in the show, just the threat of it.)
*****
Although I was not exactly enthralled by the first episode of Ghost Hound, as I noted below, I am still certainly going to follow the series. Nakamura et al may yet come through.
*****
I’m no expert on swing, but the more I listened to the Oh! Edo Rocket soundtrack, the more familiar it seemed. “Matsuri,” for instance, may not have quite the same melody as “In the Mood,” but it sure reminded me of the earlier tune. It bothered me, so I posted a few of the tunes on my other weblog and asked if they sounded familiar. The consensus in the comments is that the pieces are pastiches of swing originals, not quite plagiarisms but damn near. So, if you like the music, instead of the OER soundtrack, you probably should look for recordings by Glenn Miller and his contemporaries.
184/365
Indecisive maple.
183/365
One of the signs of fall: Nutcracker preparations.
This marks the half-way point of the 365 project. For six months now I’ve taken a picture every day (actually lots of pictures, from two to over 250 at a time) and posted it here. Can I keep it up for six more months? We’ll see.
182/365
Maple.
Is there a musicologist in the house?
(This would ordinarily go on my other weblog, but I suspect that I’m more likely to find knowledgeable musicians among the visitors here.)
One of the many distinctions of the eccentric anime Oh! Edo Rocket is the soundtrack. It’s mostly swing. Yusuke Homma (or Honma) is credited as the composer. A friend says that Homma didn’t merely use the big band numbers as models but plagiarized the tunes. Although much of the soundtrack sounds familiar to my ears, I don’t quite recognize any particular melodies. My knowledge of that musical era is slight, however, so I’m wondering if Homma can really claim to have written the music.
Here are three of the numbers, “Swing,”, “Laid Back” and “Matsuri.” Have you heard these before?