Sort of a Christmas story

Some years back I posted one of Robert Benchley’s Christmas pieces. Here’s another.

Editha’s Christmas Burglar

By Robert Benchley
It was the night before Christmas, and Editha was all agog. It was all so exciting, so exciting! From her little bed up in the nursery she could hear Mumsey and Daddy down-stairs putting the things on the tree and jamming her stocking full of broken candy and oranges.

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Recent disappointments

I recently watched OddTaxi in the Woods, the movie based on the noir-with-funny-animals series. It turned out to be essentially a clip show with little new material, likely confusing to newcomers and frustrating for those familiar with the show. The movie does tie off the loose end left conspicuously dangling at the end of the show, but it takes two hours to get there. If you’ve seen the series and want to know what happens, jump to the last eight minutes, and keep your finger on the pause button during the end credits. If you haven’t seen OddTaxi and are curious about this idiosyncratic story, skip the movie and watch the series.

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1st Rifle Platoon, Co. “B”

As everyone who checked the comics this morning knows, Charles M. Schulz was born a hundred years ago today. My nephew has been researching family history, and he recently sent me the photo above. Schulz is second from the left in the front row, and my father is third from the right in the second. They were friends and kept in touch after the war. Every ten years or so Schulz would call my father, and they would spend the evening talking loudly on the phone. Schulz occasionally sent us some of his books. One was a collection of his strips, on the flyleaf of which he wrote a greeting and drew a large picture of Snoopy. My brother, then a toddler, promptly scribbled over it.

A new one, a true one

For some inexplicable reason, Irving Vanderblock-Wheedle’s verse today reminded me of the begining of Lord Byron’s Don Juan.

I want a hero: an uncommon want,
…..When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
…..The age discovers he is not the true one;
Of such as these I should not care to vaunt,
…..I’ll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

Doomed

Dahlberg daisy

Here are a few snapshots from the yard taken this week. The low tonight will be 25°F, according to the weatherman. It’s possible that some of the plants will survive that, thanks to the microclimate near the house. However, the 20° forecast for Friday night will probably do them all in. These are likely the last garden pictures of the year (though indoors the very red orchid has a fresh set of buds).

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Irreproducibility

When I check the daily rankings at Pixiv, I’m usually content to enjoy the pretty, albeit anime-style pictures. Once in a while, though, I wish I could read Japanese, such as on the manga page above which caught my eye this morning.

(If you visit Pixiv, be aware that many of the artists are males stuck in randy adolescence, and not all the pictures are tasteful.)

Debussy’s greatest hits, arranged for motorbike and schoolgirl

What sort of music do you associate with motorcycles? Something fast and furious, like Steppenwolf or The Rodeo Carburettor? Something with fiery guitar, like Joe Satriani or Jan Cyrka?

How about Debussy? The first music heard in the extended Honda commercial Super Cub is his thundering first “Arabesque.” Later in the first episode, when the protagonist goes on her first night ride, she putts along to the pounding beat of “Clair de lune.” Over the course of the twelve episodes there is more Debussy, plus additional piano music by composers from Beethoven to Schumann.1

Against my better judgement, I’ve taken out a membership at Crunchyroll again. While most current shows look like isekai drivel, there are some recent offerings that might be worth my time. Atomic Fungus liked Super Cub, so I started with that.

High school student Koguma states at the beginning of the first episode that “I have no parents. No money, either. Nor do I have any hobbies, anyone I can call a friend, or any goals for the future.” One day, after struggling up a long slope on her bicycle once too often, she stops by a motorcycle shop, where she purchases a Honda Super Cub for a suspiciously low price. One of her classmates turns out to be a Cub enthusiast, and suddenly the emotionally withdrawn Koguma has a friend. Over the course of the series Koguma learns how to ride and maintain her bike, finds a summer job, solves various problems associated with riding a motorcycle, and gradually becomes a more competent and sociable individual.

The series it most resembles is laid-back Yurucamp, with girls doing outdoorsy things, and featuring an introverted central character. There are significant differences, though. Yurucamp‘s Rin is a fundamentally healthy person who enjoys solitude, while Koguma’s isolation at the beginning of Super Cub is nearly pathological. The art and character designs in Yurucamp are more cartoony and the characters themselves more boisterous than their counterparts in Super Cub. And there is no Debussy in Yurucamp. Still, if you enjoyed watching Rin and the Outdoor Activities Club, Super Cub is worth checking out.

I can’t give the show an unreserved recommendation. In the tenth episode, after a snowfall Koguma and her fellow Cub enthusiast frolic on their motorbikes on a snowy field, taking lots of spills. Perhaps it’s not as dangerous as it looks, but it seems like an excellent way to break arms and collar bones. Immediately after that, another girl falls into a stream in freezing weather and calls Koguma for help. Rather than summon emergency services, Koguma carries the barely-conscious girl to her apartment on her motorbike and revives her there. The girl survives and her family is grateful to Koguma, but Koguma’s heroics nearly killed the poor girl.2 If you watch Super Cub, I suggest you stop at the middle of the tenth episode and skip to the twelfth.

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