The Dutch band Supersister, featuring Robert Jan Stips on keyboards, were among the best exponents of the Canterbury school of prog rock.
Category: Tune of the day
Tune of the day #179
It’s an old story: man meets mermaid, and the inevitable happens. It’s not quite like Hans Christian Anderson.
Tune of the day #178
Szymanowski’s take on the Scheherazade story is quite a bit different from Rimsky-Korsakov’s.
Tune of the day #177
King Gizzard and the Lizard Wizard released five albums in 1917, each with a different gimmick. Polygondwanaland‘s is that it’s “name your price,” i.e., free.
Tune of the day #176
Country Joe McDonald, who was named for Joseph Stalin, died Saturday.
Tune of the day #175
The archetypal Raymond Scott piece, as arranged for Paul Whiteman’s orchestra.
Tune of the day #174
From Holdsworth’s first proper solo album.1
Tune of the day #173
Although Arthur Farwell wrote settings of Emily Dickinson poems and music for a play by Lord Dunsany among many other works, he is probably best-known today, insofar as he is remembered at all, for his “Indianist” music.
Tune of the day #172
Pioneering fusion by the fiddler who worked with both Frank Zappa and John McLaughlin.
Tune of the day #171
I’ve never been able to take Metallica seriously.
Tune of the day #170
It’s hard to sit still listening to The Bothy Band.
Tune of the day #169
Another tune from my childhood sojourn with the Martian side of the family.
Tune of the day #168
See Dave Barry for the historical background.
Tune of the day #167
Godowsky’s music probably isn’t excessively difficult for pianists with three or four hands. For those with only two, it’s more of a challenge.
Tune of the day #166
Bill Nelson from his BBD days.
Tune of the day #165
So you think you’ve heard everything?
Tune of the day #164
“Hot Smoke and Sasafrass” (sic) was their big hit, but I liked the flip side, too.
Tune of the day #163
Another barcarolle by Gabriel Fauré. He wrote thirteen of them, all worth hearing. Fauré’s music is not easy to play; Franz Liszt said of his first attempt at one of Fauré’s pieces, “I’ve run out of fingers.”
Tune of the day #162
One of the curious facts about the composers of game music is that Nobuo Uematsu, probably the best-known and most popular (except maybe for Koji Kondo) had the least formal training.
Tune of the day #161
A laid-back tune from Gatton’s second and last Major Label Recording.