I haven’t posted any Celtic music yet, and I need to remedy that. We’ll start with a medley of Carolan tunes by The Chieftains.
Category: Tune of the day
Tune of the day #131
Another anime march, but of a very different character then yesterday’s. It’s from the eccentric series Tsuritama, the most approachable show directed by the idiosyncratic Kenji Nakamura. The soundtrack is by the Kuricorder Quartet, who, with a few extra musicians, earlier recorded the music for Azumanga Daioh.
Tune of the day #130
The premise of the anime Girls und Panzer is absurd — few people realize that tank warfare is one of the feminine arts — but it was amazingly popular a decade or so back.
Tune of the day #129
John Renbourn, a Renaissance dance tune, and (modified) Heath Robinson art.
Tune of the day #128
Another medieval/modern hybrid.
Tune of the day #127
GG, MM and BB venture into Eric Johnson territory.
Tune of the day #126
Piccio Dal Pozzo is probably the outstanding Italian example of the Canterbury school of prog rock. This is from their 1976 debut.
Tune of the day #125
I’ve mentioned Kapustin before. Here’s some more of his music.
Tune of the day #124
This color-coded visual aid might make it a little easier to follow the counterpoint in Nancarrow’s “12-voice canon in which the 12 tempos are proportional to the pitches of the notes of a chromatic scale.”
Tune of the day #123
A song about a drummer, without drums. This was the first tune I heard by Steeleye Span, and it is still one of my favorites.
Tune of the day #122
Homage to Stravinsky, transcribed for baroque and folk instruments by yet another bunch of crazy Finns.
Tune of the day #121
Your daily dystopia, courtesy of the band named for drops of nail polish on a piano.
Tune of the day #120
Griffes was potentially a Great American Composer, but he died far too young.
Tune of the day #119
The band once known as “Happy Cancer” never had much commercial potential. So what?
Tune of the day #118
Italian prog rock from 1976, with flutes and mellotrons.
Tune of the day #117
If you don’t hear Steve Cropper’s guitar, it’s because he’s playing a keyboard on this one.
Tune of the day #116
Something I would not have expected from Richard Thompson.
Tune of the day #115
The lyrics are from the medieval Carmina Burana. The music is somewhat more recent.
Tune of the day #114
It’s impossible to be too paranoid — true in 1973, and in 2026.
Tune of the day #113
The Cuban composer and guitarist Leo Brouwer composed much music for classical guitar of varying degrees of listenability. These include his Beatlerianas, such as this.