Bassist Danny Thompson is probably best-known for being part of Pentangle, but he played with a wide variety of musicians, including Donovan, Richard Thompson, June Tabor and many others. He passed away last week. Here he is with Pentangle fifty-four years ago.
Tune of the day #14
My father liked marches and played lots of recordings of pipes and drums and John Philip Sousa. I got sick of them. Nevertheless, this medley did catch my ear, and years later I tracked it down.
Tune of the day #13
I could easily post all of Gentle Giant, and perhaps I eventually will. They were the best of all progressive rock bands (you can disagree, but you’re wrong), and of course I never heard them on the radio. This is from Three Friends.
Tunes of the day #12
Giacomo Rossini is best known for a series of overtures and the operas that accompanied them. Late in his life he wrote several sets of small-scale pieces collectively known as “Péchés de vieillesse,” or “Sins of Old Age.” These included a variety of playful piano music. Years later Ottorino Respighi orchestrated a number of the latter as the score to the ballet La Boutique Fantasque. Instead of picking out individual sections, here’s the whole thing.
Tune of the day #11
Who is the best guitarist no one has heard of? One possibility is Kyoji Yamamoto of the Japanese band Bow Wow.1 The vocals are exceedingly average, but that doesn’t matter when Yamamoto shuts his mouth and plays. “Silver Lightning” is from their 1977 second album, released a year before Van Halen’s first. If you’re impatient for pyrotechnics, skip to 2:35.
Tune of the day #10
There were two Kaleidoscopes, one American, one British, both on the borders of psychedelia and prog rock, each very different from the other. This song is from the wacko California ensemble that gave the world David Lindley.
Tune of the day #9
From the Swedish-speaking region of Finland. The translated lyrics are here.
Tune of the day #8
The barcarolle is to Fauré what the nocturne is to Chopin.
Tune of the day #7
Featuring Stevie Coyle: “Fortunately, not even several years of playing Folk Masses every Sunday could quash his musical spirit….”
Tune of the day #6
Metal is timeless, and every age has its version. Distorted guitars are helpful but not essential. Attitude is what matters.
Tune of the day #5
An innocuous little set of variations on a simple tune, performed by the pianist who kick-started the Alkan revival a half-century ago.
Tune of the day #4
From the first Klezmer album I ever bought, with a cover by R. Crumb.
Tune of the day #3
“The Funky Western Civilization” may be the obvious choice for Tonio K., but I like this one, too.
Today’s quote
Jim:
As Charlie Kirk, martyr for Christ, told us, the proposition that Church and Easter are inessential activities, but bars, race rioting, and burning down Wendy’s are essential activities makes so much more sense if you assume our rulers are possessed by demons.
Tune of the day #2
The “Chant de Roxane,” from Karol Szymanowski’s opera King Roger, transcribed for violin and piano by Paul Kochanski.
Tune of the day #1
I don’t post all that much these days, and that’s not likely to change any time soon. Therefore, I thought I would start posting each day a piece of music that caught my ear, so that visitors will have something to listen to when there’s nothing new to read. Expect anything from Renaissance dances to Melt-Banana. No matter what your tastes are in music, there’ll be something to annoy you.
Can I keep this up indefinitely? Sure. Can you stand a year of it? We’ll see.
We’ll start with an orchestral arrangement of “Beware the Forest’s Mushrooms” from a Super Mario game, composed by Yoko Shimomura. While I have little interest in video games, I recently discovered that some game music is highly listenable, and Shimomura is one of the best composers. This particular piece reminds me of central European composers such as Dvorák and Smetana.
Request
Prayers would be appreciated for my brother-in-law Dave, who passed away this afternoon after a long battle with cancer.
Miscellany
Noise comes in colors. There are white noise, pink noise, red noise, brown noise, blue noise, grey noise, etc. The various shades are most easily perceived by acousticians and sound engineers.
While wandering around an airport earlier this summer, I realized that there music playing throughout the building. It was light, watery jazzish stuff, difficult to pay attention to. There was a trumpet in the mix, but the sound was bland, not bold. The melodies were trivial and the chords hackneyed. It may very well have been AI slop. What I was hearing could be called “beige noise”: music intended to be ignored.
*****
Joseph Epstein on a biography he never wrote:
In my early thirties I signed on to write a biography of John Dos Passos, who was still alive. I wrote to Dos Passos to ask if I might have his cooperation in writing his biography. He replied instantly, saying that he would help me in any way he could, on the condition that I “put my liberal ideology in mothballs” and pledge never again to use the word “explicate.”
*****
Atomic Fungus shows how to talk to machines:
Mrs. Fungus was trying to get a tech on the phone, and was stuck at the recalcitrant AI prompt. After hearing her say, “I want to talk to an agent!” fifty-odd times, I took the phone from her.
Machine: “Do you want to try to restart your cable box now?”
Me: “NO! BIB GOBBLE WAGLE BAG GAG HANGLE!”
Whenever the clanker would ask me a yes/no question, I’d answer it, but then add random gobbledygook. And I kept making the tone angrier and angrier.
It gave up and shunted us to a human.
Mrs. Fungus: “How did you do that?”
The algorithm that translates what the user is saying into something the computer can understand has a limited capacity for literal nonsense. In theory, after a sufficient number of errors, it should crap out and send the caller to a human.
That was my theory. I’m glad it worked!
*****
A thousand years ago I discovered three records in the University of Dallas library that would determine much of my musical activity over the years to come: Augustin Anievas’ Chopin waltzes, the first disc of Isolde Ahlgrimm’s “Well-Tempered Clavier,” and Songs by Tom Lehrer2. Lehrer died recently. A few years ago he released his music into the public domain. You can find all the songs here.
*****
One of the places I passed through in Alaska, southeast of Fairbanks. There is culture in the wilderness.
Mw = 8.6 ± 0.2
From Izvestiya, Physics of the Solid Earth, July 23, 2025:
The epicenters of the August 17, 2024 earthquake and its strongest aftershocks fall in a shallow ring-shaped structure (Mt1 = 5.3), which supports the hypothesis of a preparation of a great earthquake in the South Kamchatka region. In the previous works, the correlation dependences of parameters Mt1 and Mt2 on the magnitudes Mw of large earthquakes have been constructed for the western Pacific (in the range Mw = 7.0–9.0). Using these dependencies, we estimated the magnitude of the great possible event in this region at Mw = 8.6 ± 0.2.
I.e., last week’s titanic Kamchatka earthquake had been accurately predicted about a week before it happened. However, there is a paywall; if you want to read anything beyond the abstract, it will cost you $39.95. Consequently, almost nobody saw this prediction.
And the bottom line: if you want to warn people about an impending disaster, don’t do it behind a paywall. Those paywalls are there to stop people from reading the work, and in this they are quite effective. You risk becoming a voice crying in the publishing wilderness.
Eye-crossing time

It’s been a while since I last posted any stereo pictures. Here are a few recent ones. These are “crossview” pairs, i.e., the right-eye image is on the left and vice versa. Cross your eyes so that you see three images, and focus on the middle one. When everything is properly aligned, the subject will pop into three dimensions. Once you can manage this with the small pictures, click on each to view it at a larger size. There’s a knack to it, but once you get it, it’s easy.
