I made several hammered dulcimers in years past. Dalglish was one of the musicians I listened to while figuring out how to play the things.
Tune of the day #186
Another forgotten ’60’s band. This one features guitarist Paul Cotton, who would later join Poco.
Tune of the day #185
Carl Maria von Weber wrote “Aufforderung zum Tanz” in 1819. Berlioz orchestrated it in 1841. That orchestration was used by Michel Fokine for the ballet Le Spectre de la Rose.1 Karl Tausig, probably Liszt’s most brilliant student, took Weber’s “Invitation to the Dance” and made it a virtuoso showpiece.
Tune of the day #184
I figure most bloggers are posting jigs and reels today, so here are the nocturnes of Irish pianist John Field. The video should start with the “Nocturne in B-flat major, H.37,” which I played when I was first learning the piano, but they’re all worth hearing.
Tune of the day #183
There was no escape from the original back in ancient times, and I’m sick of it. Driscoll, Auger and company make the tune listenable.
… and this makes six months of daily tunes. There are six more months to come.
Tune of the day #182
It’s too soon to say that Mancuso is one of the greats, but he is pretty good and worth keeping track of.
Tune of the day #181
The queen of rockabilly, with Roy Clark on guitar.
Tune of the day #180
The Dutch band Supersister, featuring Robert Jan Stips on keyboards, were among the best exponents of the Canterbury school of prog rock.
Tune of the day #179
It’s an old story: man meets mermaid, and the inevitable happens. It’s not quite like Hans Christian Anderson.
Tune of the day #178
Szymanowski’s take on the Scheherazade story is quite a bit different from Rimsky-Korsakov’s.
Tune of the day #177
King Gizzard and the Lizard Wizard released five albums in 1917, each with a different gimmick. Polygondwanaland‘s is that it’s “name your price,” i.e., free.
Tune of the day #176
Country Joe McDonald, who was named for Joseph Stalin, died Saturday.
Tune of the day #175
The archetypal Raymond Scott piece, as arranged for Paul Whiteman’s orchestra.
Tune of the day #174
From Holdsworth’s first proper solo album.2
Tune of the day #173
Although Arthur Farwell wrote settings of Emily Dickinson poems and music for a play by Lord Dunsany among many other works, he is probably best-known today, insofar as he is remembered at all, for his “Indianist” music.
Today’s quote
Using AI to generate images does not make one an Artist ….
AI image generation is clever, but it is not creation. I have spent years mastering the demanding craft of watercolor and claim the right to call myself a true Artist. The word artist implies depth of creativity, skill, and craftsmanship — qualities not fully exercised by typing prompts into a machine. Many participants here, with no training, practice, or esthetic discipline, effortlessly generate striking images. Platforms like NightCafe boldly call them ‘AI Artists,’ but they are, at best, Conjurers with DigitalMagic wands. Prompt-writing does take some imagination and skill, but it cannot compare to the work of those who paint, work with wood, stone, cloth or clay, with human hands. Comments like ‘Brilliant!’ or ‘Amazing Creativity!’ ring hollow when the skill belongs to the tool, not the operator. AI image generation is fundamentally the curation of output from a machine trained on the scanned labor of millions of artists.
All that said… using NightCafe is damned good fun — and I’ve been happily addicted for four years.
Tune of the day #172
Pioneering fusion by the fiddler who worked with both Frank Zappa and John McLaughlin.
Tune of the day #171
I’ve never been able to take Metallica seriously.
Tune of the day #170
It’s hard to sit still listening to The Bothy Band.
Today’s quote
I herded the church kids into the art room so they could play together. Twenty minutes later, I discovered them staring in complete silence at their phones.
The only kid without a phone was mine. She was drawing a picture of her cat surrounded by cat toys, colorful blankets, and bowls.
This is a new thing, by the way. I vividly remember kids playing and running around in the art room. It’s like in that fairy tale where an evil magician stole the children’s laughter.