Surviving the weekend

• I may be one of the stranger people around (though I think I’m perfectly normal, myself), but I’m not the silliest.

• There is an inverse proportion between the depth of an induhvidual’s political insights and his loquacity. There is similarly an inverse proportion between the distance from his mouth to my ear and the volume at which he proclaims his thoughts.

• There are few, if any, pictures of Narutards among those I took this weekend. There are also very few FMA characters. This was deliberate. There aren’t any Wolfwoods either, though I didn’t originally plan to omit them. However, those blasted crosses kept getting in my way when I framed shots, and I got irritated. Hint to cosplayers: pick characters who don’t carry cumbersome props.

• There were a number of SOS-dan girls, but no Kyon that I saw. There was only one representative from Ouran, and not Haruhi, either. Most of the solar system Sailor Senshi were represented; only Mercury and Pluto were missing. What most surprised me was the number of girls with Chobits ears.

• The music CDs were tucked away in an awkward spot next to the yaoi doujinshi. I’ll freely admit that by some standards I am mildly eccentric, but yaoi fangirls are downright weird and a bit creepy.

* I managed not to spend much money, but I did pick up a few CDs. The soundtrack to Utena is, um, interesting. Much of it is standard film score fare — some orchestral stuff and chamber music, some pop and rock, a bit of new-agey drivel, synths, etc. — a bit better than average but not particularly memorable. But the second half is something else. It’s been compared to the Vienna Boys’ Choir singing with Megadeth, and that’s a fair description.
I also found the soundtrack to Jubei-Chan I, which I’ve been looking for. The score isn’t outstanding, but there are a few pieces I like, and most of them are included, e.g., the full-length version of Bantaro’s theme. There is also this:

• “Raw” format, in which the image as caught by the sensor of a digital camera is initially recorded before being converted to jpeg, is wonderful. The “SafeSync” I ordered so I can use my old strobes with my new camera still hasn’t arrived, and I had to make do with the on-camera flash. It wasn’t up to the job, and most of the jpegs were woefully underexposed. However, I saved most of the images in both jpeg and “nef” formats (“nef” is Nikon’s version of raw), and I was able to salvage every one of the raw images, even when the jpegs were hopeless.