Kim Du Toit’s discussion of body graffiti reminded me of a favorite story by Saki, “The Background.” It’s easily found online, and you can read it below the fold here.
… well, not exactly “snapshots,” since the images were all done with stacked focus.
This little nigella couldn’t catch a break this year. A mole took out most of the plants, and thunderstorms pounded the survivors onto the ground. I rinsed off the flower as best I could, but it’s still rather gritty.
Last week we had possibly the most annoying tune in the history of music. Now here’s a candidate for the dullest piece of music ever recorded. It’s essentially just a single five-note chord, held for two minutes. (There’s a bit more to it than that, but not much more.) See what you make of it.
Advisory: Survivors of the Society for Creative Anachronism might find this post traumatic.
Here is a set of variations on possibly the most annoying tune ever notated, “Nonesuch,” from John Playford’s 1651 The English Dancing Master. It’s arranged here for virtual guitar, bass and drums.1. For the morbidly curious, the guitar is the AAS Strum GS-2 and the bass the String Studio VS-2. The drums are Logic’s Ultrabeat, augmented with percussion from the VSCO2 orchestra. As always, I’m not completely happy with this, but I want to move on to fresh disasters.
(Right-click on the tune title to download the .mp3.)
You really don’t want to go to the hospital there. (This ad appeared last week in The Parsons Sun.)
A depressing number of commentators recently got sentimental and downright gooey talking about Star Wars, which was released 40 years ago this week.
By 1977, I had read a lot of science fiction. Gene Wolfe and R.A. Lafferty, Philip K. Dick, Joanna Russ and Cordwainer Smith were favorites, and I collected all the various best-of-the-year anthologies (and for a while, there were a lot). I regularly visited all the bookstores in town, new and used, looking for interesting new writers and well-written, adventurous stories.
One of my co-workers praised the movie, so one afternoon I rode my bicycle out to the theatre and sat through 17 minutes of commercials in the chilly dark1 waiting to see this magnificent new breakthrough in science fiction. Finally, the movie started.
And it stunk. If you are Star Wars fan, I’m sorry, but I found it stupid. The script was comic-book level. The actors might have been talented, but their lines were drivel. The music deserved a better showcase, and why did Alec Guinness bother with this mess? (Money, I suppose.)
I did sit through The Empire Strikes Back, and found it a little better — having Leigh Brackett on the script probably helped. It was still lousy, though, and I didn’t bother watching any more Lucasian nonsense.
I would hesitate to call Star Wars “life-changing,” but along with a few other disasters like Blade Runner — I left the theater furious at what had been done to Dick’s novel — it was one of the reasons I lost all interest in movies.2
By the way, if you want to see Alec Guinness in roles that suit him, start here.
Layia platyglossa, alias “tidy tips.” Stereo image below the fold.
I haven’t posted much recently, partly because I’ve been busy, but mainly because most of what I would post would be complaints. Right now I am irritated with Apple computers, my website host, Native Instruments, lawn mowers, the financial industry, pathogenic bacteria and viruses, idiots with drivers’ licenses, kids running amok, oblivious parents, the human race in general. Each of these is worth a lengthy rant — the last a lifetime of invective1 — but I’ll spare you. Instead, I’ll just mention The New York Times, which has discovered Crunchyroll.
Writer Glenn Kenny may be the world’s outstanding authority on Droopy cartoons, but about anime he’s an ignoramus. In “Boomerang and Crunchyroll: Of Old Cartoons and Fresh Anime,” he name-checks the movies Akira and Ghost in the Shell, thereby gaining negligible credibility as an otaku. He plainly knows nothing about anime series, which comprise the vast majority of Crunchyroll’s offerings, and he can’t be bothered to do minimal research. Of all the series, excellent and lousy, that Crunchyroll streams, the only one he mentions is Akashic Records of Bastard Magical Instructor, one I had dropped in less than five minutes. I would guess he picked that one because it is in the top row of the “simulcasts” directory and features a character named “Glenn.” He writes that the first episode
“… features a scene in which Glenn walks in on a roomful of his female students in their underwear, yells that he is not going to give in to the “cliché” that says he is now required to avert his eyes, takes a good, long stare and then is thrown back by an unseen force, blood spurting from his eyes.”
I have no desire whatsoever to watch the rest of the episode, but if you have, please tell me whether the blood spurts from his eyes, as Kenny says, or his nose. I have a hunch that our expert does not know the convention of anime nosebleeds.
The other Crunchyroll title Kenny mentions is Fist of the North Star, which he describes as “gruelingly violent.”
So, according to the alleged Newspaper of Record, anime, as represented by Crunchyroll, is fanservice and violence. I never thought I’d be nostalgic for the irresponsible and wrongheaded Charles Solomon, but at least he knew something about Japanese animation.
It crossed my mind
to buy yet another book until
I stopped to count the ones I have.
I’m alive again after an unpleasant two weeks. I’ve got a lot of cleaning and catching up to do, so I’ll continue to be scarce here.
A few things that caught my eye or ear recently:
I have a little list of words and phrases that tell me everything I need to know about the people who use them. So does J Greely.
Mozart and Chagall.
There’s a live-action version of Tonari no Seki-kun. You don’t need to know Japanese to follow the story.
Bonus link: Vulcanologist Erik Klemetti counts down his list of the ten most dangerous volcanoes. If you’re thinking of investing in European real estate, forget Naples.
I sample new shows on Crunchyroll as they appear. Usually I lose interest within five minutes, but occasionally something surprises me, such as Flip Flappers last year or, more recently, ACCA. I found another surprise today, Alice to Zouroku, in which Sana, a young escapee from a nefarious research institute, meets Zouroku, a prickly old florist who takes no guff from anyone, be they yakuza, police or mahou shoujo.
Sana, called the “Red Queen” by the staff at the institute, has strange powers. She can teleport away from trouble, and she can look inside your mind. She has other talents as well, as do other young residents at the institute. She also has poor social skills and little knowledge of how the world works, consequences of never being allowed outside all her life until her escape.
The Society for Silly Yet Practical Notions has introduced what SSYPN president Sophie Moronis termed a “universal pronoun.”
“‘He,’ ‘she’ and ‘it’ are not sufficient any more, what with the proliferation of ‘gender’ identities,” Moronis declared at a press conference this morning. “No matter how careful you are with your language, you’re going to offend someone.
“Artificial pronouns, such as ‘ze’ or ‘sie’ are hard to remember, and it’s not always obvious which is preferred by the particular individual referred to. Using ‘they’ as a singular pronoun irritates those who value good grammar.”
The obvious solution is a new word free of any implications of gender. The SSYPN proposes the neologism “thwop.”
It is both singular and plural, Moronis stated, and it has no gender, not even neuter. The possessive is formed by adding an apostrophe followed by the letter “s,” i.e., “thwop’s.” Otherwise all forms are spelled “thwop” and pronounced as the spelling indicates. “Thwop is here” and “thwop are here” are both acceptable constructions.
As an example of the universal pronoun’s usage, Moronis offered this sentence about genderfluid individuals:
Thwop and thwop’s friends walked to thwop’s place with a gluten-free sugarless cake to celebrate thwop’s birthday.
Moronis conceded that the content may seem vague, but declared that what the statement loses in specificity, it gains in universality.
Moronis added that “thwop” need not refer only to vertebrates on Earth, but can also be used for artificial intelligences, hive minds, tentacled horrors and catgirls.
“With this word, the English language is ready for the future,” Moronis said.