I’ve posted a few more portraits of cactus seedlings at the photo site.
I finally finished processing the pictures from last week’s ballet rehearsal. You can see them here.
Coming all too soon: Nutcracker season.
If the first episode is indicative, Kino’s Journey II1 survived the loss of Ryutaro Nakamura, who directed the 2003 anime. It felt very much like old times, with a little more detail, and a little more blood. Once again, I was reminded of The Twilight Zone. This week’s thought experiment involved a country where murder is legal. It’s not necessarily a paradise for psychopaths. The story inevitably brought to mind a certain Heinlein comment. If the show maintains the level of the first episode, there finally will be something worth waiting for every Friday.
Watching Kino’s Journey has the unfortunate side-effect of making everything else seem trivial. Nevertheless, there are a couple of other first episodes I watched all the way through which deserve comment.
Urahara is yet another variation on the majou shoujo theme, this time set in a pastel version of the Harajuku neighborhood in Tokyo. Aliens, called “scoopers,” who have no culture of their own, invade the Earth and scoop up anything that interests them, such as the the Arc de Triomphe, the Statue of Liberty, or a pyramid or two. It falls to three girls in Harajuku, one with little horns, one with nekomimi and a tail, and one who sews, to defend their world, Harajuku style.
It’s a silly show. The counterpart of Sailor Moon‘s Luna and Cardcaptor Sakura‘s Kero-chan is a talking fried shrimp, for instance. Silly doesn’t mean stupid, though, and absurd though the episode was, it was always entertaining and visually playful. I probably will continue watching it. For a discussion of Harajuku and this episode, see Emily.
Recovery of an MMO Junkie concerns a young woman who drops out of society to play an online fantasy RPG game. Although it’s not explicitly stated in the first episode, it’s strongly implied that she and her online friends all visit (or work at) the same convenience store, though they aren’t aware of that yet, and that their online and offline lives will get muddled together. I might watch more to see how it develops.
The Ancient Magus’ Bride will have to wait until I have more time. Hozuki no Reitetsu II will have to wait until the discs are released in North America and I can budget their purchase. (Amazon Strike, grrr.)
I shot too many pictures at the dress rehearsal Thursday evening for the Friends University Ballet fall program, and it will take the rest of the weekend or longer to go through them all and process the best. They’ll be at my photo site, soon, I hope.
I took the day off and spent the morning taking pictures at the botanical garden. You can see them here.
So, Frank Zappa’s kids are thinking of presenting holograms of him in concert, just like Hatsune Miku? Holograms of Miku are fine, since she’s computer-generated anyway, but re-animating Frank seems ghoulish to me. I doubt that he’ll ever dance as well as Miku, either, no matter how skillfully his hologram is programmed.
Speaking of Miku: While it’s not difficult to make songs with Vocaloids on your computer, it’s not so easy to perform with Miku live, in real time. Yamaha is making it a little easier with a new “keytar.”
There was also a Miku guitar stompbox released a few years ago.
And now for something completely different: The Lord of the Rings Silent Movie. (Via the Local Malcontent.)
Gunung Agung on Bali may be ramping up to an eruption. If so, this could be more than interesting on the densely-populated island. Agung’s 1963 eruption was VEI5, i.e., at least as large as Mt. St. Helen’s in 1980. It has some noteworthy neighbors nearby on the Sunda arc. Rinjani is visible from Agung’s summit when the weather is clear. Tambora is a bit further east.
Meanwhile, there is a state of emergency on Ambae in Vanuatu.
If Flickr decides that there has been suspicious activity involving your account, or if you want to access Flickr from a different browser or a different computer, you need to prove to them that you are indeed whoever it is that you are. It’s a simple matter. In my case, I need only respond to emails sent to either of two long-defunct addresses.1 This doesn’t quite make sense to me; I used a different address, which they have, to launch my account there. But the ways of IT are mysterious and not for ordinary mortals to comprehend.
At this time, I can log into Flickr only with one browser and only on one computer. It’s just a matter of time before I’m locked out of my account entirely. Therefore, I’ve started a weblog for my photography, here. I’ll occasionally post a picture or two on Zoopraxiscope, but the full galleries will be at the new site. You can see the rest of the pictures from yesterday’s visit to the Great Plains Renaissance Festival there, for instance.
Can a cat be both a solid and a liquid? That was a topic investigated by one of the scientists honored at the 2017 Ig Nobel Prizes last Thursday. Other researchers receiving Ig Nobels studied such topics as didgeridoo playing as a treatment for sleep apnea and snoring, how exposure to a live crocodile influences gambling behavior, the size of old men’s ears, walking backwards with a cup of coffee, whether identical twins can tell themselves apart, and other recondite topics.
This past weekend was the Walnut Valley Festival in Winfield. Never believe anything a weatherman says. He promised clear skies and highs in the lower 90°s. Yeah, right. Here’s what I heard at Stage One Saturday afternoon, when The Outside Track were scheduled to perform:
I decided not to bring the real camera along, which turned out to be a good call, given the weather. So, no pictures this year. I did bring my little sound recorder. Here’s a bit of what goes on all night long at Carp Camp. The tunes are “Planxty Fanny Po[w]er,” featuring Amanda Roberts, this year’s hammered dulcimer winner, and “Liberty,” with an unconventional bluegrass instrument toward the end. The sound is mediocre and the recorder cut the second tune short (grr), but it should give you some idea of what it’s like there.
In a week or two, there should be videos with better sound quality on YouTube and elsewhere.
Update: a brief video of the Friday evening contra dance, shot with my toy camera. It’s not great quality, and it shows why I ordinarily use that camera only for snapshots.
There should be plenty of better videos at YouTube soon.
I grabbed a few pictures before leaving for work this morning.
The cactus seedlings are steadily coming along. The hooks of M. pennispinosa, above, are as sharp as they look. I keep a pair of embroidery scissors handy when I repot such little hookers so I can detach them from my fingers when I’m done.
John Salmon mentions the Voyager spacecraft, which were launched 40 years ago in August and September. These, along with Pioneer 10 and 11, launched five and four years earlier, are four of the five spacecraft leaving the Solar System, and are the most distant man-made objects at this time. NASA is planning a quiet little celebration Tuesday.
It occurred to me that the ideal instrument for playing “minimalist”1 music like Terry Riley’s “In C” would be wind chimes. I spent a few lunch hours recently compiling my own set of wind chime music. It uses five instances of the AAS Chromaphone, covering five octaves. See what you make of it.
Update: Uploaded a slightly tweaked and, I hope, much better-sounding recording. What sounds good on headphones at the office sometimes sounds pretty awful on the speakers at home.
Update II: Let’s drive this into the ground. Here’s a similar piece for heavily corroded wind chimes, featuring three instances of u-he’s ACE and too much percussion. (You might want to turn the volume down.)
I have a notion for one more exercise along these lines, and then it will be back to real music.
I visited the botanical garden yesterday, where I found both the red and white forms of Hibiscus coccineus, the “Texas Star” hibiscus (though it’s not actually native to the Lone Star state) in bloom.
I took a look at the winners of this year’s AMV awards. Overall, they left me cold, but “Красная Селёдка” does have a curious nostalgic appeal.
Here’s a pop quiz for a Monday afternoon. How many riffs can you identify?
I’ve become quite fond of songwriter and composer 伊藤真澄, a.k.a. Masumi Itou (or Ito, Itoh or Itō), though her singing voice does take some getting used to. Tunes she’s written include the ending themes for Flip Flappers1 and Humanity Has Declined and the openings to Magical Nyan Nyan Taruto2 and Azumanga Daioh. A quick search on YouTube will turn up many more. I recently found some of her recordings on Amazon.jp. Her album Harmonies of Heaven is mostly of her own compositions, but she does include the traditional tune “故郷の空,” above. It sounds oddly familiar.