The story of Little Red Riding Hood, as retold by Rachmaninoff.
Category: Music
Tune of the day #317
Enescu’s most popular piece. According to Wickedpaedia, “For all their popularity, the two Romanian Rhapsodies proved to be ‘an albatross round Enescu’s neck: later in his life he bitterly resented the way they had dominated and narrowed his reputation as a composer.'”
Tune of the day #316
Let’s see if this works. Here’s an earlier tune by Birdsongs of the Mesozoic.
Tune of the day #315
The Hungarian band After Crying in an ELPish mood.
Tune of the day #314
The Windham Hill label was notorious for new age drivel, but some of their offerings did bear listening.
Tune of the day #313
Some straightforward energetic Japanese pop.
Tune of the day #312
Finland may have the highest proportion of lunatic musicians among its population, but Sweden is up there, too.
Tune of the day #311
Leonard Bernstein may have been a fool, but he could write music.
Tune of the day #310
Francis Monkman was one of the founders of Curved Air. He left after their third album, and later joined Herbie Flowers, John Williams (the classical guitarist, not the Star Wars guy) and a couple others in the classical/prog fusion band Sky. He didn’t stay there long, either, but remained long enough to play the keys on the toccata that may or may not have been written by Bach.
Tune of the day #309
Curved Air, Mark II, featuring a teenage Eddie Jobson on keyboards.
Tune of the day #308
Hybrid music from the Klezmer Conservatory Band.
Tune of the day #307
The opening theme to Bakumatsu Kikansetsu Irohanihoheto1, written by Yuki Kajiura.
Tune of the day #306
One the pieces that Peter Schickele claimed as his own — sorta.
Tune of the day #305
Don’t go stepping on people’s feet.
Tune of the day #304
Liszt tried hard, but he couldn’t top Berlioz’s arrangement of the “Rákóczi March.” It’s impossible to play this too loudly.
Tune of the day #303
Would you believe a Messiaen piece that is easy to follow and fun? Well, that may be a stretch, but while you could probably write a doctoral dissertation on the musical techniques in use, this one is distinctly playful.
Ten and five
You all know the premise: you’re stuck on a deserted island somewhere, and all you have for entertainment is a wind-up (or solar-powered) record- or CD player and a few records. Which records would you choose to have?
… Here, then, are the parameters:
Ten composers, singers or groups. Examples: Beethoven, Elvis Presley, Rolling Stones. It can be any mix of the above — all bands, all singers, whatever. But only ten.
Specify up to five albums for each selection. Assume 45-50 minutes of music per album.
So you’ll have a maximum of fifty albums allowed. (For the pedantic, we can allow CDs to ensure that they’ll last however long you’re marooned.) But no carrying over: if you can’t think of five but only three, that’s what you get. I will allow only ONE compilation album, in total.
Here are my picks:
Bach — As much of the Well-Tempered Clavier as you can fit on five CDs.
Beethoven — The last four piano sonatas, plus the Waldstein and Pathetique; the Diabelli Variations; the seventh symphony.
Chopin — The Ballades, Etudes, Waltzes, Polonaises, and as many mazurkas as you can fit on one disc along with the Berceuse and Barcarolle.
Fauré — The complete piano music.
Ravel — Complete solo piano music and concertos; as much of the orchestral music as will fit on two discs (you can skip Bolero).
(Yeah, I like the piano.)
Fairport Convention — the first five albums.
Gentle Giant — Acquiring the Taste, Three Friends, Octopus, In a Glass House, The Power and the Glory, Free Hand. (That’s six, but they’re all essential. If you’re going to be picky, roll a die to select the one to skip.)
Steve Morse/Dixie Dregs — What If, Night of the Living Dregs, Unsung Heroes, The Introduction…. Actually, you can just pick any five from all his recordings; every one is good.
Allan Holdsworth — i.o.u., Metal Fatigue, Atavachron, Secrets, Wardenclyffe Tower.
Compilation album — Japanese favorites, e.g. Yuki Kajiura, Yoko Kanno, Nobuo Uematsu, Yoko Shimomura, etc.
Ask me again tomorrow, and you’ll get a different list.
Tune of the day #302
There are strange things in the Japanese imagination. This is from the soundtrack to Mushishi, a 2005-6 series about things weirder than fungi.
Tune of the day #301
There are strange things in Poland, stranger even than the Polish alphabet. These include Księżyc.
Tune of the day #300
Nineteenth-century guitar virtuoso Mauro Giuliani arranged several suites of tunes from Rossini operas for guitar, such as this.