A laid-back tune from Gatton’s second and last Major Label Recording.
Category: Music
Tune of the day #160
The first music you hear in Haibane Renmei.
Tune of the day #159
Enoch Soames may or may not have made an appearance in the reading room of the British Museum on June 3, 1997, but the guy with the Shure 55SH mic did indeed keep an appointment made 22 years earlier.
Tune of the day #158
Harry Nilsson had some big hits, but none of them were as good as this early number.
Tune of the day #157
It’s snowing as I type this1, and the temperatures will soon be subzero. I’m impatient to hear the voices of spring.
Tune of the day #156
Presenting “Django Johnny.”
Tune of the day #155
The Sadistic Mika Band were the first Japanese band to tour Great Britain, and were influenced the likes of Marc Bolan and David Bowie. Every website discussing them has a different explanation of their name, none of them convincing.
Tune of the day #154
Jon Hiseman’s Colosseum in their early days.
Tune of the day #153
Enrique Granados‘s 1911 Goyescas is one of the two great suites of Spanish piano music. (Albeniz’ Iberia is the other one.) Granados was killed in 1916 when the boat he was crossing the English Channel on was torpedoed by a German U-boat.
Tune of the day #152
A spooky tune from 1962. Pentangle covered it several years later.
Tune of the day #151
An example of Japanese “group sounds” from 1968. The bass player, Masayoshi “Louis” Kabe, would later turn up as “Glue” in Speed, Glue & Shinki.
Tune of the day #150
A simple tune in a characteristically straightforward arrangement by Gentle Giant.
Tune of the day #149
“Ma mère l’oye” began as a piano duet for children. Ravel subsequently orchestrated it, which is the version here. Joe Walsh recorded his own version of the introductory “Pavanne.”
Tune of the day #148
Members of The Blues Project joined with fiddler Richard Greene, a Bill Monroe alumnus, and a few other musicians to form Sea Train (two words). Their 1969 self-titled debut had possibly the worst cover of any album — it wasn’t even ugly2 — and it sold miserably. I’ve never met anyone other than myself who bought a copy. This is a pity, because it was a fully-realized example of progressive rock, intricate, complicated and ambitious. It’s almost completely forgotten. Sea Train is not even mentioned on Prog Archives.
The band subsequently underwent personnel changes, altered their name to “Seatrain,” and came to George Martin’s attention. The resulting album was better-produced and easier to listen to, and it yielded a small hit, but it was less interesting than the one that preceded it.3
Tune of the day #147
The music of yokai metal band Onmyouza is mostly a Japanese echo of the NWoBHM, but they occasionally pause the mayhem for a moment for Kuroneko to sing a ballad.
Tune of the day #146
Gary Moore may have been the homeliest of the Great Guitarists, but that didn’t matter when he played this homage to Roy Buchanan.
(The live version is better, and it’s originally what I had here. However, that video is no longer available, grr.)
Tune of the day #145
This early Roy Wood tune was the first song played on Britain’s Radio 1.
Tune of the day #144
Tune of the day #143
Written by Ross Bagdasarian, a.k.a. “David Seville,” and William Saroyan, and first recorded in 1951 by Rosemary Clooney, who hated it. Dan Hicks installed the trampoline.
Tune of the day #142
Some Elvenmusic composed by Anton Brejestovski.

