The damnedest show on Earth

Poor Sawaki. In the third episode of Moyashimon he learns that there are things with stronger fragrances than kiviak; in the fourth, he is publicly humiliated, he learns more about animal husbandry than he really wanted to know, and his stomach hurts. He ends up in the hospital, a particularly nightmarish place for him since he can see all the interesting microbes (including viruses) in the air there. Moyashimon is probably the most interesting new series of the fall — that I’ve seen, ((I haven’t yet seen Kaiji and I’ve only watched the first episode of Shion no Ou so far.)) anyway. It’s certainly the most unpredictable. I have no idea what’s going to happen next, except that Sawaki won’t enjoy it.

Addendum: the animators got careless early in the third episode and gave Professor Itsuki a mouth:

*****

Three episodes in, Ghost Hound looks to be a thirteen-episode series inflated to twenty-six. The story may yet astonish me, but the pace is glacial, and I’m losing patience. I’ll stick it out for a few more episodes, but it threatens to be a major disappointment.

When Chiaki is the focus in Minami-ke, it’s fun. Kana, however, is nearly as annoying as Tomo Takino, and Haruka is just plain dull. The principal motif in the fourth episode is tugging on skirts, which does not improve matters. I think I’ll pass on the rest. If I want to see a Ruri, I might as well wait until Nadesico is available again next year and enjoy the real thing.

Sketchbook explores the boundary between laid-back and comatose. It makes Aria seem like an action/suspense thriller. Sometimes that’s just what I need, but usually it isn’t. The fourth episode — or was it the fifth? They all blur together — is devoted to the cats that fascinate Sora. The bear-like top feline (I’d call him the alpha male, but like all the other characters in Sketchbook, the cats are too mellow to even consider fighting) wants to wear a collar. It’s a mildly entertaining story, like every other episode, and I don’t regret spending a half-hour on it, but there is very little substance there. If you’re in the mood for something serenely weightless, this is your show.

The show that l am enjoying most this fall is also the oldest, Alfred J. Kwak from 1989. There may be a political subtext to the story, and the subtitlers find plenty of occasion for historical notes, but the emphasis is on entertainment, not polemics. Although this is a children’s show with a straightforward narrative and uncomplicated characters, adults can enjoy it, too, particularly adults disappointed with the fall anime season.

Incidentally, it’s worthwhile to listen to the Dutch dub as well as the Japanese. I like the Dutch opening song better, even if the other is sung by Megumi Hayashibara.