Maureen Mullarkey on Frida Kahlo:
Kahlo was a minor talent inflated into a major one by identity politics (including Mexican nationalism) and artworld access provided by marriage to Diego Rivera, the great Mexican muralist. She is the darling of women who once cried over Sylvia Plath and grew up to carry @MeToo tote bags. Her painting was a relentless obsession with herself as sign and symbol of eternal female suffering—Frida, Woman of Sorrows. Her prominence owes as much to the maudlin chauvinism of her work as on the names she slept with.
Many Americans are familiar with Kahlo. The content at the link is more disturbing.