“What’s so strange when you know that you’re a wizard at three?”
Category: Tune of the day
Tune of the day #102
Time for Good King Kong.
Tune of the day #101
For decades there was no escape from Led Zeppelin. I’m sick of them. I don’t ever want to hear “Stairway to Heaven” again, unless it’s sung by Herbert Khaury.
Tune of the day #100
Scott Joplin may be the most famous of the ragtime composers published by John Stark, but the others are well worth listening to (and playing, if you have the fingers), notably Joseph Lamb and James Scott. And Artie Matthews, who wrote five “pastimes” for piano.
Tune of the day #99
Grab your leek and sing along.
Tune of the Day #98
Norman Greenbaum is remembered mainly for “Spirit in the Sky,”1 but I liked the follow-up better. It’s an unexpected subject for someone raised as an Orthodox Jew.
Tune of the day #97
Another forgotten power trio, heavier than most. Their 1970 first album featured a memorably ugly cover.
Tune of the day #96
The late Romantic pianist and composer Moritz Moszkowski was popular in his day, but fell out of fashion as music became increasingly unlistenable in the early 20th century. His pupils included Thomas Beecham, Josef Hofmann and Wanda Landowska.
Tune of the day #95
The Lancaster/Lumley project Marscape featured John Goodsall, Percy Jones and Phil Collins, in addition to Jack Lancaster and Robin Lumley, and can be regarded as the beta version of Brand X. Simon Jeffes plays the koto on this track.
Tune of the day #94
I disliked Aqualung. I listened to Thick as a Brick all the way through — once — and lost interest in Jethro Tull forever. However, their first three albums, with Glen Cornick on bass and Clive Bunker on drums, are still worth listening to.
Tune of the day #93
“Funk #49” got all the airplay ‘way back when, but #48, from their first album, is more fun.
Tune of the day #92
Stravinsky is best-known for his big foot-stomping ballets, but I like his neoclassical works as well.
Tune of the day #91
From the first Dan Hicks record I ever bought.
Tune of the day #90
Le Orme, with Antonio Pagliuca on keyboards, could be considered the Italian counterpart of ELP, though they had a distinctive flavor of their own.
Tune of the day #89
Bunky and Jake caught my ear a century ago when I first started listening to the radio. Few people remember them, but they still sound good to me.
Tune of the day #88
Another one of the tunes I heard at my Aunt Margaret’s when I was eleven, and my favorite among them.
Tune of the day #87
The closest thing to a hit that the band named for an imaginary breakfast cereal ever had.
Tune of the day #86
Any list of the great pianists that doesn’t include Art Tatum is incomplete.
Tune of the day #85
Some easy Bartok. His music is not all grating dissonances.
Tune of the day #84
What “koeeoaddi” means, Robin Williamson himself probably doesn’t know.