… and now — Mozart?
Category: Tune of the day
Tune of the day #247
The Bothy Band returns.
Tune of the day #246
The opening to Satoshi Kon’s Paprika, featuring Susumu Hirasawa’s “Mediational Field.” You can hear the full-length version of the tune here.
Tune of the day #245
So that no one will ever think of me as “cool.”
Tune of the day #244
David Lindley, without Kaleidoscope.
Tune of the day #243
Kaleidoscope from a reunion album, without David Lindley, as wacko as ever.
Tune of the day #242
More favorite Schubert.
Tune of the day #241
Their big hit was “Mexican Radio,” but this is what I remember them for.
Tune of the day #240
The definitive Catholic psychedelic synth folk tune.
Tune of the day #239
How is your bird’s lumbago?
Tune of the day #238
… and now some high culture, with balloons. Tchaikovsky had it coming.
Tune of the day #237
Tommy Emmanuel and Stephen Bennett were both regulars at Winfield years ago. Sometimes they did a set together. Bennett would play “You Really Got Me,” and Emmanuel would follow with “Day Tripper.”
Tune of the day #236
The sound is not as good as I would like, but the energy in this live performance compensates.
Tune of the day #235
A song Malcolm Dalglish wrote for his infant potato.
Tune of the day #234
Music for this slip jig is here, if you want to play along.
Tune of the day #233
Another trip to Canterbury.
Tune of the day #232
Another race, with Cliff Gallup on guitar. Gallup was one of Jeff Beck’s heroes.
Tune of the day #231
Someday beef prices will be reasonable again.
Tune of the day #230
I could easily have done a year of just Beatles covers. This is one of the more imaginative ones. Hyung-ki Joo covered this cover in his own fashion, but Berberian did it better.
Tune of the day #229
I’ve heard Phil Keaggy twice in concert. The first time was with a band in an enormous Baptist church in downtown Wichita with classic bad acoustics — you could only hear half of what was played, but you heard that half twice. He still sounded pretty good. The second time was with just his acoustic guitar and a looper pedal in a proper auditorium. That sounded better. He doesn’t really need more than six strings and nine fingers.