In case you can’t understand the actors, the shows mentioned are Otome Youkai Zakuro, Squid Girl, Tamayura and Mahou Tsukai Sally. Also, it’s difficult hear the difference between “Miss” and “Ms.,” much to Ms. Doom’s annoyance.
If the embedded video above doesn’t work, you can watch it here.
If that had been the paperback edition of Lafferty in Orbit, you’d be looking at $2,162.26. However, a hardcover like the one pictured is available for a mere $23.98.
By the way, if you ever spot any collection of Lafferty’s stories in a used book store — Nine Hundred Grandmothers, Strange Doings, Does Anyone Else Have Something Further to Add, Ringing Changes, Lafferty in Orbit, Iron Tears — grab it. There never was any other writer like him.
If you’re planning to corrupt youthful acquaintances with anime this Christmas, you might want to check out the current weekly specials at RightStuf. Among the drivel and trash are such things as the complete sets of Bottle Fairy and Mao-chan, each for $15, both suitable for all ages (but keep them away from jackass animecritics). For school-age and older, there’s Petite Princess Yucie for $26. The outstanding bargain is the complete collection of Moribito: Guardian of the Spirit for $20. Moribito was the third-best show of the banner year 2007 ((Second-best was Oh! Edo Rocket, due out soon from Funimation. The best was Dennou Coil, which remains unlicensed.)) and I can recommend it unreservedly for all grade-school age and older. The protagonist, Balsa, was my choice for the outstanding anime babe of all time.
Depending on which sample of text I use, I also write like Stephen King, J.K. Rowling, Dan Brown (ugh), Kurt Vonnegut, Douglas Adams, Chuck Palahnuik, Isaac Asimov, Daniel Defoe, Margaret Atwood, Vladimir Nabokov, George Orwell, Oscar Wilde or James Joyce. But not R.A. Lafferty or Flann O’Brien. Oh well, nobody else can really write like them, either.
Actually, when I read my writing, it just sounds like me.
Here is a mainstream Japanese animated film with a trailer that has an evocative, haunting power that eludes virtually the whole of American animation—and that’s just the trailer. And it’s not just American animation either, but pretty much the whole Hollywood machine. What was the last Hollywood box-office blockbuster that made you think of beauty, loss, longing and mystery? (Yes, other than The Lord of the Rings.)
Whether this particular film turns out to be good or not, it’s part of a cinematic culture that aims at, and sometimes achieves, something that isn’t even on the radar in Hollywood. This trailer reminds me of how I felt during the first five minutes of Howl’s Moving Castle, even though the film ultimately turned out to be a disappointment: Just the promise of the first five minutes, even a promise unfulfilled, was worth more than some American animation studios have delivered in whole films if not their entire outputs.
*****
American mecha: spiders for now, but eventually they’ll get to Gundams and EVAs (via the Borderline Sociopath):
I knew that there are active volcanoes along the west coast and in Alaska and Hawaii, and that Yellowstone might explode catastrophically at any moment during the next million years, but I didn’t realize that there are also erupting volcanoes in the midwest until I read this headline: “Small ash emission from a Cleveland, OH volcano.” Gee, I hope TSO and Maureen are okay. ((This is the mountain in question.))
The website for Satoshi Kon’s current project is active. Yume-Miru Kikai looks like a significant departure from Kon’s previous work, at least visually, and unlike Paranoia Agent and Paprika, this “future folklore story” might be suitable for all ages.
An old interview with the late John Sladek I came across recently. Sladek, discoverer of the thirteenth sign of the zodiac (Arachne, May 13 to June 9), ((For the morbidly curious, my own sign is “No parking — violators will be towed at owner expense.”)) was one of the last century’s best satirists and is of my favorite writers.
Here’s one of the more impressive videos I’ve seen recently. The characters and tune are from the vast Touhou project, but you don’t need to know anything about that to appreciate the phantasmagorical transformations.