From Leigh Brackett to Rian Johnson

David Breitenbeck:

I don’t want to make a generalization, but it really does seem like the quality of film and filmmakers has steeply declined even in the thirty-odd years since Return of the Jedi. Even absent George Lucas’s quixotic attempt to write and direct the entire prequel trilogy himself after decades of comparative idleness, we have a huge, multi-billion dollar company like Disney staking a massive investment in these films and the best they can come up with is the uneven Rogue One. The quality of writing and storytelling in these later films is nothing short of an embarrassment, at times offensively so, and now we don’t even have the excuse of George Lucas trying to make it a personal project. This is a branch of the top entertainment media company in the world throwing enormous amounts of money and promotion at a project with The Last Jedi as the result. Meanwhile, some forty years ago, that same ‘branch’ made The Empire Strikes Back.

Something certainly changed in the meantime, whatever it might have been. Somehow we went from Leigh Brackett to Rian Johnson.

Armando Simón:

This invisible crisis in literature becomes self-evident if we list all of the great fiction writers in fifty year increments….
In fact, the evidence practically shouts out at you. The pattern that emerges is surprisingly that of a bell shaped curve!

1800-1850
Washington Irving, Fenimore James Cooper, Edgar Allan Poe, Nathaniel Hawthorne.

1851-1900
Edward Hale, Harriet B. Stowe, Henry Longfellow, Walt Whitman, Joel Harris, Mark Twain, Mary dodge, Louisa Alcott, Bret Harte, Henry James, Horatio Alger, William D. Howells, Kate Chopin, Emily Dickinson, Herman Melville.

1901-1950
Upton Sinclair, Booth Tarkington, Owen Wister, Sarah O. Jewett, Edith Wharton, O. Henry, T. S. Eliot, Zora Hurston, Richard Wright, Christopher Isherwood, B. Traven, Margaret Mitchell, John Steinbeck, Walter Clark, Walter Edmons, Frank Norris, Stephen Crane, Jack London, Ambrose Bierce, Willa Cather, Sherwood Anderson, Thornton Wilder, Sinclair Lewis, Cronell Woolrich, John Marquand, William Saroyan, Ezra Pound, William Faulkner, Thomas Wolfe, Ernest Hemingway, Carl Sandburg, Sara Teasdale, John Dos Passos, Clarence Day, Thorne Smith, Pearl Buck, F. Scott Fitzgerald, Dorothy Parker, Robert Penn Warren, H. P. Lovecraft, Jack Schaefer, Marjorie K. Rawlings.

1951-2000
Anais Nin, Kurt Vonnegut, Joseph Heller, Robert Frost, Mario Puzo, Shirley Jackson, Charles Jackson, James Thurber, James McCain, Leon Uris, Robert Ruark, James Michener, Ayn Rand, Joyce Carol Oats, John Toole, Robert Heinlein, Saul Bellow, Isaac Asimov, Raymond Chandler, Taylor Caldwell, Harper Lee, Flannery O’Connor, Tom Wolfe.

2001-2018
*no entry

What is most alarming is that there is no new generation of high quality writers in sight to take up the torch. All of the writers that came into prominence in the last period are already dead, or like I said, have one foot in the grave.1

Are these observations accurate? It’s easy to believe that western civilization is in rapid decline, but I’m too disconnected from contemporary American culture to say if that’s actually the case.

Notes

  1. Simón’s lists are rather idiosyncratic, though no more so than mine would have been. I do question the proportion of “great” writers in the two halves of the 20th century. I can think of plenty of fiction writers from the second half who have more right to be included than Isaac Asimov or O. Henry. As for there being no great writers in the first half of the 21st century, there are more than 31 years yet to go, and it’s too soon to draw any conclusion about the first 18 years.

3 thoughts on “From Leigh Brackett to Rian Johnson”

  1. I would say that it’s more a disconnect between what the intelligentsia sees as great and what actually constitutes greatness. It used to be that the awards and reviews would guide more normal people to what was truly good. Now most normal people are more turned off by what the intelligentsia raise up. Take the whole, pathetic, mess of the Hugos (i.e. Sad Puppies), for instance. For me it’s been well over a decade since I last read a recent Hugo award winner because I found they were neither interesting nor thought provoking. Instead I found reading that was more entertaining by small self/Amazon published authors. However good they are, their audiences are small and they’ll never pull in the big crowds to be added to such lists as above. Especially not since they’re very much not what the modern intelligentsia will give critical approval to, and therefore won’t get the free advertising that goes with it.

    1. Agreed with this – what the intelligentsia and Big Media push really has gone downhill. There is still good stuff out there but you have to dig for it. I’d say this goes for music as well as movies and books.

  2. It’s a bit disingenuous to compare Brackett to Johnson, given that she had a 40-year career as a screenwriter, SF writer, and editor to draw on when she wrote the first draft of Empire. Johnson’s only prior SF credit was Looper, which was a painfully convoluted time-travel story with holes big enough to drive a star destroyer through.

    As for the general issue of great writers, Simón seems to be “adjusting for inflation”. I live about 4 miles from The National Steinbeck Center; I’m pretty sure that few people currently publishing have museums dedicated to their work that host school tours, sponsor summer writing camps, and hold a three-day festival every year. Okay, maybe J.K. Rowling. 🙂

    (and I didn’t know until I checked their web site just now, but they’re hosting a Comic Con in December…)

    -j

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