Somatic perfection

Francis W. Porretto on Ghost in the Shell:

Ghost In The Shell is the absolute pinnacle of its art form. There’s nothing else in the anime oeuvre to compare with it, especially as regards graceful writing and philosophical depth. Masamune Shirow will be remembered for centuries for the story. The makers of the anime can be justly proud of the finished work. That Hollywood should choose to make a live-action version is merely additional praise of the original.

So what is this SJW concerned about? That central character Motoko Kusanagi, a round-eyed, big-bosomed cyborg, will be played by round-eyed, big-bosomed Scarlett Johansson, one of the foremost female action stars of today. “Whitewashing!” “Racial exclusion!” “Cultural appropriation!” “Insert your preferred SJWism here!”

These…persons deserve nothing but contempt. They’re the true bigots and squanderers of cultural treasures – all cultural treasures. That a brilliant piece of anime, known mainly to devotees of the art form, should be picked up by a major Hollywood studio and cast with a terrific, somatically perfect leading lady is an act of high praise…but no! “The character has a Japanese name!” Therefore, by SJW rules, she must be played by a Japanese actress. Failing that, at least one with an epicanthic fold.

Anyone who grants these cretins the smallest sliver of time or shred of respect is doing a disservice to the entire human race.

I wouldn’t say that the first Ghost in the Shell movie is incomparable in its philosophical depth — there’s Serial Experiments Lain, at least — but it is a superior work, and the remake, if competently done, should lead its more adventurous viewers to seek out the animated version.