While eccentric musicians can be found everywhere, Finland must have the highest concentration on the planet — Laika and the Cosmonauts, Steve ‘n’ Seagulls, Ensemble Ambrosius, etc. And Värttinä.
Category: Music
Fourteen in twenty-eight
If you’re musically-inclined and have wondered if there is a challenge like the (defunct) NaNoWriMo for musicians, there is February Album Writing Month, or “FAWM.” The goal is to write fourteen songs in four weeks. “Song” is broadly defined; it can be anything from an abrupt miniature like Melt-Banana to an inflated prog rock epic. Expertise doesn’t matter — much — and it is possible to get by with just your pocket moloch. How to do it and what to use are discussed here.
I haven’t decided yet if I will join in myself this year. I’ve been trying to get the hang of yet another DAW, Presonus Studio One Fender Studio Pro. While all digital audio workstations do essentially the same thing, each is just different enough that skill with one doesn’t transfer to another.1 If I by the end of January I spend more time writing music than yelling at the computer, I might give it a shot.
Tune of the day #133
Most recordings I’ve heard of the complete L’ Histoire Du Soldat suffer from stunt casting, e.g., Rudolph Nureyev as the soldier.2 The suite fortunately is entirely instrumental.
Tune of the day #132
I haven’t posted any Celtic music yet, and I need to remedy that. We’ll start with a medley of Carolan tunes by The Chieftains.
Tune of the day #131
Another anime march, but of a very different character then yesterday’s. It’s from the eccentric series Tsuritama, the most approachable show directed by the idiosyncratic Kenji Nakamura. The soundtrack is by the Kuricorder Quartet, who, with a few extra musicians, earlier recorded the music for Azumanga Daioh.
Tune of the day #130
The premise of the anime Girls und Panzer is absurd — few people realize that tank warfare is one of the feminine arts — but it was amazingly popular a decade or so back.
Tune of the day #129
John Renbourn, a Renaissance dance tune, and (modified) Heath Robinson art.
Tune of the day #128
Another medieval/modern hybrid.
Tune of the day #127
GG, MM and BB venture into Eric Johnson territory.
Tune of the day #126
Piccio Dal Pozzo is probably the outstanding Italian example of the Canterbury school of prog rock. This is from their 1976 debut.
Tune of the day #125
I’ve mentioned Kapustin before. Here’s some more of his music.
Tune of the day #124
This color-coded visual aid might make it a little easier to follow the counterpoint in Nancarrow’s “12-voice canon in which the 12 tempos are proportional to the pitches of the notes of a chromatic scale.”
Tune of the day #123
A song about a drummer, without drums. This was the first tune I heard by Steeleye Span, and it is still one of my favorites.
Tune of the day #122
Homage to Stravinsky, transcribed for baroque and folk instruments by yet another bunch of crazy Finns.
Tune of the day #121
Your daily dystopia, courtesy of the band named for drops of nail polish on a piano.
Tune of the day #120
Griffes was potentially a Great American Composer, but he died far too young.
Tune of the day #119
The band once known as “Happy Cancer” never had much commercial potential. So what?
Tune of the day #118
Italian prog rock from 1976, with flutes and mellotrons.
Tune of the day #117
If you don’t hear Steve Cropper’s guitar, it’s because he’s playing a keyboard on this one.
Tune of the day #116
Something I would not have expected from Richard Thompson.
