Miscellany

Chainmail Bikini is back online.

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Art or garbage? It’s hard to tell sometimes.

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Derek Lowe recently added nitro groups to his “Things I won’t work with” category. You don’t need to be a chemist to enjoy his Lowe’s appreciations of azides, FOOF and other exceeding noisy or smelly substances.

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William Briggs:

“Any organization not explicitly right-wing sooner or later becomes left-wing.” This is, as everybody knows, Conquest’s Second Law. It is a true law, as all modern experience shows. But it says nothing about the pace or rate of the flight from Reality and Tradition.

A rock thrown upwards at the top of its flight is stationary. For a moment it neither goes up nor down. Then, a fraction of a second later, it begins it descent, but slowly, slowly. The speeds picks up, the rocks plummets faster and faster. It eventually crashes to the ground.

That’s the progress of rocks, a good but imperfect metaphor for the “progress” of human institutions. The imperfection comes in recalling a law Conquest didn’t mention: motus in fine velocior. Things accelerate toward the end. A falling rock has constant acceleration. Human failure is a force that feeds on itself.

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100 things Mark Evanier learned about the comics industry….

93. If your character wears a cape, it should be more or less the same length in every panel and it should not get shredded more than twice a year.

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Dr. Boli has completed his serial, Devil King Kun. From the 20th installment:

“Actually,” said Weyland, “good people generally don’t try to conquer the world. It’s not done, you know.”

“But if you don’t conquer the world, then won’t the evil people take over every time?”

“We generally prefer to let people choose their own government, and trust them to make the right choice.”

“Well,” said Miss Kun, “I’m willing to be good, but I’m not willing to be an idiot….”

The story begins here.

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Saw Ginger Baker’s Jazz Confusion a couple of years ago and when a bloke in the audience shouted out for ‘Toad’ Baker asked if he’d ever had a drumstick shoved up his nostril.

The lovable Ginger Baker has been hospitalized, critically ill. Here’s an 1970 interview with the easy-going drummer, and a more recent look at the gentle soul.

Update: Ginger Baker has died at the age of 80.

Professor Mondo, a drummer himself, on Baker in 1990:

The other thing that struck me was that Ginger looked like a mad wizard from a fantasy novel, impossibly aged, but terrifyingly powerful. He was three years younger than I am now. I think both his mistakes as a human being and his phenomenal talent aged him in dog years.

See also Shabby Road for an overview of Baker’s life.

Have a Spoonful of Cream.

The sky below

When I last visited the botanical garden, I took the fisheye lens instead of the macro. Unfortunately, I didn’t have the panorama tripod head with me, so all the garden panoramas came out too glitchy to post. The above was salvaged from one of the waterlily pond.

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A few odds and ends:

Zappa fans might find this old advertisement oddly familiar:

See also Ronstadt, Zappa and the Remington Electric Razor.

(Via .clue and Dustbury.)

Odds and ends

VCV Rack

Back in ancient times, synthesizers such as those played by W.W. Carlos and Keith Emerson were assembled from various single-purpose modules, linked together by a multitude of short cables. To change the sound, the musician rearranged the cables and fiddled with the controls on the modules. It was laborious, but with perseverance you could make something like Switched-on Bach or Tarkus. Eventually these modular monsters were replaced by compact synths with fixed architectures, which were easier to program and to transport. Later ones added polyphony and memory for patches, so the musician could play chords and recreate sounds instantly.

Although many of the later synths were immensely useful and desirable, none ever sounded quite like their forebears. Emerson’s modular Moog in particular was legendary. During the past 20 years or so, there’s been increasing interest in modular systems. Notably, the Doepfer “Eurorack” format has become prevalent in certain parts of the electronic music world. A musician can buy whatever modules he wants from a variety of manufacturers and combine them as he pleases. Unfortunately, purchasing modules gets expensive.

However, if you have a reasonably powerful computer, you can run the VCV Rack, a virtual Eurorack. The basic rack, including all you need to make funny noises, is free, and there are many more modules you can download to play with once you get the hang of it, most of which are also free. It’s available here.

I spent several recent lunch hours fiddling with the VCV Rack, and a couple of things quickly became apparent. First, it’s not easy to get an interesting sound out of it. The early synthesists had to work hard to make their music sound good.

Second, videos are the worst way to teach anything. There’s very little text documentation for the rack, so I sat through a number of videos explaining the basics. Good grief, they’re such a waste of time. In principle, videos should be perfect for this job — you can see the connections being made and hear the sounds that result. In practice, you get a guy rambling for half an hour trying to explain something that could have easily been summarized in three minutes. Advice to anyone making an instructional video: before you plug in your microphone, make a detailed written outline of what you want to cover. Better yet, write out what you want to say and skip the video entirely.

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Charles G. Hill brings tidings from Japan of a man who “married” a holographic representation of the vocal synthesizer “Hatsune Miku.” Hill linked to a video featuring Miku’s voice which is apparently extremely popular but which doesn’t show what the software is capable of. Here are a couple that better illustrate how a pathetic dweeb could become fixated on the computer-generated image of an anime-style girl: Miku in concert; Miku on a desktop.

Vocal synthesizers, of which Vocaloids are the most successful, occasionally come in handy for those of us with lousy voices. I’ve made use of Miku myself. Others include Plogue’s Alter/Ego and Chipspeech, and Wolfgang Palm’s Phonem.

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Francis W. Porretto wonders if anyone remembers Vaughn Meader and David Frye now that their targets are gone. The First Family was before my time, but I do remember hearing one particular skit by Frye frequently at the left end of the FM dial.

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It’s been scientifically established that nearly any pop song can be improved by remaking it as a polka or surf tune. In a similar vein, J Greely recently wished that the cast of Dr. Who had turned a recent episode into a Bollywood musical. I haven’t seen that episode so I can’t say for certain, but I expect that would indeed have been an improvement. I suspect, in fact, that most television shows would benefit from being transformed into Bollywood musicals. (Just wondering: are there any Bollywood musical production numbers featuring surf guitar?)

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This is terribly unfair, I know, but Cardinal DiNardo in the picture above looks very much like how I visualize Wormtongue when I read The Lord of the Rings.

Psittacosis

It’s Squawk Like a Parrot Day. Here are the Bonzos with an appropriate tune.

Addendum: If it’s pirates you want, here’s a set of variations on a tune named for Gráinne Mhaol, alias Grace O’Malley, the Pirate Queen of Ireland.1

Saa! Kaizoku no jikan da! Let’s not forget Marika Kato.

There are many space pirates in anime, and a surprising number of the are women. Their speech sounds like normal Japanese, and none of them gargle their rrrr’s.

Fiddles in snow

Girls und Panzer is on Crunchyroll, and I have the discs as well. However, for the eighth episode I always watch the fansub. One of the highlights of the franchise is the Russian team singing “Katyusha.” Thanks to imbecilic copyright laws, the song is missing from the American edition of the show.2

There are many recordings of the tune available, though none suggest tank girls in snow. I recently discovered that Alexey Igudesman, of Igudesman & Joo, composed a set of variations on “Katyusha” for solo violin. Here’s a performance by Irina Pak.

Not familiar with Igudesman & Joo? Here’s an introduction. If you don’t have time for the whole thing, skip to the Rachmaninoff section starting at around 40 minutes. There’s plenty more on YouTube.

Before there were I&J, there was P.D.Q. Bach. Peter Schickele is still making discoveries, such as the Concerto for Simply Grand Piano and Orchestra.3 Here’s a performance with Jeffrey Biegel. While Biegel is certainly up to the technical demands, he’s not quite enough of a large ham to make the performance convincing. Perhaps with a bushy beard and another 50 pounds he could pull it off.

Real or not?

It’s hard to tell. The screencaps above I believe are genuine, but the pictures below might be fake. Then, again, perhaps London really is turning into an updated suburb of Scarfolk. In either case, it would be difficult to top these, and I haven’t had the time to work anything up.

Posts from previous years appropriate to the first day of the fourth month are archived here.

(I’m posting this a day early because tomorrow is Easter.)

By the co-author of Gyűrűkúra

Since you can’t do much gardening outdoors in February, you might as well read some books. One I regularly consult is Henry Beard‘s Gardening: A Gardener’s Dictionary, illustrated by Roy McKie. Beard may be familiar as the author of such works as Latin for All Occasions and Zen for Cats. Those with long memories might remember him as the most reliably funny writer at National Lampoon and as one of the scholars responsible for the volume variously known as Nuda Pierścieni, Loru sorbusten herrasta, or Bored of the Rings. He’s also an expert on bad golf.

Gardening has been out of print for years, but used copies are available for reasonable prices. Here are a few of the definitions.

Yard
1. (penology) dusty open area where hard labor is performed. 2. (horticulture) dusty open area where hard labor is performed.

Vermiculite
Obscure order of nuns dedicated to gardening. Like other devotional orders, the sisters take the traditional vows of chastity, poverty, and obedience, but in keeping with the demanding nature of their calling, the Vermiculites are the only such group with a special dispensation to drink, smoke, swear, and throw things.

Rot
Gardening advice.

Pest
Any creature that eats green vegetables without being compelled to.

Narcissus
Wonderful, early-blooming flower with an unsatisfactory plural form. Botanists have been searching for a suitable ending for years but their attempts — narcissi (1947), narcissusses (1954), narcissus for both singular and plural (1958) and multinarcissus and polynarcissus (1962, 1963) — haven’t enjoyed any real acceptance, and thus, gardeners still prefer to plant the easily pluralized daffodil or jonquil.

Jack-in-the-Pulpit
The state flower of Maryland. Shortly after being named, the designation was challenged by atheist groups who sued to have it removed on the constitutional grounds that its selection promoted religion. In a compromise that appears to have pleased no one, the plant was retained but officially renamed “Fred-in-a-phone-booth.”

Hose
Crude, but effective and totally safe type of scythe towed through gardens to flatten flower beds and level vegetable plantings.

Grape
Uninteresting larval stage of wine.

Garden
One of a vast number of free outdoor restaurants operated by charity-minded amateurs in a effort to provide healthful, balanced meals for insects, birds, and animals.

Fence
Wire barrier erected to protect garden produce against animal pests that lack wings, paws, teeth, or brains, and cannot leap, tunnel, climb, or fly.

Brochures and Catalogs
Forms of entertaining fiction published by nurseries, seedsmen, and tool manufacturers.

Bluegrass
Rare lawn condition in which normally brown, crisp lawns develop odd patches of a sort of hazy green growth. Don’t be alarmed! These strangely colored areas usually disappear within a few weeks.

Autumn
Delightful season that runs from the disposal of the last zucchini to the arrival of the first catalog.

Too much culture

Here’s a month’s accumulation of video timewasters.

One of my Christmas gifts was Eight Days a Week, an account of the early years of that band from Liverpool. It reminded me of the story of a certain other band. Bonus: Neil Innes vs. the Beatles.

A biography of one of the great British eccentrics. (Here’s an uninterrupted performance of one of the musical numbers.)

For those with certain, um, unusual tastes, here’s a documentary on the Shmenge Brothers.

It looks like Batman Ninja will be, at the very least, a good-looking movie, but what interests me is the writer, one Kazuki Nakashima.

And now for some high culture:

And finally, the only version I can tolerate of a certain overly-popular baroque piece, performed by the idiosyncratic Jun Togawa.4