Category: Music

An example of Japanese “group sounds” from 1968. The bass player, Masayoshi “Louis” Kabe, would later turn up as “Glue” in Speed, Glue & Shinki.

A simple tune in a characteristically straightforward arrangement by Gentle Giant.

“Ma mère l’oye” began as a piano duet for children. Ravel subsequently orchestrated it, which is the version here. Joe Walsh recorded his own version of the introductory “Pavanne.”

Members of The Blues Project joined with fiddler Richard Greene, a Bill Monroe alumnus, and a few other musicians to form Sea Train (two words). Their 1969 self-titled debut had possibly the worst cover of any album — it wasn’t even ugly¹ — and it sold miserably. I’ve never met anyone other than myself who bought a copy. This is a pity, because it was a fully-realized example of progressive rock, intricate, complicated and ambitious. It’s almost completely forgotten. Sea Train is not even mentioned on Prog Archives.

The band subsequently underwent personnel changes, altered their name to “Seatrain,” and came to George Martin’s attention. The resulting album was better-produced and easier to listen to, and it yielded a small hit, but it was less interesting than the one that preceded it.²

The music of yokai metal band Onmyouza is mostly a Japanese echo of the NWoBHM, but they occasionally pause the mayhem for a moment for Kuroneko to sing a ballad.

Gary Moore may have been the homeliest of the Great Guitarists, but that didn’t matter when he played this homage to Roy Buchanan.

(The live version is better, and it’s originally what I had here. However, that video is no longer available, grr.)

This early Roy Wood tune was the first song played on Britain’s Radio 1.

Some space music: the final piece of George Crumb’s Makrokosmos I. The score is below if you would like to play along.

Written by Ross Bagdasarian, a.k.a. “David Seville,” and William Saroyan, and first recorded in 1951 by Rosemary Clooney, who hated it. Dan Hicks installed the trampoline.

Some Elvenmusic composed by Anton Brejestovski.

Gatton declared he was too fat to ever play metal. Instead, he created a virtuosic synthesis of country, jazz and rock. Keyboardist DeFrancesco isn’t too shabby, either. I believe the album this is from was the last Gatton released during his lifetime.

Music from the Final Fantasy games arranged for chamber ensemble. I couldn’t find an unabbreviated video of the tune I wanted, so here’s the entire album. The playback should start with the seventh track, “Gold Saucer” from FF VII, but it’s all good. Most of the tunes were composed by Nobuo Uematsu.

Some good old-fashioned Irish hard rock, with electric guitars and uilleann pipes.

From Haibane Renmei, a favorite anime of Steven Den Beste, and one of mine.

Alicia de Larrocha’s recording of Iberia is one of the most-played albums in my vinyl collection.

Luckey Roberts was the first of the Harlem “stride” pianists to record, in 1916. However, the technology of the time wasn’t capable of handling his dynamic playing. He did record again toward the end of his life, after strokes and an automobile accident in which his hands were shattered, and he still sounded pretty good. In his prime he must have been overwhelming.

A comprehensive introduction to the music of Frank Zappa. It’s also very silly, which is a good thing with Frankie.

While eccentric musicians can be found everywhere, Finland must have the highest concentration on the planet — Laika and the Cosmonauts, Steve ‘n’ Seagulls, Ensemble Ambrosius, etc. And Värttinä.

Most recordings I’ve heard of the complete L’ Histoire Du Soldat suffer from stunt casting, e.g., Rudolph Nureyev as the soldier.⁴ The suite fortunately is entirely instrumental.