The other Haruhi and other nonsense

A bunch of stuff was recently licensed. The most interesting news is the title that wasn’t there. Ouran High School Host Club, in my opinion the outstanding show of the non-banner year 2006, has still not been licensed. I presume that it’s a matter of money; otherwise, it is incomprehensible that dreck like OtoBoku gets a region 1 release and Ouran doesn’t.

Random notes on some of the other shows:

The original Genshiken was okay, but just okay, and the three episodes of Kujibiki Unbalance were all that was necessary. The additional episodes will likely demonstrate that “more is less.”

Darker Than Black is a possible buy, but I want to read some reactions to the complete series before I invest time and money in it. Is there substance under the glossy finish?

I watched half of the first episode of Victorian Romance Emma and, well, I was bored. I daresay I would find it fascinating if I could get into the rhythm. It can wait.

Gurren-Lagann is another possible buy. Again, I’ll wait for reports on the entire series before making a decision.

The first three episodes of Nanoha seemed to me to be an inferior version of Cardcaptor Sakura. Things start getting interesting in the fourth episode with the appearance of another mahou shoujo, but by that point I was thoroughly repulsed by the transformation sequence, which was storyboarded with dirty old men in mind. I never thought I’d say this, but I am not interested in watching any more of Nanoha unless it’s censored.

*****

Today’s Words of Wisdom: Too much Freud is bad for you.

*****

The first episode of Sola has two things going for it: a photographer, albeit a flaky one; and, the three inches between the hem of the girl’s very short skirt and the top of her stockings. ((This motif turns up a lot in anime, e.g., Yomi in Azumanga Daioh, but I don’t think I’ve ever seen a real-life example.)) Astro gave the series a “B,” so I may watch the rest sometime, but it’s not high priority.

*****

None of the summer’s series look particularly promising. I may watch the first episode or two of Tetsuko no Tabi, which seems to be the least stereotypical offering. If the characters are interesting, it could be fun.

*****

I see that Gedo Senki has been fansubbed. I will not be downloading it. I like the books too much.

Off-key

Recently Astro counted down his picks for the best anime openings. Yesterday Steven discussed what an opening needs to do and surveys a number of examples, good and bad. Shingu may indeed have the worst opening ever, but I can think of a couple of alternative picks. NieA_7‘s isn’t bad — if you have the sound off. (In compensation, the ending is charming.) Mushishi‘s is nowhere near as obnoxious, but it’s dull, with an annoying song ((This may be excessively harsh, but I’ve heard far too many singer/guitarists with thin voices over the years.)) and abstract, yet bland, imagery, and it tells you nothing about the show.

Go with the flow

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I finished Shingu. The final episodes were spectacular and largely satisfying, but I want to think about them a bit before I declare the show a complete success. I will say that it is a superior series that I can recommend to anyone who likes imaginative, surprising stories.

Show time

As I expected, the story has gotten darker as it nears the climax, but Shingu is still a great deal of fun.

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German cameras. ((There are two different brands alluded to here, Contax, obviously, but also the M-series Leica (though the latter were rangefinder cameras, not SLRs like Futaba’s camera).)) So they still shoot film in 2070?

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Embarrassing music

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Boy or girl?

Bonus link: Ubu on what didn’t happen.

Incidental pleasures II

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Baseball as a martial art

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Armed and dangerous little sisters

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Dancing aliens in tuxes

*****

Sometimes I have got to know What Happens Next. This was the case with Patricia McKillip’s Riddlemaster trilogy, which I read in one (long) sitting, and with Misaki Chronicles, which I watched in one evening. Other times, I want to go slowly and savor every little bit. I spent a week on John Crowley’s Little, Big, and not because it was a thick book. I’ve got two discs left of Shingu left, and I’m not going to rush through them. I’m enjoying the series too much. There are still surprises in every episode, even though I’m past the half-way point and the characters are old friends now.

Earlier this year I wondered if I’ve seen all the first-rate anime that’s available. This month I watched Divergence Eve/Misaki Chronicles and I’m in the middle of Shingu. Denno Coil also has been excellent so far. My interest in anime will eventually diminish, but it won’t happen as soon as I expected.

While there is still first-rate anime to be found, anime criticism remains a scandalously inept guide. Reviews of the Misaki saga range from limp to stupid, and there are virtually no reviews of Shingu at all. If Steven hadn’t written about them, I would never have bothered with either.

Advisory

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Misaki Chronicles and Shingu just arrived. Don’t expect much posting here for a few days.

Update: Just finished Misaki Chronicles. A few quick notes:

1. Wow.

2. I want to let the story settle in my mind a day or two before I watch anything else. Shingu will have to wait.

3. Somebody please shoot the character designer and the jiggle choreographer.

4. Misaki and her colleagues are cute — from the neck up, anyway — but Lyar von Ertiana is the one I want to meet.

5. Much of the anime that I find memorable deals with grief and despair. Few series do so as directly as Misaki Chronicles.

6. Wow, again.

A tale of two Yukos and other stories

I’ve watched each of the first five episodes of Denno Coil at least twice so far. I have a few small reservations, but overall I’m very impressed. Iso and company have yet to stumble. If these five episodes are indicative, this is the best show I’ve seen on fansub yet and one of the best of any kind ever. I was initially concerned that there wouldn’t be enough material to stretch twenty-six episodes; now my concern that twenty-six will barely be enough to elucidate all the mysteries of Daikoku City and the connections between Yasako and Isako. Denno Coil is a pleasure to watch on every level. I don’t often write about quality of animation because I don’t have the background, but even I can tell that the work here is exceptional. Watching the different ways the various characters in the opening climb stairs is an education in the art of animation. Daikoku City may be a virtual world, but it’s one of the most believable I’ve ever visited.

Eleven episodes of Seirei no Moribito have been translated now. The last few have been surprisingly quiet (not that I mind; there are few things duller than non-stop action). It looks like the story might be as much about the education of the prince as about eluding assassins.

I’m watching Sugar, a Tiny Snow Fairy slowly, one episode a day. I watched the ninth today, which is the beginning of the “Bear Pianist” arc, my favorite part of the series. Overall, it’s as good as I remember it, but not all parts have aged equally well. The Elder’s infatuation with Ginger gets old fast, and after the fluid animation of Denno Coil, Sugar looks just a little wooden. The writing and acting generally are very good, though, and the music is better than I remembered. One recurring theme reminds me strongly of Metamora, and I keep expecting to hear Malcolm Dalglish’s dulcimer.

Addendum: Here’s some Denno Coil motivation.

The eighth life

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I’m down to three fansubs: two substantial stories, Denno Coil and Seirei no Moribito, and a cheesy entertainment, Murder Princess. ((I might add Oh! Edo Rocket to the list, depending on how good the second episode is. I hope to see more of the Waragetcha 5, but the translation of Master of Epic proceeds very slowly. I may resume watching Darker Than Black, Claymore and El Cazador, depending on what I read about further episodes.)) At this point, I think that DC and SnM are the two best shows of the year and better than anything from last year. ((I count Mushishi as a 2005 series.)) (I reserve the right to change my mind if either turns stupid, but I doubt that will happen.) I hesitate to write any more about the former lest I oversell it, ((Here’s the Denno Coil opening and trailer combined, which hints at the quality of the production and the tone.)) but latter deserves some comment.

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Seirei no Moribito, or Guardian of the Sacred Spirit, is set in a mythical Asian land. Balsa, an expert spearwoman, rescues the prince Chagum from drowning when the oxcart he is traveling in falls off a bridge. His mother subsequently asks Balsa to be his bodyguard. Chagum needs one; he contains within himself the egg of a water spirit, and for reasons connected with that, his father the emperor wants him dead. Thus far, Balsa and Chagum have evaded the assassins, and eleven-year-old Chagum is learning about life outside the palace.

Production values are high, but the appeal of Seirei no Moribito is in the characters and story. Balsa and Chagum are fully-realized three-dimensional, sympathetic characters. Chagum in particular is appealing, combining a deep sense of responsibiility with childish naiveté. It is easy to imagine him growing up to be emperor someday.

Seirei no Moribito is based on a series of novels by Nahoko Uehashi. The makers of the anime have enough confidence in the story that they don’t feel any need to make every episode action-packed. When there is fighting, it’s spectacular (here are excerpts from the third episode ((This is mildly spoilerish, but you don’t really expect the central characters to be killed off that early, do you?)) ), but it’s sparse. The eighth episode is particularly suspenseful, and it’s mostly just characters talking and telling stories.

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One element worth noting is that, although Balsa and Chagum don’t lack enemies, none of the characters thus far are evil, not even the emperor who orders his son’s death. The imperial diviners have discovered ominous signs that may be connected with the water spirit, or demon, within the prince, and the emperor’s decision, tragically wrong though it may be, is understandable. (My hunch is that there is indeed a connection, but it’s not what they think, and Chagum’s death would be disastrous.)

I’m violating my usual policy in watching Seirei no Moribito. Hitherto, I have never downloaded a fansub of a show once a license was announced (it’s going to be a long time before I know how Death Note ends). My feeble excuse is that this is one of the best series I’ve seen in a long time, I’m impatient to see the rest, and there is as yet no mention of it under either title on the Geneon website. If you have the self-control, the ideal course of action is to emulate Wabi Sabi: wait until the entire series is available, and then marathon the show. Here in region 1, that could quite possibly involve a two-year wait.

How to enjoy Rocket Girls

A: Pay close attention to every detail. Note the impossibilities, e.g., the helicopter flight in the first episode, and the implausibilities, e.g., damn near everything else. Chuckle at the absurdities.

B: Turn off your critical faculties and enjoy the series for what is: a bit of unpretentious low-budget science-fantasy fluff.

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Ultimately, it comes down to whether the engineering fanservice and skintight spacesuits compensate for the ugly computer animation. I enjoyed the show. YMMV.

Update: See also the anonymous Author’s commentary.

Goodbye, money

The Right Stuf is doing another of their 10/$50, 25/$100 Geneon sales. I just ordered Sugar, a Tiny Snow Fairy for the third time. This time, these discs will stay in Wichita; my nephews and nieces have their own copies now, and the new set is for me. Other offerings include the complete Serial Experiments Lain, Haibane Renmei, Bottle Fairy, Magical Project S, Paranoia Agent and Someday’s Dreamers. There’s also some Bach organ music.

Mojo! Mojo! Mojo! Mojo!

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The second episode of Denno Coil introduces the adult members of Yuko/Yasako’s ((Yuko asks her friends to call her “Yasako.”)) family and adds another layer of complexity to the story. We meet her parents, but it’s Mega-baa, her grandmother, who dominates the episode. The crafty old woman runs the combination sweets store and cybershop where Fumie buys her kuro bug spray and other toys. Mega-baa can cure Yasako’s cyberpet of its virus, but there’s a price.

The connections between the real and virtual worlds become increasingly complicated. “Satchii,” a powerful but stupid antivirus program, cannot enter homes, schools or Shinto shrines. By slapping the appropriate “metatag” on the traffic light post, Fumie can change them to red — useful when Satchii is chasing the girls. By slapping a different metatag on Yasako’s forehead, Fumie enables her to fire beams from her glasses. (The beams looks like bolts of energy, but they seem seem to act by disrupting data, causing flickering gaps where they strike.)

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There is evidence that the humans in Daikoku City are themselves at least partly cybernetic. There’s also the puzzle that, although Yasako can pick up and hold Densuke, implying that there is some tactile feedback, she can’t tell if he is as soft and fluffy as he looks.

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Besides the cybernetic paradoxes, Yasako also discovers that she may have forgotten important details of an earlier visit to Daikoku City when she was quite young. As she investigates the mysteries of the city, Yasako will likely discover much about herself and her family.

It’s too early to be sure, but I think that Denno Coil is probably the outstanding show of the spring. ((The other contenders are Seirei no Moribito, about which I’ll try to write something coherent soon, and Darker Than Black, the first two episodes of which are excellent, though it’s not what I enjoy. Astro discusses the latter here.)) These two episodes are as re-watchable as the first three of Kamichu! Everything is done well. The colors are muted, suggesting water colors, and the character designs are simple but expressive. There’s no cloying KyoAni prettiness here; instead, this highly artificial world seems natural and believeable. Yasako is an attractive character, and Mega-baa is quite formidable and interesting.

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Thus far, Mitsuo Iso and company have been introducing the characters and setting up the rules of their world. What the story will ultimately be is not clear yet. Iso’s theme, according to one writer, is “the distance that separates everyone.” It’s not much in evidence yet, but there are twenty-four episodes to go. If Denno Coil ends as well as it begins, it might be a classic. (Of course, it could degenerate into an illogical mess, but given how sure-footed these two episodes are, I think we can reasonably hope for the best.)