Author: Don

Although “Evil Woman” was their big hit, I liked this one better. This is the single version; the album version is marred by an interminable drum solo.

Guitarists get goofy.

Deaf School featured Bette Bright, Eric Shark, Enrico Cadillac and Rev. Max Ripple. Some of their tunes were almost as good as their names.

My other big show-off piano piece, though of course I never played it this well.

Years ago Byron Berline, Dan Crary and John Hickman were regulars at Winfield.

The 5,6,7,8’s version might be more familiar, but I like the original, too.

There are a surprisingly large number of flutists in prog rock, most of them better that Ian Anderson. Andrew Latimer, for instance.

This was one of my big show-off pieces back when my fingers were in shape, though I never played it anywhere near this well.

Ambitious prog rock epics with deep, incomprehensible lyrics are all very well, but sometimes you just want something to eat.

Compare this 1957 tune with Peter Green’s “Albatross” from eleven years later.

A song for the season performed by SRV.

I just realized that I’ve neglected the legendary maestro Lindley Armstrong Jones, and that needs to be remedied. Here he and his ensemble perform with appropriate gravitas a subtle and profound Russian orchestral masterpiece arranged for chamber ensemble.

“Downtown” may be the obvious choice, but I like this one, too.

A tall tale from Steve Winwood and Traffic.

John Bayless recorded two albums of Beatles tunes in Baroque-ish piano arrangements. French pianist François Glorieux recorded a similar album, but he used a variety of composers, not just Bach, as models for his arrangements.

I can’t stand the stupidly popular later Fleetwood Mac, but the Peter Green band is worth listening to. This is the first tune of theirs I heard, and it remains a favorite.