If Robert Fripp were a Klezmer musician, and Tony Levin played tuba, King Crimson might have sounded something like this.
Category: Music
Tune of the day #34
Orientalism? Cultural appropriation? Who cares? It’s fun, and that is enough.
Tune of the day #33
Modern Renaissance music, featuring Brian Gulland on lead bassoon and hysterical laughter.
Tune of the day #32
Alkan is notorious for fantastically difficult piano music, but he could be simple and graceful when he wanted.
Tune of the day #31
Deranged Americana by archetypical hippie freaks, before their minds capsized.
Tune of the day #30
“Even the moon and the stars
Have gone off to drink some wine.”
Tune of the day #29
A historical document from 1989.
Tune of the day #28
A different approach to the Clash classic.
Tune of the day #27
Atomic Ape did an ambitious cover of this, but the original rocks harder.
Tune of the day #26
Motorcycle music of a different sort. This was featured in the twelve-episode Honda commercial Super Cub.
Tune of the day #25
Vai-esque motorcycle music, by another candidate for the title of “best guitarist no one has heard of.”
Tune of the day #24
Brave Combo plays the cheerful Doors tune as a “psychedelic hora (Yiddish polka).”
Tune of the day #23
The only Pink Floyd song I ever listen to.
Tune of the day #22
The Canterbury school of prog rock, as exemplified by Caravan, is distinguished by playfulness, jazzishness, and whimsical, often downright silly lyrics.
Tune of the day #21
May is seven months away. While you’re waiting, you can listen to alumni of Fairport Convention and Steeleye Span.
Tune of the day #20
Some pianistic fun from Jakob Ludwig F.M. Bartholdy.
Tune of the day #19
I don’t have a translation, but I doubt that you really need one.
Tune of the day #18
Keith Emerson and Rick Wakeman weren’t the only keyboardists of note back in the golden age of prog rock. There was Rod Argent, for instance.
Tune of the day #17
Relics of a lost civilization. Strictly speaking, this isn’t a “tune.” However, the Firesign Theatre billed themselves as the only rock group that didn’t need music, so I’ll give them a pass.
Tune of the day #16
James Huneker: “I never thought I should live to hear Arnold Schoenberg sound tame, yet tame he sounds—almost timid and halting—after Ornstein who is, most emphatically, the only true-blue, genuine, Futurist composer alive.”