Ken the Brickmuppet wondered a few weeks ago if there are any current shows worth watching. I’ve only found one tolerable this winter, Endro! The series starts with the hero and her companions defeating the regional demon lord. However, they bungle the forbidden spell and send their opponent back a year in time instead of sealing him away. There/then1 the demon lord finds himself in the form of a little girl, albeit one with horns and reptilian wings. She obtains a job teaching at the local school for adventurers, where she hopes to end the hero’s quest before it starts. Things don’t go according to plan. It’s silly, lightweight fluff — the hero reminds me of Milfeulle Sakuraba — but sometimes silly is exactly what I need.
So, were there any shows last year that were worth watching? Let’s see….
Laid-Back Camp — There’s hardly any story: high-school girls talk about camping and occasionally pitch tents. What makes it noteworthy is the solitary camper Rin, who is presented as a competent, personable, well-adjusted introvert who genuinely enjoys doing things on her own, and who is treated with respect by the other characters.
Cells at Work — The red blood cell focal character is overly ditzy, but otherwise this is probably the finest example of educational entertainment ever produced.1
We Rent Tsukumogami — It looks I’m going to have to sit still long enough to write a proper review of this underappreciated small-scale detective series, since apparently no one else has noticed it. Another time, maybe.
Nobunaga no Shinobi — The third season felt a little more forced and wasn’t quite as funny as the first, but it had its moments.
Hozuki no Reitetsu — I was about to cancel my Crunchyroll subscription, but at the last moment they added the second and third seasons of the series centered around Enma’s chief of staff, and I relented. The first season is still the freshest, but the newer episodes are nevertheless generally at least good and often very funny. Hozuki is probably the show from last year I enjoyed most. There are many more screencaps below the fold.
The above I can recommend. I also watched the rest of the much-praised Planet With, which I had earlier been unimpressed with. It turned out to be Gurren-Lagann-lite, watchable, but with preachiness instead of spiral energy. Cardcaptor Sakura: the Misdeal spent too much time being nice and too little telling a story. Possibly the eventual continuation might redeem it, but I’m not optimistic.
I’ve been sampling the new offerings on Crunchroll. As usual, most don’t pass the five-minute test.1 The few that I didn’t immediately abandon are mostly comedies of various sorts.
The best new offering is Cells at Work, which deserves a post of its own. Until I get around to that, see Wonderduck. There are more screencaps below the fold.
Mr. Tonegawa: Middle Management Blues is the mock-heroic tale of an upper-level executive in an organized crime syndicate. Through the first three episodes we see Tonegawa conduct grueling meetings, deal with his deranged, perhaps demonic boss, and broil Kobe beef for his underlings at a picnic. It’s laboriously funny, but enough of it works that I will probably continue watching. I’d probably get more out of it if I had seen Kaiji and Akagi.
Planet With, a tale of absurd planetary menace, reminds me a little of Zvezda, but it makes even less sense. As of the second episode it’s still not clear whether the forces the hero has allied himself with are good guys or bad guys. I’ll probably never know, since I don’t plan to watch more.
I almost quit Asobi Asobase – workshop of fun – in five minutes, but I stuck it out and watched the entire first episode. I should have trusted my initial reaction. There are three unappealing high-school girls, some mild gross-out humor but nothing really funny, and an opening featuring lots of lilies. No thank you.
The Vision of Escaflowne dates back to 1996, when animators understood the concept “nose.” Crunchyroll recently added it to their library. It’s allegedly a classic, but three episodes in, I’m not convinced. It seems to be an attempt to combine as many genres as possible. It’s partly shoujo, partly shounen, partly mecha, partly science-fiction, partly fantasy, partly romance, partly war story, partly whatever. Aside from the noses, the show is noteworthy mainly for the soundtrack, composed by Yoko Kanno and her then-husband, Hajime Mizoguchi.1 I may watch more, or I may not.
I have two Japanese calendars this year. Hozuki no Reitetsu is the usual poster-sized six-pager (one large picture for two months, rather than one smaller picture per month). Girls und Panzer, however, is a single sheet about six feet long, larger than I had expected (when shopping on foreign websites, alway convert centimeters to inches before you order). Amazingly, it arrived uncreased, even though it came loosely rolled in a box rather than in a stout tube. I eventually figured out a place to mount it. Right-click and open in a new window to see the picture at maximum size.
New Zealand must have lax or poorly enforced copyright laws. An outfit called “Pixiluv” that ships from there advertises numerous calendars on Amazon.com. Many feature old art and advertisements that are, or should be, out of copyright everywhere, but quite a few others display recent illustrations, such as the Katanagatari calendar above.1
• Raff, Riff, of Notre Dame, Indiana
• Bunny, Soul, of Williams Bay, Wisconsin
• Vader, Darth, of Spokane, Washington
• Mouse, Mickey, of Anaheim, California
• The Elf, Buddy, of North Pole, Alaska
• Hydrox, Cookie, of Newport Coast, California
These and the others on the list are all better choices than any of those offered by the political parties.
Tanaka-kun Is Always Listless — So listless, in fact, that his friend Ohta often picks him up and carries him over his shoulder. However lazy Tanaka is physically, though, his mind is active, at least until he falls asleep. It’s a one-joke show, but it has remained entertaining through three episodes with the introductions of Tanaka’s quirky classmates.