Miscellany

Chainmail Bikini is back online.

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Art or garbage? It’s hard to tell sometimes.

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Derek Lowe recently added nitro groups to his “Things I won’t work with” category. You don’t need to be a chemist to enjoy his Lowe’s appreciations of azides, FOOF and other exceeding noisy or smelly substances.

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William Briggs:

“Any organization not explicitly right-wing sooner or later becomes left-wing.” This is, as everybody knows, Conquest’s Second Law. It is a true law, as all modern experience shows. But it says nothing about the pace or rate of the flight from Reality and Tradition.

A rock thrown upwards at the top of its flight is stationary. For a moment it neither goes up nor down. Then, a fraction of a second later, it begins it descent, but slowly, slowly. The speeds picks up, the rocks plummets faster and faster. It eventually crashes to the ground.

That’s the progress of rocks, a good but imperfect metaphor for the “progress” of human institutions. The imperfection comes in recalling a law Conquest didn’t mention: motus in fine velocior. Things accelerate toward the end. A falling rock has constant acceleration. Human failure is a force that feeds on itself.

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100 things Mark Evanier learned about the comics industry….

93. If your character wears a cape, it should be more or less the same length in every panel and it should not get shredded more than twice a year.

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Dr. Boli has completed his serial, Devil King Kun. From the 20th installment:

“Actually,” said Weyland, “good people generally don’t try to conquer the world. It’s not done, you know.”

“But if you don’t conquer the world, then won’t the evil people take over every time?”

“We generally prefer to let people choose their own government, and trust them to make the right choice.”

“Well,” said Miss Kun, “I’m willing to be good, but I’m not willing to be an idiot….”

The story begins here.

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Saw Ginger Baker’s Jazz Confusion a couple of years ago and when a bloke in the audience shouted out for ‘Toad’ Baker asked if he’d ever had a drumstick shoved up his nostril.

The lovable Ginger Baker has been hospitalized, critically ill. Here’s an 1970 interview with the easy-going drummer, and a more recent look at the gentle soul.

Update: Ginger Baker has died at the age of 80.

Professor Mondo, a drummer himself, on Baker in 1990:

The other thing that struck me was that Ginger looked like a mad wizard from a fantasy novel, impossibly aged, but terrifyingly powerful. He was three years younger than I am now. I think both his mistakes as a human being and his phenomenal talent aged him in dog years.

See also Shabby Road for an overview of Baker’s life.

Have a Spoonful of Cream.

Lord of the Haggis

I’m in the middle of one of my periodic re-readings of The Lord of the Rings. While looking for a large, easy-to-read map of Middle Earth, I came across a map of Scotland done LotR style.

If you are looking for a detailed map of Tolkien’s lands, this might be what you need. Here are some notes on maps of Middle Earth.

I came across a short biography of Pauline Baynes, who illustrated several of Tolkien’s works. She also did the pictures for the Narnia books, though she didn’t have the same rapport with Lewis as with JRRT.

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After a long day of storms, the clouds to the west are starting to thin out. I just looked out the front door: the setting sun colored the overcast sky a dull, glowering red, perhaps a bit too appropriate to my reading.

The kawaii demon lord

Ken the Brickmuppet wondered a few weeks ago if there are any current shows worth watching. I’ve only found one tolerable this winter, Endro! The series starts with the hero and her companions defeating the regional demon lord. However, they bungle the forbidden spell and send their opponent back a year in time instead of sealing him away. There/then1 the demon lord finds himself in the form of a little girl, albeit one with horns and reptilian wings. She obtains a job teaching at the local school for adventurers, where she hopes to end the hero’s quest before it starts. Things don’t go according to plan. It’s silly, lightweight fluff — the hero reminds me of Milfeulle Sakuraba — but sometimes silly is exactly what I need.

Screencaps are below the fold.

Continue reading “The kawaii demon lord”

Looking back

So, were there any shows last year that were worth watching? Let’s see….

Laid-Back Camp — There’s hardly any story: high-school girls talk about camping and occasionally pitch tents. What makes it noteworthy is the solitary camper Rin, who is presented as a competent, personable, well-adjusted introvert who genuinely enjoys doing things on her own, and who is treated with respect by the other characters.

Cells at Work — The red blood cell focal character is overly ditzy, but otherwise this is probably the finest example of educational entertainment ever produced.1

We Rent Tsukumogami — It looks I’m going to have to sit still long enough to write a proper review of this underappreciated small-scale detective series, since apparently no one else has noticed it. Another time, maybe.

Nobunaga no Shinobi — The third season felt a little more forced and wasn’t quite as funny as the first, but it had its moments.

Hozuki no Reitetsu — I was about to cancel my Crunchyroll subscription, but at the last moment they added the second and third seasons of the series centered around Enma’s chief of staff, and I relented. The first season is still the freshest, but the newer episodes are nevertheless generally at least good and often very funny. Hozuki is probably the show from last year I enjoyed most. There are many more screencaps below the fold.

The above I can recommend. I also watched the rest of the much-praised Planet With, which I had earlier been unimpressed with. It turned out to be Gurren-Lagann-lite, watchable, but with preachiness instead of spiral energy. Cardcaptor Sakura: the Misdeal spent too much time being nice and too little telling a story. Possibly the eventual continuation might redeem it, but I’m not optimistic.

Continue reading “Looking back”

Make me laugh

I’ve been sampling the new offerings on Crunchroll. As usual, most don’t pass the five-minute test.1 The few that I didn’t immediately abandon are mostly comedies of various sorts.

The best new offering is Cells at Work, which deserves a post of its own. Until I get around to that, see Wonderduck. There are more screencaps below the fold.

Mr. Tonegawa: Middle Management Blues is the mock-heroic tale of an upper-level executive in an organized crime syndicate. Through the first three episodes we see Tonegawa conduct grueling meetings, deal with his deranged, perhaps demonic boss, and broil Kobe beef for his underlings at a picnic. It’s laboriously funny, but enough of it works that I will probably continue watching. I’d probably get more out of it if I had seen Kaiji and Akagi.

Visualize whirled

Planet With, a tale of absurd planetary menace, reminds me a little of Zvezda, but it makes even less sense. As of the second episode it’s still not clear whether the forces the hero has allied himself with are good guys or bad guys. I’ll probably never know, since I don’t plan to watch more.

Late Night! The Genius Bakabon is a silly gag show. If you liked Osomatsu-san, you might like this, but two episodes were enough for me.

I almost quit Asobi Asobase – workshop of fun – in five minutes, but I stuck it out and watched the entire first episode. I should have trusted my initial reaction. There are three unappealing high-school girls, some mild gross-out humor but nothing really funny, and an opening featuring lots of lilies. No thank you.

Continue reading “Make me laugh”

The vision of noses

The Vision of Escaflowne dates back to 1996, when animators understood the concept “nose.” Crunchyroll recently added it to their library. It’s allegedly a classic, but three episodes in, I’m not convinced. It seems to be an attempt to combine as many genres as possible. It’s partly shoujo, partly shounen, partly mecha, partly science-fiction, partly fantasy, partly romance, partly war story, partly whatever. Aside from the noses, the show is noteworthy mainly for the soundtrack, composed by Yoko Kanno and her then-husband, Hajime Mizoguchi.1 I may watch more, or I may not.

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Count to twelve

I have two Japanese calendars this year. Hozuki no Reitetsu is the usual poster-sized six-pager (one large picture for two months, rather than one smaller picture per month). Girls und Panzer, however, is a single sheet about six feet long, larger than I had expected (when shopping on foreign websites, alway convert centimeters to inches before you order). Amazingly, it arrived uncreased, even though it came loosely rolled in a box rather than in a stout tube. I eventually figured out a place to mount it. Right-click and open in a new window to see the picture at maximum size.