Precise language

From a discussion in the comments at TSO’s place:

>Reminds me of my System/360 days when we had to suggest to the programmers that rather than ask the operator at the console to type “1 for Yes, 2 for No”, the program should request “Y for Yes, N for No”.

>And what’s wrong with “1” for Yes and “2” for No exactly? 🙂

>One for yes and two for no is great if you have at least one position to the right of the decimal point.

>”And what’s wrong with ‘1’ for Yes and ‘2’ for No exactly?” 1thing.

Miscellany

loindhana01

My sister sent me a link to an “identify the album” quiz. The page is no longer maintained — the link to the answers returns a 404 — and at least one of the identifications is wrong, but you might find it amusing anyway.

The above is one of my favorite covers, though the album, a collection of medieval dances, is too obscure to be fair game for such a quiz. Here it is in higher resolution.

loindhana02

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Is there a superhero in your neighborhood? Check the registry. (Via Ken the Brickmuppet.)

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Introducing Edward, the Veggie-Vampire.

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I’m an embarrassment to Barack!

I only scored 14 on the Obama Test

(Via John Salmon.)

Finally

What I saw of Hare & Guu left me indifferent, but this ending is an outstanding production number. It’s my pick for the best anime ending, at least for today.

[flv width=”640″ height=”480″]http://tancos.net/flv/wp-content/uploads/GuuDlxEd.flv[/flv]
Jungle wa itsumo Hale nochi Guu Deluxe, “Fun Fun and Shout” by Sister Mayo.

You can see the videos in full size at my video weblog, and you can compare my list with Astro’s.

At the midpoint

Number three:

[flv width=”640″ height=”480″]http://tancos.net/flv/wp-content/uploads/ExcelEnd.flv[/flv]
Excel Saga, “Menchi Aishou no Bolero” by Excel Girls. I’m not posting the clean version because the words matter, and because some who frequent this corner of the otakusphere might recognize one of the names in the credits.

Count five and Miss Michiko

Astro is counting down his top five endings. It looks like fun, so I’ll probably post my own list, though it will have to wait until next week. Astro’s fourth choice, incidentally, almost made my list. It will be interesting to see if there is something we both pick.

As Astro notes, it’s harder to find good endings than good openings. Openings are intended to sell the show; often the trailer for a show is the opening. Consequently, producers typically lavish great care and expense on the opening. In contrast, the ending usually just serves to list the necessary credits, and the production is consequently perfunctory. Sometimes the ending tune might be worth hearing, but the visuals are rarely interesting. Nevertheless, I managed to come up with five that are worth both hearing and seeing.

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Here’s something I forgot to post back in October. It’s from the ninth episode of Denno Coil.

[flv width=”704″ height=”400″]http://tancos.net/flv/wp-content/uploads/michiko stories.flv[/flv]

Cabbages and rhinoceroses

Robert notes that today is the birthday of Neil Innes, who, in addition to being the Seventh Python, was also part of the Bonzo Dog Band. Here are a couple of tunes Innes wrote or co-wrote for the band. The first was produced by “Apollo C. Vermouth,” better-known as Paul McCartney. The second features narration by the late, great Vivian Stanshall.

I’m the Urban Spaceman
[mp3]http://tancos.net/audio/Im the Urban Spaceman.mp3[/mp3]

Rhinocratic Oaths
[mp3]http://tancos.net/audio/Rhinocratic Oaths.mp3[/mp3]