Miscellany

Guys und Panzer:

(Via the Borderline Boy.)

An ornithopter for Miyazaki.

The Sailor Senshi meet the Jetsons. (Via Project Rooftop.)

I think that when a human engineer lives a good life, he’s reincarnated as a beaver.”

Full disclosure: I am a creature of the sinister right-wing Koch brothers, just like Michael Mann. Both universities I attended, plus the one where I studied and photographed ballet and the one where I took part in the annual Renaissance Faire, have all received money from the Kochtopus.

Don’t expect a Calvin and Hobbes movie.

You probably shouldn’t expect another VEI 8 blast from Yellowstone, either.

I haven’t had a haircut in 20 years. Perhaps that is why I’m still alive despite riding my bike every day on the wild streets of west Wichita.

Notes on growing biochemical weapons.

Pride and Prejudice for academics.

Ikea or black metal?

Today’s musical interlude, lunatic bassist edition:

MxBx

Do all the little-girl singers sound alike to you? Is the Anime Music Tournament making you sleepy? Here’s something to wake you up. (If you’re prone to seizures, don’t click.)

If all you know about Japanese rock is what you hear in anime, you’re missing most of the best. Someday I’ll write about the bands I’ve discovered, from Happy End and the Sadistic Mika Band to Melt-Banana and Tatsuya Yoshida’s various projects. In the meantime, here’s an article about and an interview with Melt-Banana.

We Have Signal: MELT-BANANA from We Have Signal on Vimeo.

If you find Yako’s vocals hard to take, try thinking of her voice as a percussion instrument.

(Via Clear and Refreshing.)

The year of sewing dangerously

Useful adjectives for discussing Kill la Kill:

ridiculous
tasteless
vulgar
lunatic
gross
headlong
obscene
violent
sophomoric
breathless
extreme
insane
pretentious
freakish
puerile
stripperiffic
furious
absurd
pell-mell
disgusting
fun

The ideal audience for Kill la Kill is a bunch of drunken male college sophomores. The show really is too tasteless to recommend, but if you can stomach the inexcusable extremes, you might find it compulsively watchable. I can hardly call it good, but if the creators can maintain the berserk energy of the first three episodes without veering into stupidity or pornography, Kill la Kill could very well be great.

Other shows I’m currently following include Yuusha ni Narenakatta Ore wa Shibushibu Shuushoku o Ketsui Shimashita, Outbreak Company and Arpeggio of Blue Steel. I’m feeling lazy, so I’ll just refer you to Steven and Avatar for commentary on the first two. About Coppelion, I don’t know. There might be a good story there, or it might descend into Angst and Message. I also sampled Tokyo Ravens, which I barely remember though it’s only been a few days since I watched it, and Galilei Donna, which is ridiculous but does feature a wrench wench. I might watch more of the latter, but I don’t have great hopes for it.

Update: As of the third episode, I’m Not Typing This Silly Long Title Out Again is on probation. Fino may be a delightful character, but tentacles cross the line.

Update II: Another word for Kill la Kill: shameless.

Calendar girls

Calendar girls

It’s the time of year to look for new calendars. I found a bunch at YesAsia, such as the Girls und Panzer one above. Other shows represented that might be of interest to certain visitors here include Vividred Operation, Hyperdimension Neptunia, Gargantia on the Verdurous Planet and Hatsune Miku. There’s a Gatchaman calendar, but it’s the old-style Gatchaman, not Gatchaman Crowds — a pity; Utsutsu deserves at least one month of her own. ((Better yet, a calendar of her own.))

For those with different tastes, there are two Edward Gorey calendars, this one, and The Evil Garden.

New toy

Geranium "Rozanne"

I recently bought a new little go-everywhere camera, a Nikon S3500. The specifications are a bit silly: how often does anyone need 20 megapixels? I took it to the botanical garden yesterday to give it a workout. The pictures are very good overall but not utterly fantastic. (If you want ultimate image quality, you need a DSLR (or better) with a large sensor. (Or better yet, a view camera.) That requires real money.) The camera doesn’t record purples and violets accurately (a problem with every digital camera I’ve ever used), a nuisance but not a deal-breaker for a cheap camera. The surprise is that the “macro” mode actually is useful. The image above is cropped but is otherwise unaltered, and was taken hand-held. Right-click to see it at full size. The flower is about an inch across.

Pop quiz

What do Shinku Izumi, Light Yagami, Death the Kid, Alpaca (from Polar Bear’s Café) and Percy Weasley have in common? The answer is below.

A few last notes on Gatchaman Crowds:

• The ending was unsatisfying. Although the good guys won and evil was defeated, and the resolution made some sense in terms of the show’s premises, it left too many questions unanswered. For instance, who or what is JJ? What is his connection with Berg-Katze? How did he know to pick Hajime? Are Utsutsu and Jou still around? What is Berg-Katze? What is his origin? What about MESS? Perhaps there wasn’t enough air time available to make everything plain, but if so, then why was half the penultimate episode a clip show?

• Nakamura doesn’t show us the final confrontation of Hajime and Berg-Katze, so I don’t know if J. Greely’s prediction was accurate. It makes sense and could have happened, and it would have made a fine climactic scene.

• Hajime is the most alien character in the show. ((Except maybe for JJ, but he scarcely counts as a character.)) I’m not convinced that she’s human, even if she does talk to her mother on the phone.

• Nakamura has a more optimistic view of human nature than I do, and more faith in the possibility of utopia. I’d rather that people didn’t try to immanentize the eschaton. (On the other hand, if you can transform troublemakers and jerks into inert cubes, then the remaining people probably will get along better and behave more responsibly. For a while.)

• Shifting attitudes toward information technologies can be followed in anime. In 1998’s Serial Experiments Lain, the “wired” is weird, scary and dangerous. In 2007’s Dennou Coil, evolved Google Glass is a lot of fun, though occasionally still dangerous. In Gatchaman Crowds, smart phones and conscious artificial intelligence are taken for granted and are generally benign.

Despite my reservations, Gatchaman Crowds is one of the better shows I’ve seen recently and is worth your time. It’s by no means Kenji Nakamura‘s best, though. If you want to see what he is capable of, violate international copyright law and download Mononoke.

The answer to the quiz:

Spoiler

They were all performed by Mamoru Miyano, who was also the voice of Berg-Katze.

[collapse]

Update: Ken the Brickmuppet finds libertarian themes in Gatchaman Crowds.

Update II: Greely found a picture of the team in old-style uniforms:

Gatchaman

Strings attached

Virginia Margheim Musser, Howard Rains, Roger Netherton, Tricia Spencer and Tommy Jordan.
Virginia Margheim Musser, Howard Rains, Roger Netherton, Tricia Spencer and Tommy Jordan.

I’ve posted the best of my Winfield pictures at my Flickr site. The photo above is of the old-time band that supplied music for Saturday evening’s contra dance. Roger, the fiddler on the left tapping his foot double-time, took home yet another violin in the old-time fiddle competition earlier that evening. ((You can listen to his performances here.)) Here’s the band late in the dance:

Here’s a panorama from early in the dance.

Update: Here’s a complete dance:

Home again, tired and irritable

Fingers and thumb

Winfield was good, and it’s going to take me another day or two to fully recover. I was hoping to get to bed early tonight, but the people who run the hair salon across the alley decided to throw a street party, complete with an obnoxious funky band. Bleah.

I hope to have the pictures and recordings edited later this week. Until then, here’s Shohei Toyoda, who placed third in the fingerpicking competition this year.

Nobody’s favorite guitarist

Umizatou as Norio Wakamoto

While I wait to see how well Kenji Nakamura pulls everything together in the concluding episodes of Gatchaman Crowds, I’ve been again re-watching Mononoke, his first full series and still his best. Above is a screen capture from the fourth episode, in which an ayakashi with the unmistakable voice of Norio Wakamoto visits the passengers of a ship sailing seas stranger than any in Yellow Submarine.

Mononoke Crowds

Crowds: Mononoke, above; Gatchaman, below.

Gatchaman Crowds

Word of the day

Nibiruistic.

Nibiruistic (adjective), used to describe postulations, interpretations and opinions on natural phenomenae coloured by a wish for disasters on a Doomsday scale rather than based on scientific merit. The word is derived from Nibiru, the fictional planet invoked as the root cause for the disaster predicted by the Mayan calendar that would end the world on December 21st, 2012. Since the Mayan calendar was very ambiguous, it could be said to be the archetype for a Nibiruistic interpretation. Nibiruism (noun), a statement based on a wish for a disaster on a Doomsday scale rather than on scientific merit.

*****

Now that we’ve considered what the fox says, what does the moose say? ((“Hey, Rocky.”))

The furry anthem is not the first crime the Norwegian Flight of the Conchords has commmitted. Here are some earlier outrages (N.B.: rough language and worse):

*****

I abandoned Stella blah blah blah several episodes ago when it ceased to be fun. Ken the Brickmuppet stuck with it, and he has figured out what it all means:

We at Gainax hate you.
Our childhoods were miserable because we were a bunch of geeky, socially inept otaku who grew to hate our hobby (which we blame for all our lost opportunities). Nothing makes us sicker than seeing those who watch and enjoy anime for they remind us of our selves and our many personal failures. We hereby dedicate our lives to making you hate the medium as much as us, for we are transgressive and enlightened hipsters who understand the nihilistic futility of everything…Well…everything except the cruel pleasure we derive from getting you gullible fools to first enjoy something we create and then watch helplessly and despair as we dismember it without anesthesia before you. That is the greatest joy in all creation.That we are paid to do this is icing on the cake. It’s an ephemeral joy though. Your innocence thus defiled, you can bring us little amusement from this point on, but there are always others that follow the likes of you. Now get thee along, Aokigahara beckons you.