Grumbling and muttering

So now there are Anime Blog Awards. Too bad I can’t participate. According to the rules, “… you are required to fill in at least 9 nominations in 9 different categories in order for your nomination to be accepted.” Unfortunately, there aren’t nine categories of anime weblogs with which I am familiar enough to make nominations. Thanks a lot, guys. I notice also that there is no category that applies to The Kawaii Menace, no “most eccentric,” “most frivolous” or “most desultory.”

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One more peculiar search term: “maoist anime.” I can’t think of any series offhand that reflects that point of view, and I’m not particularly interested in finding one. However, if you’d like a maoist interpretation of an anime, here’s a review of Serial Experiments Lain:

A further serious flaw in “Lain:” it makes no references to reality outside of imperialist-countries. The decadence of imperialist society is not just a matter of internal ennui, violence, and f******-up gender relations: it’s also predicated on the imperialists’ oppression and exploitation of the colonies and neo-colonies. “Lain” assumes all of humynity can connect to “the wired.” In our world, less than 10% of the world’s population has internet access (619 million of 6.23 billion).(1) For that matter, countries like Afghanistan, Burma, and Liberia have less than one telephone line per 100 population, and only 28% of India’s population has access to improved sanitary facilities.(2)

*****

Garfield minus Garfield. (Via Eve Tushnet.)

The real Ai no Senshi

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Angel Lily, Wedding Peach and Angel Daisy

When the world needs saving, Americans turn to superheroes: neurotic, grandstanding, steroid-abusing macho jerks. The Japanese rely on mahou shoujo: pretty girls in short skirts. Advantage: Japan. (The Japanese also call upon giant mecha, for which there is no specifically American equivalent. Advantage: America.)

Different magical girls have different specialties. School girl Momoko Hanasaki, along with her friends Yuri and Hinagiku, is a “love angel.” When agents from the demon world possess humans in attempts to destroy the happiness of those in love, Momoko transforms into “Wedding Peach” and tells the demons that she is extremely displeased. Then she exorcises them with attacks powered by her Love Wave.

I first read about Wedding Peach at T.H.E.M. Anime, where it was invariably mentioned with scorn. As I recall, the review there said it was stupid enough to cause brain damage in children. (That review has since been replaced by a more temperate, but still snide, assessment.) I figured that this was a series I could skip. However, I noticed that reviews elsewhere were more positive. The comments on this thread at Steven’s piqued my curiousity, and when I noticed that the discs were on sale for $4 each, I figured that it might be worthwhile to watch the first and see just how bad it is.

Actually, the first six episodes are quite watchable. Wedding Peach is plainly modeled closely on Sailor Moon (not that surprising, given that the character designer and one of the writers are alumni of the earlier show). However, thus far it seems to be not so much a cheap ripoff of Sailor Moon as Sailor Moon done right. Momoko is not a stupid ditz like Usagi. When she and her friends invoke their superpowers and battle the forces of evil, they’re competent. They don’t have to be rescued every episode by a mysterious yet dorky guy wearing a mask. It’s clear early on that the guy with whom Momoko regularly quarrels is destined to be her romantic interest, and it’s clear to them as well, though they won’t admit it.

It’s also ridiculous. Each of the three girls undergoes a double transformation in becoming a love angel, First she magically dons a wedding gown, which she then changes to a much-abbreviated combat dress. I’ve posted Momoko’s transformation on my video weblog. The long-term story apparently involves finding the evocatively-named “Saint Something Four.” Tongues were in cheeks when this show was made.

I haven’t decided if I’m going to watch the rest of it. It’s not exactly great art. There are any number of better shows available, and unless you have a special interest in magical girls, I don’t recommend it. It’s probably not even that good a substitute for Sailor Moon. Part of the appeal of the latter is the intricacy of the universe developed over the course of five seasons of anime, eighteen tankoubon of manga, three movies, a live-action show and a series of musicals. Wedding Peach offers only a mere 51 episodes plus four OVA episodes.

Definitely kowai

Every time I check the search phrases that lead surfers here, I learn once again that there are some really strange people in the world. Most frightening recent query: “‘president aria’ image gallery hentai.” Then there’s “keroro gunso doujinshi yaoi download.” Yaoi is distasteful enough when it involves humans. Let’s leave the frogs alone, okay?

Other search phrases from the past few weeks worth noting:

shounen comedy martial arts romance action fantasy ecchi harem schoolkids anime — Could you be more specific, please?
bleah — I agree
how to be haruhi
crunchy vs smooth peanut butter personality variables
nekomimi quartet
autistic catgirl
jack the ripper was autistic
sailor moon as a religion — it beats Scientology
transforming boys into girls — there’s a bit too much of that going on
creamed colored precalculus textbooks
are you kawaii or kowai?
kowai clothing
paranoia agent sounds like strawberry fields forever — not really, though “Maromi’s Theme” is a good lullaby for psychotics
rube goldberg clothes in basket
cyberpet adoptions japan wolves

And more variations on the usual theme:

kawaii crimson
kawaii closed roads
kawaii in chicago
kawaii badger
kawaii weather in june
kawaii horror

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Another item for the “ducks in anime” file:

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Ten’s spaceship in episode 2a of Urusei Yatsura.

Breaking the Cycle of Rudeness

Eve Tushnet on Miss Manners:

It’s somewhat startling how many of her rules and guidelines stem from the basic principles of putting others first and protecting them from our rougher feelings: how to write a thank-you note for a present you didn’t like; how to respond to a friend who gets embarrassingly drunk at a party (and how that friend ought to behave the next morning!); how to politely and charitably point out that someone has cut in front of you in a line. Even the correct way to refuse an invitation (apologize, but say no firmly, and don’t make excuses) is concerned in part with sparing others’ feelings: If you say, “I’d love to, but I’m afraid I’ll be flossing my otter,” you not only invite argument and attempts to persuade you away from your excuses. You also let your friends know exactly where they rank on your scale of priorities — possibly above cleaning the gutters, but definitely below otter dental hygiene.

New poll

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Paya-tan

It’s time for a fresh poll. Which creature ((Beelzenef, strictly speaking, isn’t a creature but a hand puppet, but it has more presence than Nekozawa does.)) from recent anime would you most like to see as a plushie? Some of the candidates might be unfamiliar to some visitors here. Paya-tan/Dark Paya (two phases of the same character) is the “crazy and cute” mascot from Dai Mahou Touge, an underappreciated series recommended to those who like their humor black. The mojos are Isako’s helpers in Denno Coil.

As far as I know, none in the poll are yet available in soft and fuzzy form, though there is a President Aria “money box.”

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Dark Paya

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Mojos

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Beelzenef

*****

I lost interest in the anime Spice and Wolf, but I do like the neo-Renaissance soundtrack. Here’s “Mada Minu Machi he.”

[mp3]http://tancos.net/audio/29 – Mada Minu Machi he.mp3[/mp3]

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The most impressive magical gift of the sailor senshi is their ability to sprint while wearing high heels. It turns out that some ordinary humans also run in stiletto heels. Why, I don’t know. See also the Ukrainian army.

Foolishness

I’ve been following the “March madness” at Derailed by Darry. It’s depressing; it demonstrates yet again that popular taste is a lousy guide to quality. In search of further bad news, I took a close look at the list of the “Top 50 best rated” animes at ANN. ((There are two different lists of the “best,” each calculated differently, but both essentially the same. This one is the “bayesian estimate.”)) Here it is, with my comments:

Continue reading “Foolishness”

Spice and Bear

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Satoshi Kon and Yasutaka Tsutsui

Some good news: Andrew Driver, who translated Yasutaka Tsutsui’s Salmonella Men on Planet Porno, is currently translating Paprika. It should be out next year. I wonder if anyone is working on Toki wo Kakeru Shoujo?

In case there is anyone here who hasn’t yet seen the movie, here are the opening credits of Paprika, perhaps the best part of the show.

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N.Z. Bear has been making adjustments to the TTLB ecosystem. I discovered today that The Kawaii Menace has vaulted into the “Large Mammal” category, even though it ranks only #7,097 (or #7,111, depending on where you look) at this moment. My first, now defunct weblog ranked much higher several years ago but never got beyond “Adorable Rodent” status. This all means almost as little as Technorati “authority.”

Wish list

Things I’d like to see:

Dirty Pair TV: This should have been licensed ten or twenty years ago along with the OVAs and the movies, but there isn’t even a fansub currently available for most episodes.

Yasutaka Tsutsui: Salmonella Men on Planet Porno demonstrates that he is at the very least a capable satirist, but almost none of his books have been translated into English. The recent films Paprika and Toki wo Kakeru Shoujo were based on novels by Tsutsui. In the former case, the orginal was probably better.

Divergence Eve and Misaki Chronicles: I’d like to see a remake, with the same script and cast, but without the pointless fanservice, and with better computer graphics. It’s a pity that one of the best science fiction stories in anime looks like porn.

Petitnone: This was a short CD included as a bonus with the third disc of the Japanese edition of Haibane Renmei. If one were to add some of remaining uncollected background music, such as the solo harpsichord in the third and fourth episodes, the resulting disc would be worth releasing in its own right.

Binchou-tan: One of the very few series that deserve good English dubs. This is an excellent show for small children, but most haven’t learned to read subtitles yet.

Kino no Tabi, vol. two and beyond: Evidentally there’s a licensing snafu and the rest of the books may not be released here after all (see Astro’s note on the previous post). This is criminal.

Ribon no Kishi: Besides its historical importance as the first shoujo anime and, if I remember correctly, the first anime series produced in color, the first episode is also quite lively, looks good and promises an interesting story. Yet the first episode is is all I’ve ever found.

Bandai Visual: Hurry up and go bankrupt, please, before you license anything else I want to see.

Vocaloid: Please port this to Macintosh so I can annoy people with Hatsune Miku.

Alfred J. Kwak: The first four episodes were subbed last year, but there haven’t been any more for several months now. This looks like another good show for kid and adults.

The KuriCorder Quartet: Masaki Kurihara composed and performed the music for Azumanga Daioh with his KuriCorder Pops Orchestra. He has released many other recordings in Japan, none of which are available in the west. The music he wrote for Yotsuba&! is as good as that for AD, and I’d like to hear more.

Mojos: I’m not really into plushies, but I wouldn’t mind a couple of Isako’s helpers to sit on top of the monitor. While we’re at it, let’s have a Guchuko plushie for Steven. (Densuke and Oyaji plushies are available in Japan but not here.)

Thought for the day

Let’s postulate that death can simply be engineered away. That human brains can be modeled in the Cloud and data can be copied back and forth from wetware to silicon. Then what do we become? A race of gods? or just a pile of nodes, acting out virtual fantasies until the heat death of the universe pulls the plug? That’s not post- or trans-humanism, it’s null-humanism.

Briefly interrupting the silence

Yeah, it’s been quiet around here. I haven’t seen much anime lately, and what I have watched have been mostly old favorites, such as the first disc of Haibane Renmei last night. None of the current series have caught my interest the way Denno Coil and Oh! Edo Rocket did last year. (Shigofumi might have, but it’s out of reach now.) The only one I’m following at this time is Hakaba Kitaro.

I did order the first discs of a few older series I’m curious about, which should arrive in a week or two. Once I’ve figured out how I’m going to manage all my medical bills, I’ll probably finally purchase some of the series that have long been on my list. These include Fantastic Children, Witch Hunter Robin, The Twelve Kingdoms, PlanetES and the rest of Revolutionary Girl Utena.

What I’m most looking forward to is not anime, however, but books. The first volume of The Twelve Kingdoms is very good (better than the anime, I suspect), and the second is due out later this month. The second volume of Kino no Tabi is due out anytime, though none of the sources I’ve checked have listed a publication date, grrr. There are also two more installments of Crest of the Stars available.

Recently viewed

The Waragecha Five are back, and they have new uniforms:

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Nice, but I prefer the old style.

A year after their first release, Epic Fansubs have reached episode six of Master of Epic. As a reward for my patience, the Waragecha Five, who were entirely missing from the previous installment, dominate the show this time, with a two-part skit that occupies half the episode. It’s a bit out of character for the show, since it introduces a giant robot into the fantasy universe, but the girls in the sentai team are still very much themselves, even with their science-fiction helmets. The rest of the show is mostly forgettable.

*****

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Shigeru Mizuki’s Gegege no Kitaro has been the basis of a major franchise in Japan for fifty years. There have been numerous TV shows and movies based on the manga. I’ve seen the first episodes of both the 1968 and 2007 series (the former in black and white), and was not impressed. Like his ’60’s American counterparts in The Addams Family and The Munsters, Kitaro was fundamentally good-hearted in these versions, and the resulting shows were rather bland, despite the graveyards and the monsters.

Hakaba Kitaro, the most recent adaptation, apparently makes an effort to be true to the source. This Kitaro is genuinely creepy, and humans who meet him don’t necessarily benefit from the encounter. Unlike the Gegege no Kitaros, this is not suitable for kids. Although there is some humor, this is primarily a horror story, occasionally quite grotesque.

Visually, it’s one of the more distinctive shows I’ve seen. It looks more like an artsy graphic novel than a typical anime. I was not surprised to learn that some of the crew responsible for Mononoke worked on the opening, in which the artists recreated Mizuki’s style. It’s worth attention in its own right (you might want to turn the sound down unless you like monotonous dance music).

****

I’m four episodes into Magic Knight Rayearth. A lot of stuff happens; there sure is plenty of plot. Unfortunately, it comes largely at the expense of character development. None of the characters have much depth yet. After watching a few episodes of Cardcaptor Sakura, I felt like I’d known the characters for years and would recognize them anywhere. The most I can say for the characters in Rayearth is that some are quirky.

This is not to say that Rayearth is a bad series. It isn’t. I probably just came to it with my expectations too high. The story is potentially good, particularly since CLAMP will likely twist the formulae in unpredictable ways. But it does look like it will be one of the lesser CLAMP anime, despite its length.