Bus rage

If you have 400 miles to travel and your options are Greyhound bus or a skateboard, choose the skateboard. You’ll get there faster and in greater comfort.

I left the house at 2 a.m. a week ago Sunday and arrived at the Wichita bus station shortly thereafter. I sat down with a book to wait for the 3 a.m. bus. And waited. And waited. And waited.

Evidentally Greyhound assumes that nobody reads any more, because there was a television up on the wall, tuned to CNN, the volume set to Very Loud. It was hard to read with the nattering voices. Nobody watched the television.

The stairway to the men’s room at the bus station was dark. It was not pleasant walking up them and, with my recent orthopedic problems, it was no fun at all making my way back down. Two of the four stalls were out of order, as were three of the five urinals. At the sink where I rinsed my hands, water flowed down the drain and onto the floor. There was no soap in the dispenser.

At 4 a.m., CNN repeated Larry King’s 2 a.m. interview with Colin Powell. Neither Powell nor King said anything worth hearing once, let alone twice.

At 5 a.m., just as CNN began repeating their 3 a.m. news report, the 3 a.m. bus arrived. It left the station shortly before 5:30, about two-and-a-half hours late.

My 7:15 a.m. connection east was long gone by the time the bus rolled into the Kansas City station, so I had the privilege of spending the rest of the morning there. At least the fixtures in the men’s room worked, and I was able to purchase a small hamburger that merely cost three times what it was worth. However, there were, not just one, but two televisions blaring, and none of the seats were comfortable. There were occasional announcements on the loudspeakers, but they were unintelligible with all the noise. I saw no chart listing which bus was boarded from which door. Fortunately, I correctly guessed which line was for the bus I needed in time to catch it.

The second bus left only about twenty minutes late, and I eventually arrived at my destination, about six hours late. ((Let me note for the record that all the Greyhound staff I talked to were courteous and apologetic. I’m not angry at them.))

Never again.

This was not my worst experience with Greyhound. Some years back, during a complicated journey, one of the bus drivers didn’t bother to go to work that day. I eventually reached my destination, exhausted and furious, in the middle of the night rather than the scheduled mid-afternoon.

It wasn’t always like this. Years ago, busses ran on time. You could even check in your luggage as you do at an airport rather than lug it from bus to bus, and you didn’t have to pay $10 for a second suitcase. I could buy a two-week pass for a very reasonable price, visit friends and family in several states out east and spend a few days at the Pennsic War on the way home. I used to entrust my hammered dulcimer to a friend with a car and take the bus to Winfield, arriving in time to set up my tent before the fingerpicking championship.

But not any more. Fewer busses run these days, seldom at reasonable times, almost never on time, and they don’t stop at Winfield.

Update: Maybe Greyhound executives should visit Japan.

An ordinary girl

The 1985 OVA Leda — The Fantastic Adventure of Yohko, which Steven recently discovered, looked like fun, so I downloaded it. ((According to ANN, it was once licensed by The Right Stuf International, but I found no sign of it on the RightStuf website.)) The story is straightforward anime fantasy: a high school girl is mysteriously transported to an strange world, where she transforms into a warrior in a battle bikini. Screen captures are below the fold.

It’s silly, but it’s not cheesy. The art is detailed, and the animation looks smooth to my non-expert eyes. Although there are characters named “Lingam” (spelled “Ringhum” in the subtitles) and “Yoni” and the girls don’t wear a lot of clothes, there is actually very little that’s off-color. It’s probably tolerable for all but the youngest audiences. If you have any interest in old-school anime, it’s worth checking out.

Update: Here are two sets of six consecutive frames. Each of these whizzes by in a fifth of a second.

Continue reading “An ordinary girl”

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All the pictures from Anime Festival Wichita are up now.

Update: here they are in video form:

[flv width=”480″ height=”340″]http://tancos.net/flv/wp-content/uploads/afw slideshow.flv[/flv]

The music is from the Oh! Edo Rocket OST.

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Is there anything that doesn’t come in a Hello Kitty version?

(Via Dustbury.)

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Large green ducks. There’s more rice paddy art here and here.

Memo to cosplayers

1. Underwear goes under your other clothing. ((And a bath towel cape looks really stupid.))

2. Heath Ledger’s Joker might be a great character, but the makeup is ugly.

3. Please don’t shriek when you’re standing next to me.

4. An all-ages anime convention is not an appropriate place to lead your pet about on a leash.

5. Please don’t stage large group photos in the middle of congested hallways.

Anime anthropology

The Field Guide to Convention Cosplayers

The Old School Tribute

Likely Cosplaying:
– Lum from Urusei Yatsura
– Anyone from Ranma ½
– Anyone from Final Fantasy II through V

Defining Traits:
– Looking really good in a classic cosplay
– Unless it’s overly complex or revealing, being completely unrecognized and ignored.

May I Take A Picture?: Please do.

Do: Thank them for remembering a show that came out before InuYasha.

Do Not: Mistake the Daicon bunny girl for Haruko from FLCL.

Will the Vocaloids outnumber the Narutards?

One can hope.

The Wichita anime festival moved to a venue within easy bicycle distance this year. I’ll probably spend most of the weekend there with my camera.

Here’s the first batch of snapshots.

Continue reading “Will the Vocaloids outnumber the Narutards?”

Public service announcement

Here’s the story.

This tune is part of a long tradition in music. An earlier example is No Strings Attached’s “Broken Key Boogie,” which commemorates modifications to Randy Marchany’s keyboard made by another airline (TWA, if I remember correctly).

[audio:http://tancos.net/audio/Broken Key Boogie.mp3]

Nope

Anime Expo has come and gone. What got licensed?

Denno Coil?
Kaiba?
Mononoke?
Mind Game?

Uh-uh. There was no mention of anything I’ve been waiting for. The titles that were announced all look like drivel. ((Well, maybe the remainder of Aria isn’t drivel, but I’m one of the few who didn’t find Aria the Animation a life-changing experience.)) Steven has a different list, but he, too, was disappointed.

I’m particularly annoyed that Denno Coil still hasn’t been picked up for region one. Number three of my top five, ((The other four are Haibane Renmei, Serial Experiments Lain, Cardcaptor Sakura and Shingu.)) it is the outstanding first-rate series I’ve seen that remains unlicensed. There are a number of older series on my to-buy list, but there seems to be less and less to look forward to nowadays. Oh, well; I finally got a new pair of glasses and can read all evening long again. Running out of anime won’t be a disaster.

There is a bit of good news regarding licensing: Kino International will release a compilation of Osamu Tezuka’s short films later this month. These date from 1962 to 1988 and are obviously essential for anyone interested in the history of animation. I wrote a little bit about some of them here.

Are you a twit?

Do you tweet? Are your thoughts expressible in no more than 140 characters? Perhaps you should reconsider. Here are a variety of philosophical arguments against using Twitter. For instance:

Natural Law Argument
(1) It is wrong to do what is not natural.
(2) There is nothing remotely natural about broadcasting the minutiae of your life to all and sundry whenever it takes your fancy.
(3) Therefore, Twittering is wrong.

(Via First Things.)

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A useful term:

A related concept is heiwa-boke (hei-WA boh-keh), literally meaning “numbed from too much peace,” which describes the state of literally being made stupid by living in a country that’s overly harmonious, like the Japanese who traveled to Iraq in 2004 to help rebuild the country only to be promptly kidnapped because, well, they were in friggin’ Iraq.

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A piece on the Montreaux jazz festival included this note about an unlikely pairing:

The pair [Lang Lang and Herbie Hancock] ended with Franz Liszt’s Hungarian Rhapsody No. 2 — which Lang Lang says inspired him when he heard it in a Tom & Jerry cartoon at 2 years old.

Here’s that cartoon, a classic combination of music and violence. The pianist you hear is likely Shura Cherkassky.

American music

Charles Ives is often celebrated for having anticipated many of the innovations of twentieth-century music. Less often noted is that he also anticipated, if that’s the right word, P.D.Q. Bach. Some years back, an acquaintance for whom I played a recording of Three Places in New England was scandalized by the second movement — real music isn’t supposed to be funny, he said. (Tell that to Mozart.) Here it is, the ideal music for the Fourth of July:

It’s become trendy in recent years to complain that the music of P.D.Q. Bach overshadows that of the composer Peter Schickele. I’ll grant that the humor is hit-and-miss, with misses predominating on the later recordings. Sometimes, though, the jokes work. Here’s the fourth movement of the “Unbegun Symphony.” ((Strictly speaking, this isn’t P.D.Q. Bach, since Schickele claimed it as his own, so to speak.))

If you’ve got a couple of hours to kill while waiting for it to get dark enough for fireworks tonight, why don’t you invite 35 of your closest friends over with their instruments and run through some American music of a different sort. Here’s the score to Terry Riley’s In C.