Trivia that matter
A new box of noisemakers just arrived. You will probably see even less of me than usual for the next few weeks.
Have a happy Ragnarök.
Update: It does take a while to install twelve DVD’s worth of applications and sample libraries, but not quite 90 hours.
What do you call a hexagon with ten sides?
… (yesterday, actually) Winsor McCay’s Gertie the Dinosaur debuted. (The live-action first half of Gertie is here.)
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Today’s headline: Russia Issues Terror Alert For ‘Moose And Squirrel’
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So, what is the state of animation a hundred years later? Let’s take a quick look at the winter 2014 anime season.
The only show I can recommend is the hellish comedy Hozuki no Reitetsu. Much of the humor depends on knowledge of Japanese legends and folklore as well as contemporary Japanese culture. If you’re not familiar with the story of Momotaro, for instance, you’ll miss many of the jokes in the first episode. Even so, enough of the humor survives translation, ((Sometimes excessively free translation; e.g., in the fourth episode, the rabbit’s victims are tanuki, not badgers, but “We don’t need no stinkin’ tanuki” doesn’t have the same impact.)) and this account of the life of a competent, dour oni in an underworld populated largely by flakes and silly people nicely illustrates the close relationship between humor and horror. It also features the second-most bizarre ending animation of the season, starting with the second episode.
If you’re interested in the art of animation, Space Dandy might be worth watching. (There are episode-by-episode discussions here.) The title character is an unsympathetic jerk, however, and the stories aren’t particularly interesting. It’s probably best enjoyed without subtitles and without sound.
The third episode of World Conquest: Zvezda Plot reminded me of Cold Turkey and Yasutaka Tsutsui’s “The Last Smoker,” and I wondered if it might be another Excel Saga. However, the fourth episode was merely weird, and the fifth dumb, and I’m losing patience.
Witch Craft Works has the winter’s most bizarre ending animation. It’s also the second series to feature an iron maiden (but not Iron Maiden). Five episodes in, it looks like the dweebish protagonist is caught in the middle of a war between the witches of order and the witches of chaos, and that every female he knows is more than she appears to be. It also seems that he himself has a past he doesn’t know about. I hesitate to give Witch Craft Works a recommendation. Every episode adds complications and new characters, and I will be surprised if the crew can bring the show to a satisfactory resolution in just twelve episodes. However, thus far it’s held my attention, and, despite the female lead’s over-ample bust, fan service has been negligible.
Nothing else I’ve sampled is worth mentioning.
From last September in Carp Camp. The fiddler on the bar stool is Roger Netherton, whose career I’ve been following for some time.
A melody with no agenda: the Irish tune “Dennis Murphy’s Polka”:
Here’s a curiosity I came across, the “Know Nothing Polka,” ((There’s at least one other “Know Nothing Polka,” archived online, as well as a “Know Nothing Waltz.”)) composed by “Nobody” and dedicated to “Everybody.” I dedicate this arrangement to Jamie Stiehm.
How do northerners stay warm? They grab their accordions and tango.
I’ve been amusing myself the past few days by running MIDI files of Bach’s Art of Fugue through a variety of soft synths. This one, I think, is the sixth “contrapunctus” (the MIDI files are confusingly labeled), realized with four instances of the AAS Chromaphone.
… Ken the Brickmuppet condemned by the Democratic People’s Republic of Korea. Details here.
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For those of you who use your computer to make noise, Native Instruments is offering a nice little compressor for free through the end of the year. NI’s Mikro Prism is another interesting freebie, a soft synth with a distinctive sound.
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![Dark [K]night](http://shuffly.net/zoop/wp-content/uploads/2013/12/night.jpg)
(Via man with black hat.)
Life is busier than usual right now, and it will be a week or two before I have time for a proper post. Until then, here are a few odds and ends.
• The true and proper words to the traditional Christmas carol:
• Some more silly stuff I’ve come across recently:
• If Kyousougiga ends well as well as it began, it likely will be the second-best show of 2013 (I don’t expect any current series to top the second half of Shin Sekai Yori). Here’s a tune from the OST that illustrates one aspect of the show. If Carl Stalling wrote anime music, it might sound something like this:
• Kill la Kill is currently in the middle of a tournament arc. Once that’s resolved, I expect that the show will shift gears, and then we’ll see just how good it really is.
• Arpeggio of Blue Steel, when it isn’t annoyingly silly, has been a surprisingly good series. Ubu has more to say about it. See Jusuchin for episode-by-episode discussions, with plentiful spoilers.
• Despite my better judgement, I’m still watching I couldn’t, so, etc. The creators can’t decide whether it’s a comedy, a fanservice vehicle, an action story or a romance; too often, it’s none of the above. Still, it’s just interesting enough that I want to see what happens. I wish Fino were in a better show with better writers.
• Today’s quote:
History is satire, and histories that are simply serious are simply false.
Something I came across this morning: Christian “popular” music that isn’t embarrassing. ((Although there are many good musicians who are seriously religious, the only one marketed as a “Christian” performer whom I enjoy listening to is Phil Keaggy, a superb guitarist and pretty good singer and songwriter.)) In 1976, Sister Irene O’Connor, a Franciscan nun in Australia, recorded the album Fire of God’s Love, playing every instrument and singing every vocal part. It wasn’t exactly a runaway hit in its day, and the vinyl now is a fabulous rarity. Here’s the reverb-drenched “Fire (Luke 12:49)” from the album:
Far more listenable than anything the St. Louis Jesuits and their ilk ever produced (faint praise, yes). You can listen to two more tracks here, but apparently that’s all there is of the album that’s online.
Sister O’Connor is still around and making music. There’s an interview with her here, and she has a facebook page.
… until Beethoven’s birthday. (Via Fillyjonk.)
If a pop song isn’t based on the Pachelbel chords, it likely uses the Sensitive Female Chord Progression, I-V-vi-IV.
The government finally returned the hour they confiscated from me back in March. Let me offer a small suggestion to whoever is in charge of clocks in this country: how about making daylight “savings” time a local option? DST might make sense in the eastern regions of a time zone. However, I live near the western border of the central time zone, where the clock is already ahead of the sun, and turning the clock forward an hour in spring leaves me sleepy and irritable.
A related, depressing factoid:
Research based on time use surveys found Americans’ schedules are determined by television more than daylight.
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The flashing lights of the park ranger vehicle were on, another vehicle as well, and four rangers were there in case I attempted to flee after the dastardly crime of _______.
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Even if I should someday visit Japan, manifold orthopedic problems make it unlikely that I will ever climb Mt. Fuji. Fortunately, Google Maps street view has already done so. (Enter “Mount Fuji, Fujinomiya, Shizuoka Prefecture, Japan” in the Google Maps search box to get there.)
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We need more princesses, not more lawyers.
(Here’s a tune named for the Irish pirate queen: Grace O’Malley.)
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All hail Captain Justice. (Via Dustbury)
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Some good free music I recently found:
Dudeldrum — a low-budget, energetic Russian Corvus Corax.
Los Jekes — something like Chilean gypsy jazz.
Also, if you haven’t yet downloaded the first Diablo Swing Orchestra album, what are you waiting for?
I listened to this every evening on the regional underground station back in ancient times. Some of his other songs were more popular and more listenable, but this is the one that comes to mind when I think of Lou Reed.
The Professor has discovered “group sounds,” the reaction of young Japanese musicians to the Beatles’ 1966 performance at the Nippon Budokan. Here’s a band of that school I recently discovered, Yokohama’s The Golden Cups. They might have had the first fuzzbox in Japan. The bass player, Masayoshi “Louis” Kabe, sounds like an asian John Entwistle to me.
Guys und Panzer:
(Via the Borderline Boy.)
The Sailor Senshi meet the Jetsons. (Via Project Rooftop.)
“I think that when a human engineer lives a good life, he’s reincarnated as a beaver.”
Full disclosure: I am a creature of the sinister right-wing Koch brothers, just like Michael Mann. Both universities I attended, plus the one where I studied and photographed ballet and the one where I took part in the annual Renaissance Faire, have all received money from the Kochtopus.
Don’t expect a Calvin and Hobbes movie.
You probably shouldn’t expect another VEI 8 blast from Yellowstone, either.
I haven’t had a haircut in 20 years. Perhaps that is why I’m still alive despite riding my bike every day on the wild streets of west Wichita.
Notes on growing biochemical weapons.
Pride and Prejudice for academics.
Today’s musical interlude, lunatic bassist edition:
Do all the little-girl singers sound alike to you? Is the Anime Music Tournament making you sleepy? Here’s something to wake you up. (If you’re prone to seizures, don’t click.)
If all you know about Japanese rock is what you hear in anime, you’re missing most of the best. Someday I’ll write about the bands I’ve discovered, from Happy End and the Sadistic Mika Band to Melt-Banana and Tatsuya Yoshida’s various projects. In the meantime, here’s an article about and an interview with Melt-Banana.
We Have Signal: MELT-BANANA from We Have Signal on Vimeo.
If you find Yako’s vocals hard to take, try thinking of her voice as a percussion instrument.
(Via Clear and Refreshing.)