The one in pink is Sherlock Shellingford, not to be confused with Sherlock Holmes.
Just wondering: what exactly does the word “milky” signify to the Japanese?
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Here’s the second-most impressive Touhou video I’ve seen: ((The most impressive remains this one.))
Then there’s this:
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I enjoyed The Triplets of Belleville — one of the few movies I’ve seen in a theatre this century — and I’ve been waiting impatiently for Sylvain Chomet’s next movie. Unfortunately, The Illusionist is apparently a disappointment.
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Can’t get out for your morning run because of the weather? Crank up your organ and dash through Chopin’s “Revolutionary” etude:
(The 19th-Century Czech pianist Alexander Dreyschock played this piece with left-hand octaves, which is at least as impressive a stunt as this.)
The manga magazine Young Jump has published a history of the Ig Nobel prizes, noted here and here. There’s no translation, but the images speak for themselves.
The 2010 Ig Nobel prizes will be awarded September 30. Fans of Moyashimon will be interested to know that the theme of this year’s ceremony is “bacteria.” Scheduled events include:
The Bacterial Opera: World premiere of a mini-opera about the bacteria who live on a woman’s front tooth, and about that woman. Conducted by David Stockton. Starring Maria Ferrante, Ben Sears, Roberta Gilbert and Thomas Michel as bacteria — and Jenny Gutbezahl as The Woman. Pianist Branden Grimmett. Costumes by Jenn Martinez.
Microbial Miniconcert by Evelyn Evelyn (and their friends Amanda Palmer and Jason Webley)
Pre-pre-show Boston Squeezebox Ensemble microbeconcert in lobby (begins at 6:45 pm), led by Dr. Thomas Michel
Pre-show Pathogenic Bacterial Pianoconcerto by Maria Eliseeva
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If you get tired of reading manga and watching anime, you can always watch the Japanese Vesuvius. Sakura-jima has been puffing away quite energetically recently, and this webcam has a good view of the active crater. (If you click on the cross-hairs, you can take control of the camera for a while.) It’s best viewed during daylight hours in Japan, though allegedly, if you’re lucky, you can occasionally see some incandescence and lightning at night. (Update: Visibility might be impaired by clouds, particularly when tropical storms are in the region, as is currently the case.)
I had been planning to purchase the the first few discs of Soul Eater when my budget permits. However, if you force me to endure the preview of the SE dub every time I watch an episode of Baccano!, I might change my mind. ((Yes, I know ways around this, but it’s still inexcusable. Also, every time I see the unskippable antipiracy notice, I feel a sudden strange urge to make illegal copies of every DVD I own.))
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I don’t know which is more depressing: the number I don’t recognize, or the number that I do.
Update: Raiga in the comments links to a spreadsheet with explanations.
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Naming your kids after anime characters is a dumb idea, but it’s no worse than calling them “Jimi Hendrix” and “Janis Joplin,” as did one erstwhile neighbor.
Steven declared that he couldn’t stop laughing after the second episode of Asobi ni Iku Yo (spoilers), so I checked it out. There’s more fan service than I like, and it’s a bit too off-color to generally recommend, but otherwise it’s been fun. It looks like the story is will be pleasantly convoluted, with nearly every character representing various competing secret organizations, and I’m certainly not going to object if one of the central characters is a sweet, playful and competent catgirl.
If the series gets stupid or devolves into mere fanservice, I’ll drop it. However, this is one of the very few recent shows that have caught my interest, and I have hopes that the crew can maintain a high level of complicated absurdity through the remaining eleven episodes.
How much sense Asobi ni Iku Yo ultimately makes might depend on the translators. Compare these two versions of a moment in the second episode. Eris, the adolescent fantasy alien catgirl, is speaking to her human captor, who has the scent of dog on him.
Ayako & SubDESU:
Ayako & SubDESU
Team Zebraman:
Team Zebraman
Update: Here’s the clip in question. Would someone who understands Japanese please explain what exactly Eris says?
The previews for the third episode suggest that the Ayako/SubDESU version is more accurate. Note the entity in the lower right corner of this screen capture:
A thought: so far, no weapon has presented any real threat to Eris. What would happen if an enemy were to roll a ball of yarn in front of her at a critical moment?
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Steven also enjoyed Battle Programmer SHIRASE. Unfortunately, scarywater.net is defunct, and many older torrents are no longer available. Grr.
This brave catgirl has slitted, red eyes. She has neck-length, luxurious, curly, brown hair worn in an impractacal style. Her skin is pale, and she has brown fur with orange patches on her ears and tail. She has a voluptuous build. Her ears are alert. Her fashion preferences are best described as “as little as possible.” When she talks, she tends to use a lot of big words – and know exactly what they mean. (sic)
You can find many more generators here and here. (Does the world really need a “Bishotron“?)
Here’s a list of “20 Must-See Movies to Share with Your Kids.” There are some significant omissions. (And some questionable inclusions: e.g., the entire Disney 2D animation catalogue? Even in their glory days there were plenty of klunkers. And I’m sorry, Julie Andrews might have sung nicely, but even as a youngster I resented what Walt Disney did to Mary Poppins.)
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I see that there is going to be more To Love-Ru anime. Why?
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In case I have any readers here in Wichita: next week I plan to spend some time at Anime Festival Wichita. Look for a large, hairy non-cosplayer behind a camera.
This is an exciting time for geologists, by the way. African is splitting in two, and there will soon (i.e., in about 10 million years) be a new ocean where the rift zone is now. (Via Darwin.)
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I’m pleased that Funimation has rescued the ABe animes. Serial Experiments Lain is essential viewing for anyone with the slightest interest in cyberpunk, and everyone should see Haibane Renmei at least once during his lifetime. (Texhnolyze has been sitting on my shelf unwatched for over a year now. I’ll get around to it eventually.)
I’m also pleased to learn that I will finally be able to see the rest of Revolutionary Girl Utena. I just spent several minutes trying to think of any anime as strange as the first arc of Utena. Let’s see …. There’s Cat Soup, though that kinda, sorta makes sense; maybe Angel’s Egg; Mind Game; perhaps Yuasa’s other works — and that’s about it.
Here is a mainstream Japanese animated film with a trailer that has an evocative, haunting power that eludes virtually the whole of American animation—and that’s just the trailer. And it’s not just American animation either, but pretty much the whole Hollywood machine. What was the last Hollywood box-office blockbuster that made you think of beauty, loss, longing and mystery? (Yes, other than The Lord of the Rings.)
Whether this particular film turns out to be good or not, it’s part of a cinematic culture that aims at, and sometimes achieves, something that isn’t even on the radar in Hollywood. This trailer reminds me of how I felt during the first five minutes of Howl’s Moving Castle, even though the film ultimately turned out to be a disappointment: Just the promise of the first five minutes, even a promise unfulfilled, was worth more than some American animation studios have delivered in whole films if not their entire outputs.
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American mecha: spiders for now, but eventually they’ll get to Gundams and EVAs (via the Borderline Sociopath):
John C. Wright previews his next novel, which features the Nine Samurai Vampire Warlocks of Kyoto. There may also be skin-tight latex nun suits. ((Permitted as of Vatican II.))
The website for Satoshi Kon’s current project is active. Yume-Miru Kikai looks like a significant departure from Kon’s previous work, at least visually, and unlike Paranoia Agent and Paprika, this “future folklore story” might be suitable for all ages.
An old interview with the late John Sladek I came across recently. Sladek, discoverer of the thirteenth sign of the zodiac (Arachne, May 13 to June 9), ((For the morbidly curious, my own sign is “No parking — violators will be towed at owner expense.”)) was one of the last century’s best satirists and is of my favorite writers.
Several otherwisesane and sensiblepeople recently have been posting their Champions Online or City of Heroes characters. I thought I’d check the games out. Fortunately for me, the former is Windows-only, but the latter does have a Mac client and a free trial period, so that’s how I spent a couple of lunch hours this past week. (Actually, I spent the first lunch twiddling my thumbs while the client downloaded nearly three gigabytes of additional content — if I had realized that it would do that, I wouldn’t have bothered.) It is fun to play with the character creator; you can make a (rather skanky-looking) schoolgirl, which isn’t possible with such sites as Hero Machine. The game itself, though, looks as dull as every other MMORPG I’ve visited, as far as I could judge from the tutorials (I tried both the heroic and villainous options). It’s nifty to design colorful avatars, but “jogging heroically” to fight random enemies is tedious. I’d rather listen to music —
— which is what I do in Second Life. My initial impressions of SL were rather negative, and if you want to find intelligent people to discuss anime with, you’ll do better hanging around Steven’s place. But there is lots of music there, some of it good, and there are other people with tastes as wide-ranging as mine. It’s possible to stream music from your computer to sites within Second Life, which I’ll be doing Saturday evenings for while. If you have a SL account, stop by Grizzy’s Café between 6 and 8 p.m. SL time (i.e., California time; between 8 and 10 p.m. in the central USA time zone). Tonight I’ll be playing very miscellaneous Japanese music, from Yoko Kanno to Hatsune Miku.
There is a tremendous range of ready-made avatars available in Second Life, such as this Super S Sailor Moon (to my eye, the most elegant of all mahou shoujo costumes). You can also design your own from scratch, if you're handy with Photoshop and virtual 3-D manipulation.
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I’ve sampled some random examples from the fall anime season. So far I haven’t finished a single episode. Surprisingly, the one I watched longest was Kämpfer, this season’s attempt to create the ultimate anime. Let’s see … we have
• high school students
• fighting
— with guns
— with swords
— with magic
(… but no forks)
• sailor fuku
• panties
• sexual ambiguity (question of definition: is a guy who actually changes to a girl truly a “trap”?)
• a meganekko
• henshin
• absolute territory
• .4 Rushunas — and that’s the hero. He also runs like a girl.
I hesitate to say whether there are any moeblobs or tsunderes in the show. I think one character qualifies on both counts, but that isn’t my field of expertise.
That’s in just the first fifteen minutes or so. There are also hints of a developing harem, a ridiculously powerful student government and perhaps a vast conspiracy. I expect future episodes will include copious steam. There are unlikely to be nekomimi, mecha or winged people, but I wouldn’t put it past the writers — it really is a silly show. Sad girls in snow are probably too much to hope for.
My only hope for the fall season is Kuuchuu Buranko, or Trapeze, whose crew includes Kenji Nakamura and Manabu Ishikawa of Mononoke.
Here are some curious items from the most recent batch of search terms:
heresy is not kawaii
gurren lagann knitting
cowboy bebop knitting
knitting anime themes
ponyo on a stick
sailor moon cardboard cutout a religion based off of sailor moon
canzoni kawaii
languid gay charles solomon
gender critics are idiots
anime girl wolf boy frog
haruhi peanuts
kawaii the murderer pics
safe for work babes
oink supervisor
There were a few that make me glad that I am unlikely ever to meet the searchers:
Ubu, meanwhile, has discovered RahXephon. In a comment at Ubu’s place, Avatar confirms what I had suspected:
RahXephon was a show where we constructed a couple of really elaborate theories that explained everything, wrote off to Japan with a “so which one is it, we need to know for the translation”, and got back “huh? We did all those things because they looked cool.”
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I recently watched the first two episodes of El Hazard: The Magnificent World. Good grief. Here’s our hero:
I really wonder sometimes: do Japanese boys want to be girls? If you think I’m exaggering, count the thumbnails on this graphic:
The first El Hazard OVA was written by Ryoe Tsukimura. He also wrote the scripts for the first Tenchi Muyo! movie and the many UFO Princess Valkyries. They have their moments, but they’re all essentially anime junk food. Most of the rest of Tsukimura’s output looks similarly undistinguished. However, he does have one classic to his credit, Noir, which was his idea and his script. In this, he reminds me of Kou Ohtani, a competent, unmemorable soundtrack composer who on one occasion exhibited afflatus.
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Since I closed nominations for the current poll, commenters have mentioned Ghost in the Shell, Tenchi Muyo GXP, Kimagure Orange Road, Spice and Wolf and Wolf’s Rain. The first has been mentioned twice (the second time in an email), so I’ll probably add it to the second round candidates. Would anyone care to second any of the other series?
When the Fnools invaded Earth, they disguised themselves as two-foot-tall real estate salemen, figuring that no one would take them seriously until too late. ((See Philip K. Dick’s “The War with the Fnools.”)) The aliens in Mao-chan adopt a similar strategy: by assuming mercilessly kawaii forms, the invaders make the Japanese defense forces reluctant to engage them in combat, lest the human soldiers be seen as bullies. The Japanese fight cuteness with cuteness: the head of the land forces enlists his eight-year-old granddaughter, Mao, to battle the invaders, arming her with a baton, a full-size model of a tank, and a clover-shaped pin that transforms her into a not-terribly-competent but very cute mahou shoujo. Mao soon is joined by a couple of other eight-year-old girls: Misora, representing the air force, and Sylvie, representing the navy, both recruited by their doting grandfathers. Mao and Misora are ordinary grade-school girls, as kids in anime go, but Sylvie is distinctly Osaka-ish.
Vicipaedia needs otaku who can write decent Latin. The anime and manga pages are pathetic. (I had several years of Latin, but that was a long time ago in a different century, and it would take more time than I can spare to regain competence.)
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Another entry for the “ducks in anime” file:
From Negima Ala Alba OAD #2 (not recommended).
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I discovered that the software used to animate Hatsune Miku is freeware, available here. It’s surprisingly capable. Here’s Miku dancing Maurice Bejart’s choreography; compare it to the final minutes of this. ((I recommend skpping the first six minutes unless you are a Bejart fanatic.)) Unfortunately, like Miku herself, it’s not for Macs.
That other dealer is holding a “bargain bin blowout.” It’s mostly junk, of course, but there are complete sets of some worthy anime available for very reasonable prices, including Bottle Fairy, Divergence Eve and Misaki Chronicles, Haibane Renmei, Serial Experiments Lain, Shingu (including a t-shirt), Someday’s Dreamers and Sugar, a Tiny Snow Fairy. There’s also some Miles Davis.
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So Sailor Moon is girl stuff? Check the results of this poll.
I had intended to write a detailed comparison of the print and anime versions of Moribito, but I doubt that I will get around to it any time soon, and I’ve loaned the book to friends. Here are some highlights from the post I’m not writing:
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