Cultural notes

I spent most of the weekend at the Walnut Valley Festival. It’s primarily devoted to acoustic string music, particularly bluegrass, but there were some items of interest to students of Japanese popular culture.

• The second-place winner in the fingerpicking championship was Akihiro Tanaka, from Kyoto, Japan. I wasn’t able to get down to Winfield on Thursday, when the contest was held, but the fingerpick winners made an appearance on the main stage Friday evening. Here’s what Tanaka played then: ((The sound is less than wonderful. Stage one is a noisy place.))

[audio:http://tancos.net/audio/My Favorite Things.mp3]


• I spent several hours listening to the jam sessions at Carp Camp. ((I don’t bring my dulcimer to Winfield unless I’m camping. This year I day-tripped, so I just listened.)) Here’s the tune that the campers call “Finish (sic) Polka.” It sounds strangely familiar.

[audio:http://tancos.net/audio/finnish polka.mp3]

(This is not my recording, but Carp Camp’s own from last year. The campers played the tune at least twice this weekend, but neither time did I have my recorder handy.)

• One of this year’s Carp Camp catchphrases (if you write it as a single word, you get six consecutive consonants. Can you think of any other English words like that?) was “Don’t hurt the old people.” The third Monday in September (usually the day after Winfield), is celebrated in the Japan as Respect for the Aged Day.

Old-time cooking

My vacation last week started disastrously (see below), but once I arrived at my friends’ home it improved markedly. One of the highlights was an impromptu jam session with the young fiddler Roger and a couple of his friends. I just happened to have my little portable recorder at hand.

Different instruments require different micing techniques. Fiddles, I’ve read, sound best with the microphone positioned two or three feet above the fiddle. With banjos, the further from the microphone, the better — in the next room, say, or across the street, or in the next county.

Old Mother Logo:

[audio:http://tancos.net/audio/Old Mother Logo.mp3]

Cluck Old Hen:

[audio:http://tancos.net/audio/Cluck Old Hen.mp3]

Update: Here’s Roger in action at a contra dance:

Public service announcement

Here’s the story.

This tune is part of a long tradition in music. An earlier example is No Strings Attached’s “Broken Key Boogie,” which commemorates modifications to Randy Marchany’s keyboard made by another airline (TWA, if I remember correctly).

[audio:http://tancos.net/audio/Broken Key Boogie.mp3]

Are you a twit?

Do you tweet? Are your thoughts expressible in no more than 140 characters? Perhaps you should reconsider. Here are a variety of philosophical arguments against using Twitter. For instance:

Natural Law Argument
(1) It is wrong to do what is not natural.
(2) There is nothing remotely natural about broadcasting the minutiae of your life to all and sundry whenever it takes your fancy.
(3) Therefore, Twittering is wrong.

(Via First Things.)

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A useful term:

A related concept is heiwa-boke (hei-WA boh-keh), literally meaning “numbed from too much peace,” which describes the state of literally being made stupid by living in a country that’s overly harmonious, like the Japanese who traveled to Iraq in 2004 to help rebuild the country only to be promptly kidnapped because, well, they were in friggin’ Iraq.

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A piece on the Montreaux jazz festival included this note about an unlikely pairing:

The pair [Lang Lang and Herbie Hancock] ended with Franz Liszt’s Hungarian Rhapsody No. 2 — which Lang Lang says inspired him when he heard it in a Tom & Jerry cartoon at 2 years old.

Here’s that cartoon, a classic combination of music and violence. The pianist you hear is likely Shura Cherkassky.

American music

Charles Ives is often celebrated for having anticipated many of the innovations of twentieth-century music. Less often noted is that he also anticipated, if that’s the right word, P.D.Q. Bach. Some years back, an acquaintance for whom I played a recording of Three Places in New England was scandalized by the second movement — real music isn’t supposed to be funny, he said. (Tell that to Mozart.) Here it is, the ideal music for the Fourth of July:

It’s become trendy in recent years to complain that the music of P.D.Q. Bach overshadows that of the composer Peter Schickele. I’ll grant that the humor is hit-and-miss, with misses predominating on the later recordings. Sometimes, though, the jokes work. Here’s the fourth movement of the “Unbegun Symphony.” ((Strictly speaking, this isn’t P.D.Q. Bach, since Schickele claimed it as his own, so to speak.))

If you’ve got a couple of hours to kill while waiting for it to get dark enough for fireworks tonight, why don’t you invite 35 of your closest friends over with their instruments and run through some American music of a different sort. Here’s the score to Terry Riley’s In C.

Music appreciation

One of the books I tested my new glasses with is Alex Ross’ The Rest Is Noise: Listening to the Twentieth Century, recommended by Steven. Here’s a trivia quiz based on it.

Identify the speaker:

1. “I have actually outlived myself.”

2. “Defend me, Spaniards, from the Germans, who do not understand and have never understood music.”

3. “All the doctors who wanted to forbid me to smoke and to drink are dead.”

4. “Beauty of sound is beside the point.”

5. “Thank God! Finally a Reich Chancellor who is interested in art!”

6. “There is, thank God, a large segment of our population that never heard of J.S. Bach.”

7. “Beethoven was wrong!”

8. True or false: Debussy served as the thirty-third grand master of the Prieuré de Sion.

9. Who told a tenor saxophone player to play a descending major seventh with “sex appeal”?

10. Who was known to wear “a peach-colored shirt, a green tie with white polka-dots, a knit belt of the most vivid purple with a large and ostentatious gold buckle, and an unbelievably loud gray suit with lots of black and brown stripes”?

11. Who, according to Pierre Boulez, “… had displayed ‘the most ostentatious and obsolete romanticism'”?

12. Who, according to Pierre Boulez, was “… a ‘performing monkey” whose methods betrayed ‘fascist tendencies'”?

13. Who was apparently born near Cologne in 1928, but actually was of extraterrestrial origin and had lived many past lives?

14. What is 8’37” better-known as?

15. Who was “the best drug connection in New York”?

Continue reading “Music appreciation”

Best soundtrack poll, round two

The problem with the poll widget had to do with the update to the plugin, not WordPress 2.8. I was able to get the poll working again by dumping the new version of the plugin and reinstalling the previous one.

This is the second, and last, preliminary round. The top ten from this poll will advance to the final round. You can vote for up to three candidates.

Grrr

It looks like upgrading to WordPress 2.8 broke the poll widget. Nevertheless, I think there were enough votes to pick the first round winners:

Cowboy Bebop (42%)
FLCL (23%)
Haibane Renmei (23%)
.hack//SIGN (17%)
Aria (15%)
Last Exile (13%)
ef: a tale of memories (11%)
Death Note (11%)
Azumanga Daioh (11%)
Code Geass/R2 (11%)

These ten will advance to the final round of the best anime OST poll. I’ll post the second round once I figure out how to get the poll working again.

Music appreciation

Just for the heck of it, here are some excerpts from noteworthy soundtracks that weren’t nominated for the current poll.

Bakumatsu Kikansetsu Irohanihohito:

[audio:http://tancos.net/audio/Shanhai Kurabu.mp3]

Binchou-tan:

[audio:http://tancos.net/audio/Yume.mp3]

Spice and Wolf:

[audio:http://tancos.net/audio/Mada Minu Machi he.mp3]

Metropolis:

[audio:http://tancos.net/audio/Zone Rhapsody.mp3]

Arjuna:

[audio:http://tancos.net/audio/The Clone.mp3]

… and a little music depreciation. Here’s a tune you might recognize, sung by Haruna Ikezawa.

[audio:http://tancos.net/audio/God Save The Queen.mp3]

The winner

After four rounds and over a thousand votes, we have a babe:

I’ll post the complete results sometime this weekend.

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There were 62 nominations altogether for the best anime soundtrack. I’m going to run two preliminary rounds of 31 each, in which you can vote for up to three candidates. The top ten in each round will go on to the finals.

Ideally, I should post excerpts from all the nominated soundtracks, but I’m lazy. If you want to campaign for your favorite, feel free to post a link to an illustrative video or .mp3 in the comments. (There are a number of such links in the comments here.)

Here’s a list

Soundtracks nominated so far for the next poll:

Aria the Animation/Natural/Origination
Azumanga Daioh
Bartender
Bleach
Bubblegum Crisis OVA
Bubblegum Crisis 2040
Code Geass/R2
Cowboy Bebop
Death Note
ef: a tale of memories
Elfen Lied
Eureka 7
FLCL
Full Metal Alchemist
Haibane Renmei
Kaiji
Kamichu!
Macross Frontier
Madlax
Manabi Straight
Neon Genesis Evangelion
Noir
Oh! Edo Rocket
Princess Tutu
Record of Lodoss War
Revolutionary Girl Utena
Shigofumi
Shigurui
Simoun
Tengen Toppa Gurren-Lagann
True Tears
Vision of Escaflowne
Welcome the the NHK

A few others were mentioned, but I’m not sure that they were meant as nominations:

.hack// et cetera
Vampire Princess Miyu OVA
Vampire Princess Miyu TV
Witch Hunter Robin

Some other soundtracks worth considering:

Ah! My Goddess: The Movie
Angelic Layer
Binchou-tan
Denno Coil
Interstella 5555
Kaiba
Macross Plus
Metropolis
Mushishi
Paprika
Saiunkoku Monogatari
Shingu
Someday’s Dreamers
Sugar, a Tiny Snow Fairy

What else? I’m sure I’m forgetting something obvious.

Also, would someone care to nominate a specific Miyazaki movie OST?