First impressions

Does transparent hair indicate yokai?
Does transparent hair indicate yokai?

Re-Kan — Another Shinto 101 show, like Natsume Yuujin-cho and Mokke. It reminds me of Pupipo, but here the girl who sees things that other people don’t has generally supportive classmates. While there’s no hint of fanservice, there is a cat who behaves like the reincarnation of Mr. Kimura, and that might limit its watchability. I’ll probably watch more.

Shokugeki no Soma — Three minutes into it there were tentacles. Forget it.

Eye-catching eyecatch
Eye-catching eyecatch

Houkago no Pleiades — Formulaic mahou shoujo. However, the girls have distinct personalities, and some of the events take place in a conservatory I’d like to visit. There’s also no hint of fanservice, even in the transformation scene. ((except perhaps for the excessively detailed eyecatch.)) I’ll probably continue watching.

Hibiki! Euphonium — I didn’t find the story and characters as enthralling as Ben, but I wasn’t in band when I did time in high school. I gave up about half-way through the first episode. I might give it another try sometime when I’m less preoccupied.

Update: I sampled a couple more.

Etotama — The first episode seemed like a gag manga adaptation, but apparently it’s an anime original. It was energetic and sometimes funny, but it made very little sense. I might watch another episode to see if the writers have anything in mind beyond chibified kemenomimi, but I don’t have high hopes.

Punch Line — noitaminA has given us probable classics (The Tatami Galaxy, Mononoke), curiosities (Moyashimon) and lots of pretentious drivel (pretty much everything else). And now noitaminA presents outright trash. I made it half-way through, and that’s enough.

Why not, indeed?

Big bubbles

After months of tedious waiting, there suddenly are not one but two different subtitled versions of Mouretsu Pirates: Abyss of Hyperspace out. I’ve watched each once so far. As far as I can judge, WhyNot‘s is the better and more thorough translation; Doremi‘s is impressive for a fourteen-hour job. WhyNot’s 1080 fansub has a 5.1 FLAC soundtrack and is more than twice the size of the corresponding Doremi version, which might be important if you have limited disc space or a sub-optimal internet connection.

It’s an enjoyable movie. Abyss of Hyperspace is set after the end of the TV series. Hyperspace has become very turbulent, which plays havoc with businesses dependent on faster-than-light travel. Pirate captain and high school student Marika acquires a “hostage,” a blue-haired boy with a mechanical parrot and father issues, and who is pursued by swarms of mobsters. After various adventures and battles and a bit of psychodrama, all is resolved, conspiracies revealed, bad guys thwarted, and good guys rewarded. The story’s not bad, but the real pleasure of the movie, as with most of Tatsuo Sato’s better work, is spending time with the characters.

It’s not necessary to have seen the television series to enjoy the movie, but those who’ve met Chiaki-chan before will get more out of it. There’s nothing objectionable, and the movie is suitable for anyone old enough to follow a moderately complicated story.

There are more screencaps below the fold.

Continue reading “Why not, indeed?”

Time for some piracy

The birdie

It seems like I’ve been waiting forever for the promised fansub of Mouretsu Pirates: Abyss of Hyperspace, which has been almost done for several months now. Another circle noticed a day or two ago that the movie was still not available in English and did the subtitles in fourteen hours. Steven has the link. I won’t have time to watch the whole thing until I get home this evening, but what I’ve seen so far has been worth the wait.

The military man

100,000 drawings

redline01

I recently got a blu-ray drive for my computer. For the first movie to watch at 1080p, I picked Redline. It was a good choice. Although there are plenty of digital effects employed in the 2009 movie, all the characters, all the cars — everything — are hand-drawn, and it shows. The last half-hour is the most spectacular anime I’ve seen since the end of Akira, and the whole movie is gorgeous. The screencaps here are all from the first twelve minutes.

Redline opens and closes with wild road races. In between, there is a romance, interference from the mafia, and a repressive government up to No Good, but the story doesn’t get in the way. The movie is pure eye candy.

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Look back in boredom

I can’t make a top ten list of anime for 2014 because I didn’t watch ten series all the way through. Here’s a quick look at what I finished.

The best

Pupipo. It’s unlikely ever to be licensed, so you’ll have to track it down through irregular channels. It’s worth an hour of your life.

Pretty good

Hozuki no Reitetsu. Life in Japanese hell. The most successful comedy of the year. To fully appreciate the eighth episode, watch a Kyary Pamyu Pamyu video first. (You don’t have to watch the video all the way through. One minute will be plenty.)

Kill la Kill, part two. Over the top and beyond. ((I’d like to see a sequel to this — not more bizarre action with the fate of the world at stake, but rather an account of how Satsuki adapts to ordinary life and ordinary clothes. It will be a much greater challenge for her than anything she faced in the show.))

The rest

Amagi Brilliant Park. It’s the first Kyoto Animation series I’ve watched beginning to end since the first season of Suzumiya Haruhi, which is something. Still, I was too irritated with the principals to enjoy the humor.

Madan no Ou to Vanadis. The greatest disappointment of the year. Tatsuo Sato is more comfortable with spaceships than with swords and magic. Tigre is too much a straight arrow, and the war maidens are often too silly to take seriously. The show felt rushed. It needs at least 26 more episodes, but I’d rather Sato start a new project that suits his vision better than waste more time in Brune.

Ore Twintails ni Narimasu. The fourth episode is great. After that, it goes downhill fast. There are way too many double-entendres throughout, and the premise is just a bit squicky.

Sabagebu. Sometimes funny, sometimes tasteless. Still, it’s a good antidote for the Stella C3 catastrophe.

Sekai Seifuku —Bouryaku no Zvezda—. Sometimes funny, sometimes merely weird.

Witch Craft Works. I know I watched this, but I can barely remember it.

And a couple of other things

Girls und Panzer: Kore ga Hontou no Anzio-sen Desu! OVA. A particularly enjoyable affair with Miho’s girls and their tanks.

Mouretsu Pirates: Abyss of Hyperspace. Excellent, as far as I can judge from the raw, but I’ll have to withhold final judgement until it’s subtitled.

The pirates return

In-Your-Facetime

I got impatient and downloaded a raw of Mouretsu Pirates: Abyss of Hyperspace. It looks beautiful, and the story moves briskly along. What that story is, though, I only vaguely understand. Will someone please license this for North America, or, failing that, fansub it?

There are a few screencaps below the fold. Steven has a bunch more here, though my favorite image from the movie is here.

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Rococo and roll

Home
Home

Some years back I read Novala Takemoto’s Shimotsuma Story, published in English as Kamikaze Girls. I wrote about it here. I finally watched the movie based on the book this evening. Some of the humor was overly broad, and there were some gratuitous crudities early on, but overall this movie about a very odd couple was watchable and often very funny. Kyoko Fukuda and Anna Tsuchiya were plausible as Momoko the lolita and Ichiko the yanki. The story was necessarily simplified, but it was generally true to what I remember of the book.

There are more screen captures beneath the fold. Click the pictures to see the details of Momoko’s garb.

Continue reading “Rococo and roll”