Ten years ago today, my first weblog went live. 1 It was called “Mixolydian Mode.” My gimmick was that I would post a MIDI arrangement of a public-domain tune every day, such as the “Celtic Society Quickstep.”
Category: Animation
First look, last look
I took a look at some of the new shows on Crunchyroll.
… and that’s when I stopped watching Arata the Legend.
Blasé boy meets annoying girl in Muromi-san. The gimmick is that the girl is a mermaid. I made it all the way through the first episode. Some of it is is funny, but the humor is rather low-brow. I doubt that I’ll watch more.
Devil Survivor 2 is based on an RPG. Usually that’s a bad sign but, surprisingly, I survived the entire first episode. A trio of adolescents download demons on their smartphones to fight monsters while the earth faces some sort of apocalypse. I expect that next week is the big infodump, and after that the show will go to hell, but it could surprise me.
For a moment I thought we were in Texas during bluebonnet season, but no such luck. Majestic Prince features annoying kids piloting mecha, and I lost interest within five minutes.
Boy meets girl again in The Severing Crime Edge. This time, the boy is obsessed with cutting girls’ hair, and the girl has very long hair that cannot be cut. Perhaps there’s a story there, but it felt creepy in the wrong way. It was another I dropped in five minutes.
Gargantia on the Verdurous Planet is the least unpromising of the bunch, even if the protagonist is a mecha pilot. This might be connected to the fact that the staff includes a certain Gen Urobuchi, who not long ago wrote a story about a girl named Madoka.
*****
If the spring anime season isn’t dreary enough for you, there’s summer. When the only series that catches my eye is a remake of Sailor Moon, something is wrong.
~Tomodachi wa Mahou~
The ponies got a shiny, bouncy new opening for their Japanese debut.
I can’t say that I’m enthusiastic about it, but it is more palatable than the original.
To clear the treacle out of your ear, here’s “My Little Baccano.” ((Here’s the original Baccano opening, in case anyone still hasn’t seen it.))
A typical high school
The third Girls und Panzer OVA gave us a panoramic view of the school ship. (To see the full-size image, right-click to open the link in a new window.) In terms of Kansas cities, it looks larger than Haysville but smaller than Emporia.
Update: The more I look at this picture, the spookier it becomes. Where is everybody?
*****
You all had a narrow escape, by the way. I had a few posts in mind for tomorrow which I planned to type up this afternoon. However, my neighbors decided at 1 a.m. this morning that I didn’t need to sleep. (Curiously, when I called on them later they did not come to the door, even though the door was wide open and the teevee was on.) Instead of writing, I spent the afternoon dozing in bed.
Ending well
Jonathan says that Shin Sekai Yori is “… the best science fiction TV show that I have ever seen, animated or otherwise.” I’m not sure I’d go quite that far, but it definitely is in a class with Serial Experiments Lain and Dennou Coil. It’s the best show of any kind I’ve seen since at least Madoka Magica. The ending did not disappoint — not that I was worried; it was obvious early on that the creators knew exactly what they were doing.
It’s absolutely not for children, and even for adults I can’t give it an unreserved recommendation. It’s partly a horror story, with monsters and worse than monsters, all the more chilling for what isn’t shown. But if you have the stomach for it and are willing to think about aggression, social control and human nature, Shin Sekai Yori is worth your time.
*****
I can give Girls und Panzer an unreserved recommendation for all ages. The premise is silly — teams of high-school girls compete in tank battles — but the staff played it straight and made it work, and did so without panty shots. The last episode was exhilarating and satisfying. If you watch it with friends, you’ll likely cheer aloud as Miho and her comrades fight their desperate battle.
Make a contract with Fluttershy
So the Japanese are going to get their own dub of My Little Pony ~Tomodachi wa Mahou~. Good for them; the first season, at least, (which is all I’ve seen) is often clever, rarely cloying, and probably better than nearly all other contemporary shows on western teevee.
Most of the actresses announced so far are new to me, but there are a few familiar voices. The Queen of Tears, Kikuko Inoue, is Princess Celestia. Fortunately, Celestia isn’t a weepy sort, and Inoue is a good actress when she isn’t bawling her eyes out. Rozen Maiden‘s Shinku is Twilight Sparkle, and Cardcaptor Sakura‘s Li Shaoran is Spike.
The surprise is the voice of the sweet, bashful Fluttershy: Emiri Kato. Kato earlier was the cute, cuddly and evil Kyubey. I have difficulty imagining Fluttershy with that voice. It’s the stuff of nightmares.
*****
Dusty Sage found a “State of the Herd” survey of Bronies. One of the findings is astonishing if it’s accurate: more than a quarter of all MLP:FIM fans are INTJs like me. I knew that thoughtful introverts are far more common on the internet than offline, but this is bizarre.
From the observatory
Today’s Astronomy Picture of the Day might look familiar to fans of Mouretsu Pirates.
The youngest licensed hang glider pilot in Canada
Jonathan Clements remembers Toren Smith, who passed away Tuesday:
Toren’s enthusiasm for Japanese comics had brought him to the attention of the early staff of Viz Communications, but his relationship with many of them was confrontational and often irascible. Told by one manager to “go and do it himself” if he thought he knew the market better than them, Toren took it not as an oriental brush-off, but as a career move. He stayed in Japan for nine months, selling all his possessions and throwing himself into what he regarded as a real industry with potential growth: translating manga. Crippled financially by the fall in the value of the dollar, he lived a precarious existence nickel-and-diming, working as a janitor in exchange for no questions about his tardy rent in the apartment building, and freezing through a Japanese winter. He was reduced to stealing noodles from a convenience store, but he was also making the right deals, and on the way, acquiring wife number two, the lovely Tomoko Saito. He arrived back in America with a set of Japanese comics entirely packaged, photographed, flipped, retouched, and translated, the rights already agreed.
…
When it turned out that there was no comic tie-in to the Dirty Pair franchise, creator Haruka Takachicho let Toren buy the right to do his own, with artist Adam Warren. When the rights for Nausicaa of the Valley of the Wind were sold to Viz, Hayao Miyazaki insisted that Toren Smith be involved with the translation. When Eclipse Comics went under in America, Toren was sure to pay off the debts owed to the Japanese using his own money. He was always prepared to put his money where his mouth was, promising, for example, to indemnify Dark Horse against losses if an unknown title called Oh! My Goddess failed to make a profit.
At one point, Smith lived in the GAINAX house with about a dozen animators. According to Yasuhiro Takeda in Wikipedia:
Make no mistake, GAINAX House was a den of rabid bachelors. Nobody cleaned or even straightened up—ever. When we received a visit from Hiroe Suga (who for a time was staying at a boarding house in Tokyo and working as an author), she was literally sickened by the smell. The color drained from her face and she beat a very hasty retreat. Ultimately, we elected to move out of GAINAX House. When the landlord came by to give the place a once-over and release us from our contract, he was stricken speechless. Almost immediately after we vacated, the house was demolished.
Miscellany
If you’re a creative sort, you have an opportunity to collaborate with Neil Gaiman. Unfortunately, the deadline is next Monday. I wish I’d heard about this earlier.
*****
Coming attractions: Pixy might be able to see Comets Lemmon and PanSTARRS now. The latter should be visible to those of us in the northern hemisphere soon.
There are more comet pictures here.
*****
Vertical, Inc., is considering whether to translate Yusuke Kishi’s Shin Sekai Yori. If an English-language copy of the novel would be worth $25 to you, go to Vertical’s Tumblr page and “like” it. They need 4500 people to express an interest before they’ll undertake the project, and I was only #699.
Kishi does have one book available in English translation. I’ll probably include The Crimson Labyrinth in my next Amazon.com order.
If you’re not watching the anime Shin Sekai Yori, you’re missing one of the finest — and most nightmarish — science fiction stories ever broadcast.
*****
Bambi Meets Godzilla, rebuilt:
You can watch it in 1080 if your computer can handle it.
*****
Professor Mondo‘s novel is now available as pixels at Amazon.com. I just got a new pair of glasses, so I’ll probably wait for the print edition and read it the way books were meant to be read, on dead trees. You can read one of his short stories here.
*****
A note on current events in the Catholic Church: everything you read in the secular press is complete and absolute BS. Don’t believe anything you read. I suggest checking in occasionally with Elizabeth Scalia if you want an informed perspective.
Meanwhile, here’s the Vatican version of March Madness, and Christopher Buckley’s introduction to simony.
*****
Which famous British poet is this? The answer is here.
(Via Eve Tushnet.)
Quote of the day, anime edition
Arhyalon, in a discussion of “aristocracy”:
So, is it impossible to show noble characters well on film?
Not at all. In fact, it is done very well over and over again today. By the Japanese in Anime.
One also sees it occasionally in British films. The Japanese and the English, both peoples with a long history of a noble class, seem to grok nobility in a way that the Americans and New Zealanders just do not.
Briefly noted
Here’s an earlier, very different version of the Mononoke Hime story. You can see some additional Miyazaki art here.
The horror, the horror
Winter anime notes
Llamas and alpacas celebrate Christmas by going to Mass. (Via Aliens in This World.)
*****
So, what am I going to watch this winter beyond the rest of Shin Sekai Yori? Let’s see …
• I might watch all of Satoshi Kon’s work in order and see what overall themes emerge. With four movies and one 13-episode series, that’s a manageable goal.
• I might look again at series I started but never finished: Noein, Kurau Phantom Memory, Fantastic Children.
• I might finally watch some of the sets gathering dust on my shelves: Witch Hunter Robin, Welcome to the N.H.K., Texhnolyze, Samurai X, various Ghosts in the Shell.
• I might revisit old favorites that I haven’t watched recently: Serial Experiments Lain, Princess Tutu, Mushishi, Kino’s Journey, Jubei-chan: Secret of the Lovely Eyepatch, Divergence Eve.
• I probably will watch all of Shingu yet again when I once more make the mistake of thinking I can watch just one episode.
… or I might not watch anything, but instead read.
What I’m probably not going to watch is any of the winter anime offerings. In all the previews I’ve read, there is not a single show that looks even slightly interesting.
*****
I noticed that Hyouka was on a lot of best-of-the-year lists, including Jonathan’s, so I watched the first episode. It’s okay, I guess, but the premise wasn’t particulary interesting, and the characters were mildly irritating. I doubt I’ll watch more. What caught my attention was the plant above, the first mesemb I’ve seen in anime. There were also images of the distinctive and dangerous Euphorbia marginata, out of focus but unmistakable.
To be fair, I should note that I attended four grade schools and three high schools and was a bored outsider at all of them. I am not the least bit nostalgic for my school years, and any story set in a high school automatically has one strike against it.
A glance back at an ordinary year
I’m not going to make a “ten best anime” list for 2012 because I haven’t watched ten shows all the way through. Two of the year’s best best are incomplete, and there are a couple of well-regarded series that I have yet to look at (Sakamichi no Apollon and Space Brothers). Instead, this is just a casual survey of this year’s offerings that I watched.
Series I didn’t make it all the way through the first episode of: Chihayafuru, Hayate No Gotoku: Can’t Take My Eyes Off You, Muv-Luv Alternative: Total Eclipse and Magi. The last I might give another try sometime, since the writers evidentally understand more about economics than do our betters in Washington.
Series I watched only the first episode of: Accel World, Binbougami ga, Campione, K, Nyarko-san: Another Crawling Chaos, Sword Art Online and Chuunibyou demo Koi ga Shitai. Jonathan thinks highly of the last, and I would watch more, but what I saw wasn’t sufficiently brilliant to warrant subscribing to Anime Network. (Update: Also Ozma, Koi to Senkyo to Chocolate and Shining Hearts: Shiawase no Pan. See how memorable they were?)
Series I watched more than one episode of before losing interest: Kamisama Hajimemashita, Polar Bear Café and Sengoku Collection.
Unfinished series I might yet watch the rest of: Inu X Boku SS.
The year’s major disappointment: Moyashimon Returns. Too much soap opera, not enough craziness.
This year’s minor disappointment: Dog Days II. Entertaining, and the characters are mostly likable, even admirable; but the fanservice-to-story ratio is too high. It’s a kid’s show that I can’t recommend for kids. (And surely Leonmitchelli can find something more appropriate to her station to wear than daisy dukes.)
These are the shows that I can recommend:
1001 Psychedelic Nights
Like Marc Chagall on acid: animation based on artwork by Yoshitaka Amano.
Mind-expanding in a different way: an “Astronomy Picture of the Day” calendar, free for the downloading.
No silver eagle of the steppe
US copyright law is stupid. Case in point: Girls und Panzer‘s eighth episode is missing about a minute in its Crunchyroll version. Unless you download a fansub, you are going to miss this 1938 song, the highlight of the episode.
Update: here’s the video, via Ivlin, who notes that “Copyright is demonstrably making art worse“.